There Are No Small Parts. Beauty from the Margins

One of my favorite activities each year is compiling a list of actors who really nailed their brief but not necessarily coveted roles. Oh sure sometimes a small part is a true get and key to the narrative. There's no way to watch 12 Years a Slave, for example, and miss the importance of "Mistress Shaw", so perfectly rendered by Alfre Woodard. And some tiny parts are designed as cameos for stars: think Jean DuJardin and Matthew McConaughey in The Wolf of Wall Street. But the bulk of small roles each year in any actor's medium, go unnoticed with the actors adding depth to the ensemble and colors to the director or writer or showrunner's palette. Me, I love looking at the peripheries and seeing which actors are hungry, which find ways to maximize their tertiary characters or simply inhabit them so well that you get everything you need in that one scene or, if they're lucky, two scenes.

There are few things more unexpectedly satisfying than feeling like you could follow a minor character off into their own movie just this side of the screen. It makes the movie you're watching that much richer. 

Consider David Dastmalchian who plays the key suspect "Bob Taylor" in Prisoners. The actor pops up from time to time in sinister roles (he recently played a serial killer on "Almost Human"). I suspect this is the result of lazy amateur physiognomy happening in casting offices: Angular Face = EVIL! But he was so weirdly sympathetic but "off" and damaged in this role that I kept wanting to recast the movie in my head, and give him Paul Dano's role instead. More please.

Sometimes the face is more familiar but as far from ubiquitous as its possible to be. There's a lot to be said for casting directors that don't rely on whichever character actors happens to be all the rage to plug in to any movie here or there.

Remember Polly Draper from thirtysomething? I was happy to see her pop up in Steven Soderbergh's Side Effects but I figured it would be a disposable part. In lesser hands, maybe. All aspiring actors should watch roles like this. Lead roles are very hard to come by but there are no small parts. If you get one, texture it. Serve the narrative but give it enough specificity that we could follow you right out of the scene.

It was difficult to narrow down my "Best Limited Role / Cameo" category this year. Eventually I settled on ten players ranging from little known talents like Hilary Baack (The East), to sitcom stars Kaitlyn Olson (I can't tell you how much I love that "Tatiana" scene in The Heat) and treasured characters actors like Robin Bartlett and F Murray Abraham (both from Inside Llewyn Davis) and yes, even movie stars. They're much less shy about doing "small parts" than they once were.

And, no, you're not even safe from the McConaissance here...

Begin your chest-thumping chants and read on...

Link Vision

Clothes on Film on the suits of The Wolf of Wall Street
The Playlist Snowpiercer directors cut will come to the US in limited release
Vulture guess the Mean Girls line quiz. I scored 12/12 and I only had to use a hint once. 
Variety six college students chosen to deliver Oscars to presenters as "Team Oscar" - Channing Tatum helped handpick them. If this had happened to me in college I would have died of joy. Possibly before the ceremony thereby robbing me of the experience. I hope they survive and love every second of it. 

Jimmy Kimmel Live celebrities reading mean tweets about themselves. My favorites are Sarah Silverman, Tim Robbins, Bob Balaban, John Goodman, and Cate Blanchett
Empire Lots of Captain American Winter Soldier character posters
Coming Soon Johnny Depp and probably Tom Hardy for Black Mass, a true story organized crime drama. That worked terrifically (Donnie Brasco) and fine but not great (Public Enemies) for Depp in the past but at least it's not another cartoon character.  
Bent Philip Seymour Hoffman's key gay roles. I really thought he was awful inFlawless but good clip choice
Peter Knegt shares an awesome press conference moment with Greta Gerwig. Oscar fanatics will need to watch  

I made this and it's remarkably easy to transpose Bettany's face onto The Vision

And Finally...
Some superhero casting news I can actually get behind for a change. It looks like Paul Bettany will be The Vision to Elizabeth Olsen's Scarlet Witch in The Avengers: Age of Ultron (2015). Too bad about Aaron Johnson as Quicksilver (although at least he's better than the looks-to-be ghastly interpretation of the character over in X-Men: Days of Future Past)  but one excellent choice, one fine choice and one questionable but better than it could have been choice in a trio of famous characters is a pretty good ratio for superhero casting! So well done Joss Whedon and team. 

P.S. for those who are unaware The Vision is the android husband of The Scarlet Witch (don't ask) who is the sister of Quicksilver who are the children of Magneto. At least that's what they were saying when I read comic books (but they love to rewrite histories).] 

Sundance: The Raid 2: Raid Harder

From the Sundance Film Festival here is Glenn on the bone-crunching 'The Raid 2: Berandal'

"It doesn't end, does it?" asks a character in the excessively bloated sequel, The Raid 2: Berandal. He's talking about the depth of Indonesia's underworld, but I choose to take it literally and out of context, okay?! Fans of Gareth Evans' 2011 original will likely find nothing wrong in this film's 150-minute runtime - it's 9.7/10 IMDb rating only two days after its world premiere suggests just that - but as somebody who had hoped the original's 0% body fat take on the action movie formula would be given time to breathe and open up with the extended runtime, I was severely disappointed. 

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Much like The Raid (which absurdly went by The Raid: Redemption in the US), Evans' sequel sees a cop battle a seemingly endless stream of villains amongst the Indonesian underworld with little else in between. Funnily enough, it reminded me most of all of Martin Scorsese's The Wolf of Wall Street, which I also didn't like. Both are excessively indulgent and monotonous films that sap all the potential fun out of their concepts. The Raid 2 doesn't even allow its actors to revel in their villainry although I did get some enjoyment out of Ken'ichi Endô looking like Willem Dafoe. Likewise, the brief performance of Julie Estelle as "Hammer Girl" is fun and I'm tempted to compare her to a lesser Gogo Yubari from Quentin Tarantino's Kill Bill Vol 1 (a film with about ten times the amount of colour, style, fun and pizazz as The Raid 2). 

Of course, looking for anything other than bone-crunching violence in one of these films is ultimately silly and futile. 150 minutes of almost constant nihilistic violence isn't my idea of a good time, although my crowd was certainly into it with clapping, laughing and hollering throughout. The action choreography is certainly impressive, there's little denying that, but eventually becomes little more than a processions of swinging fists and kicks. I enjoyed the lone, spectacularly filmed car chase sequence because it was at least a change of pace and allowed the eyes something different to concentrate on. 

Still, when characters take on the consistency of zombies, constantly getting up and fighting despite broken bones and gushing blood, it becomes hard to take any of it seriously. It was also eye-rolling worthy to see the film's hero so routinely saved at the last second by a gunman running out of bullets just as it looked like his number was up. The blood flows freely and the pulsating film score rarely gives you a moment of peace, all adding up to a sequel that took all the of the original worst habits and amplifies them. For many, I guess that will not be a problem. For me, however...

Grade: D+
Distribution: March through Sony Pictures Classics 

Four Links To Go

Vulgar Cinema "You're nothing to me until you're everything" strong piece on American Hustle
E! Why Emma Thompson won at (if not won the) SAG Awards
BDC Wire A satirical Bro ode to The Wolf of Wall Street. So much choice lingo.

Best. Picture. Of. The. Year, playa! This is a motion picture that is exploring new terrain, broseph"

Den of Geek "Why Jennifer Lawrence is Good for America"

Finally... I would like you to know that I can't stop staring at this picture. Since I didn't see the SAG Awards this year I can only imagine that Emma was quipping about Ewan McGregor backwards aging (seriously what is happening there?!)

Editors' Picks.

Jose here. Today we have the announcement from the American Cinema Editors who - shocker - went for more of the same movies! For almost 40 years, the Eddies were awarded to a single motion picture (their first winner was The Parent Trap and their last was the acclaimed Saving Private Ryan) but then they decided that they too needed to include as many movies as possible and split their award into Drama and Musical & Comedy. Now excuse me if I sound ignorant (I did go to film school and all...) but isn't editing exactly the same for both? It's not like you use different equipment and/or need to have different skills to do each, right? Isn't the editor's job actually (along with the director of course) to decide just how funny or how dramatic each movie will be? So I really don't get why guilds need to invent such categories. I don't see the ASC doing that, but god I love the cinematographers for being the classiest guild...anyway enough with my complaining.

Here are the nominees for this year's Eddies:

Click to read more ...