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Entries in Tom Bennett (3)

Thursday
Jan192017

Supporting Actor, Personal Ballot

I'm still debating Oscar's fifth slot free-for-all for Best Supporting Actor, presuming they give two spots to leading men Hugh Grant (Florence Foster Jenkins) and Dev Patel (Lion) and another two spots are held by former Oscar winner Jeff Bridges (Hell or High Water) and the man I'd argue is still the frontrunner to win despite his Golden Globe loss Mahershara Ali (Moonlight). Unfortunately almost all of my favorites are quite far out of the running this year. But my final predictions will have to wait until tomorrow. For now, it's my turn. Meaning: my ballot! Mine. Mine. Mine. 

...and I do feel possessive each year about movie honors. If you're reading I presume that you, too, care deeply about acting as an artform. It can be frustrating each season to watch dozens of worthy performances winnowed down so swiftly into 5-10 Oscar potentials. So many trickily performed, gorgeously nuanced, and admirable feats of acting get lost along the way... though some happily stand the test of time and become "how did HE/SHE not get nominated?" curiousities. I don't try to be off consensus in my own awards but sometimes it works out that way. For my own shortlist, only one of the presumed Oscar players makes it. Looking over the list I've realized that all of these characters would surely be insufferable to spend actual time with but they were played by five actors so rich, every second spent with them was something to treasure. So here's to Tom Bennett, Ralph Fiennes, Mahershara Ali, Trevante Rhodes, and Alden Ehrenhreich! You can read the write ups here at the Film Bitch Awards.

Friday
Sep022016

A bit of a "Rattle"

Love and Friendship hits DVD & BluRay this coming Tuesday! So excited to revisit.

Friday
May132016

Review: Love & Friendship

Anyone who’s seen a film by Whit Stillman knows him to be an accomplished social satirist, continuing the legacy of authors like Oscar Wilde, Dorothy Parker, and of course Jane Austen. In fact, the English writer is at the center of one the most sardonic exchanges in all of his films, when one of the characters expresses “I don't read novels. I prefer good literary criticism” when asked if he has read any of Austen’s works. Like the Romantic author, Stillman captures the wants, desires and fears of the haves as they desperately try to grab onto a world the have-nots are trying to infiltrate. In films like Metropolitan, Stillman wonders if the upper classes only let someone from a lower class to share their space as means of experimenting, or amusing them in their endless ennui. In Damsels in Distress he explores the notion of people constructing strict societal divisions in all aspects of their lives, such as in college. More...

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