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Entries in The Holdovers (14)

Friday
Dec082023

NBR loves "Killers of the Flower Moon", "The Holdovers", and "Poor Things"

by Nathaniel R

The National Board of Review, now in their 94th year (!), have released their annual winners list. They've generally been very beholden to perceived Oscar contenders. Habitually they're obsessed with already canonized American directors and this year is no exception with Martin Scorsese's Killers of the Flower Moon taking their top prize. They also found room for multiple citations for Alexander Payne's dramedy The Holdovers. and Yorgos Lanthimos' Poor Things. Other films only scored one prize. Curiously Hayao Miyazaki's The Boy and the Heron was in their top ten list but it did not win Best Animated Feature. The latter prize went to Spider-Man Across the Spider-Verse (which was not in the top ten films). Such are the mysteries of awards season... and the need to fill lots of banquet tables at events with something for every distributor!

I kid, I kid. But the winners and a few more notes are after the jump... 

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Sunday
Dec032023

Team Experience Oscar Predictions - Post 1 - Initial Thoughts

by Christopher James

Oppenheimer and Killers of the Flower Moon are obvious frontrunners, but who is the leader among The Film Experience writers as of now?

With the Gotham Awards and New York Film Critics Awards having announced their winners, the Oscars race is officially afoot! We have surveyed The Film Experience writers and asked them to make predictions in the main eight categories - Picture, Directing, Actress, Actor, Supporting Actress, Supporting Actor, Adapted Screenplay and Original Screenplay. Every other week, we will check in with the team to see who has risen or fallen in the rankings.

Martin Scorsese’s epic drama, Killers of the Flower Moon, had the strongest showing of the week, awards-wise. It took home Best Picture at the New York Film Critics Awards and stars Lily Gladstone and Robert De Niro had the most high profile moments of the Gotham Awards. Does that mean it is out in front, or does Oppenheimer still have the distinction of frontrunner status? See what the Film Experience Team thinks after the jump...

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Friday
Oct272023

Middleburg 2023: Mainstream Oscar Bait is back, baby!

by Lynn Lee

Previously in part one of the Middleburg recap we discussed Cannes triumphs The Zone of Interest and Anatomy of a Fall (now in theaters!), and Sofia Coppola's Priscilla. Now the jam-packed Oscar promise second half of the festival.

Day Three
If you’ve been wondering whether American Fiction – the audience favorite at Toronto – really has Oscar potential, I’m here to tell you yes, it absolutely does.  Cord Jefferson’s debut feature took home the audience award at Middleburg, too, and both my husband and I thoroughly enjoyed it.  It’s a rollicking satire of the literary establishment and the politics of racial representation, based on a novel that was written over 20 years ago but is, if anything, even more current today.  Jeffrey Wright stars as Thelonious “Monk” Ellison, a bougie buttoned-up middle-aged black writer who, appalled at the success of novels and entertainment he sees as pandering to white stereotypes of black life, writes his own gangsta/ghetto porn novel as a bitter drunken joke... only to see it meet with an effusive response far beyond his wildest imagination... 

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Thursday
Sep282023

Review: "The Holdovers" Makes For a Successful Payne/Giamatti Reunion

By Christopher James

A student, teacher and cafeteria manager are stuck together for Christmas in Alexander Payne's new film, "The Holdovers."

Alexander Payne has added another lovable misanthrope to his Avengers collection of curmudgeons. The Holdovers packages a lot of familiar tropes, both from Payne’s filmography and broader genre conventions. Luckily that doesn’t stifle the film’s wit and charm. After having an ambitious flop with Downsizing, Payne has returned to form with his eighth feature.

Mixing Goodbye Mr. Chips with Rushmore, The Holdovers is, like its protagonist, gruff yet sweet. For those looking for a Holiday coming-of-age comedy with a spike of melancholy, it'll be the feel-good, feel-bad movie of the fall season...

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