Tribeca: The A.I. doc "Sophia" is more human than well you know

by Jason Adams

If you're into egregious public humiliations (and who isn't) then has Sophia has got a doozy for you. Jon Kasbe and Crystal Moselle's new documentary about the inventor David Hanson and his quest to perfect "the most realistic humanoid robot" has a scene so cringe that I nearly crawled right out of my own humanoid skin suit and called it a day. It's obviously a testament to the filmmakers skill that I found myself so emotionally invested in this verité science doc when it's basically just a portrait of how the sausage gets made. The "sausage" in question is a twitchy real-doll with feelings named Sophia... 

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Tribeca 2022: Peter Dinklage & Shirley MacLaine in 'American Dreamer'

By Abe Friedtanzer

A comedy starring four-time Emmy winner Peter Dinklage and the legendary Oscar winner Shirley MacLaine (who at age 88, still has three upcoming projects listed on IMDB)? Sounds like a recipe for success. Yet there’s something about American Dreamer that just doesn’t work. That's a shame given that these actors are so talented and putting them together should work very well. Paul Dektor’s directorial debut is still a perfectly decent way to spend 106 minutes, but it’s not as funny or satisfying as it could be…

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Tribeca 2022: An Awkward Destination Wedding in ‘The Drop’

By Abe Friedtanzer

 

People tend to behave differently when they’re on vacation -- it's the the whole “what happens in Vegas” trope. Being away from home is a break from reality even if you have to be home on Monday for work. But it doesn’t actually change reality. Your actions can still have implications beyond your trip not to mention puncturing the bliss in the moment. Something like dropping a baby, for example, can definitely ruin the vibe…

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Tribeca 2022: A Lesbian Jehovah’s Witness Romance in ‘You Can Live Forever’

By Abe Friedtanzer

 

Religions, as institutions, don't often make space for new ideas or changingn times. This includes LGBTQ+ people whose existence is essentially prohibited in the most literal and unimaginative readings of biblical texts. While there are more religious communities these days that are open and accepting, merging faith with a celebration differences, that is sadly not the general case. You Can Live Forever is set within the world of the Jehovah’s Witnesses, where scripture is quoted often and two women being together isn’t a concept that would ever be considered.

The new film from the co-written and co-directed by Sarah Watts and Mark Slutsky, follows a girl named Jaime (Anwen O’Driscoll), who has been sent to live with her aunt and uncle after the death of her father. At church she meets Marike (June Laporte), and a passionate romance soon develops between the two...

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Tribeca 2022: B.J. Novak's "Vengeance"

by Jason Adams

Weirdly conservative and as profound as a midnight tweet-storm during a Dexedrine binge, I give you (no seriously, take it away from me) actor B.J. Novak’s writer/director debut Vengeance. This feels like a movie that Elon Musk will just absolutely adore... and please never defile my memory by thinking I mean that as a compliment. A wannabe Coens-esque satire of red-state/blue-state warfare and the champagne simps caught in the middle, Vengeance ultimately reads like a love letter to "Both Sides"-ism that ventures nothing so gains a great plains worth of nothing in bold-type return...

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