"Dune: Part Two" does well with the WGA and VES

by Cláudio Alves

DUNE: PART TWO | © Warner Bros.

Due to understandable circumstances, the awards season calendar has been thrown into disarray. Last week was supposed to be dominated by the Hollywood guilds announcing their nominees, but many chose to postpone such fanfare in the face of the LA wildfires. Still, there are two more guilds to account for now, as the VES and the WGA have issued press releases with their members' best-of-the-year picks. For those trying to predict the Oscars, the re-emergence of Dune: Part Two as a contender is a notable development, especially since Denis Villeneuve just received a Best Director BAFTA nomination. Then again, when discussing the Writers Guild, the sheer number of illegible contenders makes their precursor status a bit iffy…

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Is Visual Effects this year's least competitive Oscar category?

by Nathaniel R

Oppenheimer

The Oscar race that looks the most perplexing from this distance and could get worse with strike related delays is surely Best Visual Effects. Dune Part Two, before its departure from the calendar year, was an easy lock for a nomination and threat for a repeat win. Oscar voters are hardly purists or elitists in this category, since some truly questionable nominations have occured over the years. But still, every presumable contender remaining (whether already released or planning to arrive in time) has significant obstacles to success...

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Cannes: Harrison Ford in "Indiana Jones and the Dial of Destiny"

Elisa Giudici reporting from Cannes

I was one of the lucky ones able to reserve a ticket to one of just two screenings of the hottest movie of 2023. So I felt like an intruder at the end, when a substantial portion of the audience clapped and cheered. I couldn't stop thinking of the incredible amount of money used to do absolutely nothing original or relevant. The good news, at least, is that those who feel a particularly special bond to the Indiana Jones franchise will probably enjoy seeing Indiana Jones and the Dial of Destiny.

While James Mangold is no Steven Spielberg, it's important to note what he's up against here... 

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Oscar Volley: "Avatar" versus what in Best Visual Effects?

Team Experience is discussing each Oscar category in the lead up to the ceremony. Here's Abe Fried-Tanzer and Nick Taylor to discuss Visual Effects.

Black Panther Wakanda Forever

ABE FRIED-TANZER: Hey Nick! Here we are discussing the category with the most stages of finalists, giving us a window into what could have been. I appreciated the inclusion of interesting choices like Bardo, Good Night Oppy, and RRR on the initial twenty-wide list, and was pulling for Nope and Thirteen Lives to move on from the next stage of ten. But none of that happened, and we’re left instead with five very different choices, none of which are based on original material.

There are some intriguing stats to share about these nominees, like that Black Panther: Wakanda Forever placed, but its predecessor (which scored a Best Picture mention) didn't in the same race...

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Hit Me With Your Best Shot: Yentl (1983) and Ex Machina (2014)

In Hit Me With Your Best Shot we choose a favourite images from selected films. Click on the images herein to be taken to the corresponding article from the participants.

Bronze - a star very much in control of her own image and its various crescendos into iconography

by Nathaniel R

Is there any generation that was so deprived of the movie musical as Generation X? The eighties and nineties were so bereft of live action musicals that whenever one did arrive it felt like both an anachronism and an event. Yentl (1983), as it turns out, still feels like both...

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