Months of Meryl: A gossipy debut in Julia (1977)

Presenting a new weekly series that we know you'll love since Meryl always perks you up. This one is modelled after Anne-Marie's "A Year with Kate" series (Anne-Marie will be back soon with a new series) so it's extra delicious that Meryl's first movie character was named Anne Marie! And now I turn you over to John and Matt. -Nathaniel R

Hi, we’re John and Matt and we are watching every single feature film starring Meryl Streep.

Meryl Streep is the Greatest Actress of All Time. Even those who have never seen a single performance of hers know this woman as, perpetually, the Best Actress. Her career is staggering. Her talent limitless. Her influence infinite. We don’t need to sell these claims, especially here. Dissenters there may be, but the choir roars. We kneel at her altar.

Meryl has acted in 52 feature films. If ever there was ever a body of work that deserves a thorough and complete look, we can think of few others than Meryl Streep’s filmography. Thus, Months of Meryl!

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Podcast Smackdown Companion: Gaslight, Since You Went Away...

Please read the Supporting Actress Smackdown of 1944 before listening please!

After voting in the Smackdown Nathaniel and the panel which included Mark Harris, Loren King, Farran Smith Nehme, Molly Pope, and Matthew Rettenmund got together to talk about the five films we watched and that era in Hollywood during World War II. We hope you enjoy the conversation!

Index (62 minutes)
00:01 Introductions of the Panel
03:00 Dragon Seed, yellowface, production trouble, and Oscar theories
11:50 Since You Went Away, war propaganda, and acting styles
24:00 None but the Lonely Heart, Cary Grant, Barrymore and "great lady" acting
38:50 Gaslight and Mrs Parkington
51:30 Our favorites of 1944 including Meet Me in St Louis and Double Indemnity
57:30 The forgotten Wilson, final Oscar notes and goodbyes.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?

Gladys Cooper downing the drinks! Was she watching Dragon Seed, too?

FYC after listening...
Mark's "Five Came Back" as a miniseries on Netflix
Matthew's new nostalgia site Gr8ter Days
Molly co-stars in Bulldozer: The Ballad of Robert Moses (previews begin Nov 25th)
Farran's book "Missing Reel"

Smackdown 1944

Interview: Ferenc Török of "1945" on making a Western about the aftermath of WW2

by Murtada Elfadl

On a summer day in 1945, an Orthodox Jewish man and his grown son return to a village in Hungary while the villagers prepare for the wedding of the town clerk's son. The townspeople – suspicious, remorseful, fearful, and cunning – expect the worst and behave accordingly. The town clerk fears the men may be heirs of the village's deported Jews and expects them to demand their illegally acquired property back.

In the new film 1945 director Ferenc Török tells the story of a society trying to come to terms with the recent horrors they’ve experienced, perpetrated, or just tolerated for personal gain. Based on the short story ‘Homecoming’ by Gábor T. Szántó and shot in gorgeous black and white cinematography, 1945 is a historically detailed drama that plays like a ticking clock Western. We recently spoke to Török in New York.

MURTADA ELFADL: I’m curious about the inception of the project. How did you come about it?

FERENC TÖRÖK: I read the short story by Gabor in 2004. It was visual without too much dialogue, but I thought there wasn’t enough for a feature. The timing especially was good - 1945 in the summer, after the war. It takes place in only a 2-3 hour span of time, like an old greek drama, Antigone or something. Like a western. I’ve always wanted to make a movie in real time with different points of view from different characters like a Robert Altman movie.

You mentioned westerns, I thought of High Noon while watching because of the ticking clock structure...

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What's Streaming from 1944?

Not too damn much, that's what! 

Whenever we prep for a Smackdown The Film Experience becomes newly alarmed at how scarce the availability of 20th century film titles actually is online. Streaming culture has somehow convinced people that everything you might ever want to see is easier to access than it's ever been. Alas, the further back in time you go, the less there is for your eyeballs as we move away from analog. Of course streaming is more convenient so we hope Hollywood will magically decide to make all their vaults available. We can dream!

Laura dear, I cannot stand these morons any longer. If you don't come with me this instant, I shall run amok.

But if you want to steep yourself in 1944 beyond the 5 films featured in the next Smackdown, here's what you can stream should you have any of these memberships...

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TIFF: Notes on Oscar hopefuls "Darkest Hour" and "Downsizing"

Detroit may have bombed but the letter "D" could still reign come Oscar time with Dunkirk, Darkest Hour, and Downsizing all potential Best Picture players. Though it can sometimes feel gross to discuss rich movies from an Oscar perspective before they've even been considered as films, it happens to us all this time of year and the films invite it with their slow rollouts from festival reviews that result in months of discussion and speculation before the public can buy tickets. In other words: Look what they made me us do!

DOWNSIZING
After 'miniature masterpiece' style reviews at Venice the critics got considerably chillier with Alexander Payne's latest once it hit Telluride. Now the film is playing in Toronto and the reviews continue to be mixed. This could spell trouble for the film, but be patient. Initial reviews are only part of the Oscar equation...

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