Age of Ultron... And Marvel's Very Long "Connected" Movie

This article was originally published in Nathaniel's column at Towleroad

Movies really ought to be seen (and reviewed for that matter) on their own terms. But what if their very terms are -- "it's all connected!?" I had the exhaustive if qualified pleasure this week of attending "The Ultimate Marvel Marathon," in which select theaters across the nation played back-to-back screenings of all 11 of Marvel Studio's films. Those take you from Iron Man (2008) through to the latest superheroic orgy of mayhem known as The Avengers: Age of Ultron (2015). Between the screenings (20-30 minute breaks) were interstitials selling the television program "Marvel's Agents of SHIELD" that frequently reminded us that it was 'all connected'. Does the latest film The Avengers: Age of Ultron satisfy all on its own? My early guess -- only time will tell -- is "not so much" but then, is it really intended to? 

Seeing the movies back-to-back threw their problems into sharp relief: the movies are ultimately formulaic, disinterested in women, and have weakly conceived villains (an oddity given that good villains are such a comic book staple). They also betray an unfortunate tendency to end with a battle in which large inanimate objects frequently collide or crumble, mistaking mass destruction as the highest form of entertainment when the figurative character beats as well as, yes, literal character beatings are nearly always the most pleasurable moments.

On the plus side, the marathon was a great reminder of why blockbuster culture has been stampeding all over more intimate cinematic triumphs for a long time now. [More...]

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April Foolish Predictions: Sound, Score, Make Up & FX

April is almost over and we MUST finish our April Foolish tradition - the first wave of Oscar nomination predictions before anyone knows anything. The film year is still only a toddler but they grow up so fast. The first third of the year always features the least amount of Oscar content but from movies already released we'll hope for miracles that Cinderella and Ex Machina could be remembered in the places they deserve to be. But the bulk of the heavy hitters are yet to come. Even in the more popcorn categories like Visual Effects.

NEW CHARTS --> ORIGINAL SCORE, ORIGINAL SONG, SOUND MIXING, SOUND EDITING
Which movies will have original songs? Will the composer Thomas Newman ever win an Oscar? Will Skyfall, atypically embraced by the Academy, have any sort of afterglow with AMPAS to help Spectre win nominations as well? And who will the composers be on a whole slew of Oscar Bait movies that haven't revealed their composer yet (since the score is one of the last things to happen)? These are the questions we're already asking so please do suggest answers in the comments once you've looked at the charts. 

NEW CHARTS ---> VISUAL EFFECTS, MAKEUP AND HAIR
Is Ex Machina too subtle for Oscar? Will Mad Max Fury Road be too outre for them? Will the visual effects category just be a quintet of franchise favorites they've honored before like Jurassic World, Star Wars: The Force Awakens, Avengers: Age of Ultron and so on? Will the makeup category be dominated by old age latex, fantastical character creations or a trans woman's journey? 

Care to make any predictions yourself? 

Superman v Batman v Fantastic Four v Spider-Man v Indifference

Tom Holland for Spider-Man?We all know that eventually the superhero bubble will burst. But until then, they will dominate cinema. Still, even in their new golden age of popularity, there is a growing semi-intangible resistance out there to caring about each and every one of the films. I've been feeling that about Batman v Superman Dawn of Justice especially and it's a little strange that the Fantastic Four reboot has been so non-buzzy since the internet loves talking superheroes like little else. (Both films recently got new trailers, t'was time to discuss)

Spider-Man
Not that this indifference or in some cases outright hostility affects the box office mind you. Everyone seemed to hate The Amazing Spider-Man 2 last summer but it didn't stop the movie from making $708 million globally and it certainly hasn't dampened enthusiasm at Sony or Marvel for Spider-Man as a cash cow. They're already busy recasting Spider-man for the third time in less than 14 years. They've supposedly narrowed it down to five actors...

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The Avengers (Again). Three Grabby Shots

The Avengers: Age of Ultron is nearing Spider-Man 3 levels of giving the game away before it opens. Which worries. Why the hard sell with a third trailer when you're going to break records even if you advertised with only the illustration of a turd -- and I don't mean the shitty poster, but an actual turd. This hard sell combined with the bleak tone of all the trailers (where's the fun of the megahit original?) combined with Joss Whedon calling the production "a nightmare" has me suddenly worried. Because, true story: I want it to be great. I love The Avengers (in comic and movie form). Yes, TFE complains about the glut of superhero movies but that doesn't mean they should've have a place in the movie ecosystem. They just shouldn't dominate it is all. They're dessert, not a balanced meal.

So at the risk of obvious spoilers (hey Marvel provided them not us) here are the three moments we must discuss...

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Best Visual Effects: "Will it be Apes or Aliens, Murph?"

It's not my imagination. I swear it's not. This year's Oscar competition is unusually tough to predict in quite a few categories . That's a refreshing change of pace. You might think this one is easy "Best Visual Effects" since it usually is (well, apart from the Golden Compass year. That was a shocker).

You might think that since Rise of the Planet of the Apes (2011) didn't win the prize so they kinda owe this series. Indeed, everyone seems to be in awe of the advances in motion capture technology that come with the series, particularly the way it's served as a new medium for the art of acting. But not so fast. The Apes series which dates back to 1968 and is composed of 8 films, has typically been an underperfomer with Oscars. To date the series has won only 4 nominations and 1 honorary Oscar (for makeup before the category existed) in its entire history. This despite starting as a mammoth zeitgeist hit and winning very strong reviews twice over during its rebirth this decade.

This one requires some extra thoughts and video so let's investigate after the jump...

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