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Entries in Tilda Swinton (135)

Sunday
May202012

Tilda, Candied

First the prize jewel in gay activist's Derek Jarman's filmography. Then critical adulation and fame with Orlando "same person...different sex". On to Female Perversions and into The Deep End. Finally and impossibly, sorcerous big box office, red carpet goddess, unashamed polyamory, and Oscar-winning internationally adored actress. All this and she's never lost a single wisp of that original avant garde spirit.

Queen Tilda.

Now, a covergirl for the "first transversal style magazine"! Fifty-one years fabulous and still going impossibly strong. Long may this queer icon reign.

heart-stoppingly exciting photos by Xevi Muntané after the jump...

Click to read more ...

Tuesday
Feb142012

Tues Top Ten: Best Best Supporting Actress Winners

"I Simply Cannot Do Alone" might well be the theme song all lead actors should sing to their stellar supporting castI felt a list coming on so I didn't fight it. Neither did I fight the order as I slotted them in, though you know how this goes if you've ever made such insane list. The order might change with a moodswing and it would definitely change (perhaps drastically) if I had an opportunity to rewatch all these pictures back to back. 

Ten Most Deserving Best Supporting Actress Oscar Wins

Runners up: I'm crazy about Patty Duke in The Miracle Worker and Tatum O'Neal in Paper Moon but they're both unarguably leading roles so I'm not voting for them. My apologies in no particular order to Ruth Gordon, Wendy Hiller, Catherine Zeta-Jones and, oh, dozens of people. Never mind. Moving on! (The one winning performance I'm most frustrated to have not yet laid eyes on is Gloria Grahame's in The Bad and the Beautiful (given the hosannas I read about it... even right here.)  

10 I want to offer the tenth spot to either Mercedes Reuhl in The Fisher King (1991) or Dorothy Malone in Written on the Wind (1956) though I haven't seen either performance in aeons. Both are sometimes regarded --even by me -- as performances that are so over the top they're buzzing about King Kong's head like tiny airplanes. But given that the films they're in are as colorful and eccentric as the Empire State Building is tall, they're truly excellent and memorable contributions to their movies if you ask me. 

She's got poise. The way she holds her head at just the right angle. That takes training. That takes years of training. I see what Willy sees. Willy's got big ideas, Jack."
-in All The King's Men 

09 Mercedes McCambridge, All the King's Men (1949)
She slices right through the thick air of political grandstanding. Modern and mercurial, I sometimes like to imagine McCambridge dropped right into today's pictures. Imagine her starch and steel freed up by looser contemporary mores. She'd be even better about complicating her movies. 


Where did April come up with that stuff about Adolf Loos and terms like "organic form"? Well, naturally. She went to Brandeis. But I don't think she knows what she's talking about. Could you believe the way she was calling him David? "Yes, David. I feel that way, too, David. What a marvelous space, David." I hate April. She's pushy."
-Holly's interior monologue in Hannah and Her Sisters 

#8 through #1
Tilda, Rita, Dianne and More after the jump

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Monday
Jan232012

Extremely Link

Weinstein Co a live chat today with The Artist team (4:30 PM EST)
Gold Derby "Oscar nominations we're rooting for"
Deadline exciting sounding project alert. Gyllehaal mama Naomi Foner, who wrote the brilliant Running on Empty (1988) is making her directorial debut with Very Good Girls. Elizabeth Olsen and Dakota Fanning to star as best friends just out of high school eager to lose their virginity.
Nicks Flick Picks' Best Actress Birthday Parties are getting more and more festive. I died at one particular one-liner in the Piper Laurie Tim review and now I simply must see the movie. 

Slash Film Remember that biopic Big Eyes about artist-marrieds Margaret and Walter Keane which was supposed to star Kate Hudson years and years ago? No? Well, it's back in development only this time with Reese Witherspoon. I don't know how you make a movie called Big Eyes and cast anyone but Our Miss Hathaway though. 
AD Jameson How many movies can you see? An obsessive discussion about what's feasible or worthwhile.
By Ken Levine "guys are not going to want to f*** her" on pursuing a role in TV pilots. A scary read for actors!

Fun videos with Charlize, Fassy & Viola after the jump...

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Wednesday
Jan182012

Red Carpet Globes Pt 1: Lisbeth is Wednesday

Last week on Red Carpet Convos, Joanna and I were trying on gowns; I borrowed Penelope's (don't judge) and she wore Evan Rachel's.  This week Kurt and I gawk at the Golden Globes but alas, there's no word on which of these dresses Joanna would wear.

Nathaniel: Welcome back to Red Carpet Convos, Kurt. This was meant to be a three-way but Joanna had a fashion emergency off stage of some sort. She's here in spirit and promises to return!‬
Kurt:  A Wardrobe malfunction, naturally.‬ 
Nathaniel: ...which very few ladies were actually having on the Globes red carpet. Everyone (well almost everyone) was so put together. Let's start with Best Actresses of Yore.

Miss 2005, Ms 2008, Dame 2006, Double Dipper 1988 & 1991, and Mrs 2002

 

Kurt:  ‪Reese gets my Lazy Trophy of the evening. ‬Between the dress and that wind-blown hair, she looks like she's shooting Bridesmaids 2...in Chicago.
Nathaniel:  ‪Lazy is an odd adjective for Reese since her signature roles are so go-getter ambitious but career-wise and fashion wise. Okay, maybe.‬ 
Kurt:  ‪Yes on go-getter, but doesn't this outfit feel grab-and-go?‬
Nathaniel:  ‪I feel the same way about Kate Winslet since she's been doing only black and white for, what, four years now? Her walk-in s like hitting the "desaturate" button on Photoshop. But she looks sensational anyway.‬
Kurt: I'm with you. It's "matronly" as all the fashion cops have no doubt screeched, but she just looks so beautiful. I even like the clutch, i mean "trophy placeholder"
 

Nathanile: Hee. Hey, trophies are the best red carpet accessories. Did you hear Helen Mirren doing the voice of Becky on last night's Glee?‬ 
Kurt:  ‪ha! no! the boyfriend and i missed Glee. we watched Stage Beauty, with Claire and Billy Crudup.
Nathaniel:  ‪My deepest apologies. You're still functional this morning?‬ 
Kurt:  ‪hahaha...aw. yes, it's a mess. but in terms of sexuality, i had fun.‬ 
Nathaniel:  ‪That sentence out of context! Watch...

in terms of sexuality, i had fun.‬ 
-Kurt 

Kurt:  ‪omg indeed‬. whoops. But back to this damn dame. Regal as always. Definitely red carpet MVP year in year out‬

Yes, she did!Nathaniel:  I think Jodie wore this color for her first Oscar win? Anyway, it's my favorite color on her. 
Kurt:  ‪I do like Jodie's outfit; however i keep getting, A Fish Called Jodie‬ 
Nathaniel:  ‪A Fish Called Jodie. Now I am imagining Jodie seducing Jamie Lee Curtis ...in French.
Kurt: It could happen.  I know everyone loves nicoles dress, but, bless her, she's such a perennial offender for me. and this number looks like her kids glued macaroni all over it
Nathaniel: Wrong. Jodie and Nicki Kidman Nicki Kidman both look like the movie stars they are. Or were...? The weirdest thing about winning an Oscar is sometimes how much it's like a cliff face rather than a peak.‬ Not for these two in particular. I'm just thinking aloud. Sorry, let's call it the ‬‪Susan Sarandon effect when Oscar is like The End. Mabe I'm only thinking of her because she used to favor the peekaboo cleavage that Kate is blessing us with.‬ It's for ladies that are proud of their racks.‬ 
Kurt:  ‪yes. more on Madonna later‬ 
Nathaniel: HA! So when I was assembling that "previous winners" lineup i kept wanting to including Laura Linney, Glenn Close and Julianne Moore but then had to remember. Statue Repellent!‬ 
 

Kurt:  ‪Poor Julianne...

Psychotic Agent, Silent Actress, Perpetual Loser, Perfection, YELLOWWWWWWWW

MORE AFTER THE JUMP

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Monday
Jan022012

Online Film Critics Need To Talk About Terrence

You may have heard that the Online Film Critics Society unleashed their press release on the world today. It rained Manna Malick from Heaven as The Tree of Life won 5 of their 13 gongs. Their winners...

Picture The Tree of Life
Director Terrence Malick, The Tree of Life
Actress Tilda Swinton, We Need To Talk About Kevin
Actor Michael Fassbender, Shame 


They go against the grain frequently with Best Actress. Aside from obvious sweepers like Natalie Portman or Helen Mirren in their years, winners have included Melanie Laurent from Basterds, Michelle Williams from Wendy & Lucy, Reese Witherspoon in Election and more. Like the Los Angeles Film Critics Association, who are even more adventurous in Best Actress citations, the OFCS is much more traditional / conservative when it comes to Best Actor almost always going with a major future Oscar nominee or frontrunner. The only exception in their entire history is Billy Bob Thornton who won for the Coen Bros picture The Man Who Wasn't There (2001). Funny how critics groups, even large ones, have such obvious personalities.

Actor Michael Fassbender, Shame
Supporting Actress Jessica Chastain, The Tree of Life
Supporting Actor Christopher Plummer, Beginners
Adapted Screenplay Bridget O'Connor, Peter Straughan for Tinker Tailor Soldier Spy
Original Screenplay Woody Allen, Midnight in Paris
Editing Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa for The Tree of Life
Cinematography Emmanuel Lubezki for The Tree of Life
Animated Feature Gore Verbinksi's Rango
Film Not in the English Language Asgar Farhadi's A Separation
Documentary Werner Herzog's Cave of Forgotten Dreams

As previously noted the OFCS will also be handing special prizes to Jessica Chastain and Martin Scorsese in addition to these prizes. Jessica Chastain, very recently interviewed right here, was so busy this year they must have figured that one prize wasn't enough.