Top Ten: Greatest Supporting Actors of the Decade Who Weren't Oscar Nominated

A truth. Year after year, Best Supporting Actor is the category with which we have the most disagreement with Oscar. Before our hearts are broken anew this impending season we wanted to celebrate the decade that's nearly behind us. We tend to view it Best Supporting Actor as the category wherein the Academy acting branch is at their absolute laziest each year, though we've never quite figured out why so much of their laziness funnels into this category ("whoever's in a best picture! YOU")

Today, for fun, a grumpy what-coulda-been list celebrating ten performances that rank among the best supporting work this decade...

10 BEST SUPPORTING ACTOR PERFORMANCES OF THE '10s
THAT WERE NOT OSCAR NOMINATED

10 Tracy Letts, Lady Bird
Oscar nominees he was superior to that year: All but Willem Dafoe in The Florida Project

Want to buy him all the "World's Greatest Dad" mugs for this performance. This kind of warm performance easily finds a home in Supporting Actress but "Supportive" fathers are a no go for voters for reasons we've never been able to ascertain apart from basic toxic masculinity... and that being supportive is just not considered an interesting or valuable thing in a male role... 

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Months of Meryl: August Osage County (2013)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#45 —Violet Weston, the cancer-stricken, drug-addicted matriarch of an Oklahoma family.

MATTHEW: Tracy Letts’ high-octane, Pulitzer Prize-winning family drama August: Osage County was the toast of the 2007-2008 Broadway season, which made a cinematic adaptation all but inevitable and the star involvement of Meryl Streep an equally foregone conclusion. The vituperative, pill-popping Violet Weston is the crowning achievement of Letts’ play and arguably the meatiest dramatic role to come along for sexagenarian actresses in the past 15 years. The part has been previously interpreted on stage by the Tony-winning Deanna Dunagan (who originated the character in the initial Steppenwolf production), Estelle Parsons, and Phylicia Rashad, any one of whom could have bowled us over in an alternate film, as might have rumored candidates like Jessica Lange, Sissy Spacek, and Glenn Close. This isn’t to take away a single merit from Streep’s no-holds-barred work, but rather acknowledge that Streep herself is the rare and defiant exception who proves the rule that actresses over the age of 50 are anathema to Hollywood’s gatekeepers.

Before falling in love with the eye of the camera, Streep was first and foremost a creature of the theater...

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What a Cast of Character (Actors)

by Deborah Lipp

Has anyone else noticed the enormous overlap of faces in Oscar buzzing movies this season? It’s like they ran out of character actors in Hollywood. For the record, I love everyone listed here, but surely there are other talented thespians who need work! Here are the actors I spotted in multiple awards movies, in alphabetical order. If I left any off the list, jump in to add them (for the sake of having a touchpoint, I was including any movie that appears anywhere on Nathaniel’s Prediction Index):

Alison Brie: The Disaster Artist and The Post

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FYC: Tracy Letts in Lady Bird

by Ben Miller

Tracy Letts directing your attention to Greta Gerwig at the Lady Bird premiere at TIFF

As a father, few things bring me greater joy onscreen than portrayals of loving, supportive fathers. Tracy Letts’ performance in Lady Bird is my favorite on-screen dad in years and years (though we'll get to other fine portrayals of onscreen dads of 2017 in a later post).

Letts plays Larry McPherson, the patriarch of Lady Bird’s clan.  He is shrouded in a bushy beard and balding head which characterizes him in his late 50s/early 60s.  In reality, he’s only 52.  At 6’3”, he towers over every character.  Despite his frame, Larry is nothing but heart and warmth...

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Blueprints: "August: Osage County"

Happy Thanksgiving! In these days of family forcefully gathering around for a meal, Jorge takes a look into “August: Osage County” to remind you that your relatives perhaps aren’t so bad after all.

 

Not unlike Thanksgiving itself, Tracy Lett’s August: Osage County is about a broken family that is bound to be around each other as past secrets, tensions and grievances slowly rise up to the surface.

The emotional climax of both the 2008 Tony-winning play and its subsequent 2013 Oscar-nominated adaptation is an almost 20-minute dinner sequence after the funeral that brought them all together. Matriarch Violet Weston (Meryl Streep) asserts her toxic matriarchal power over her family. And slowly but surely, tensions escalate to the point of explosion...

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