5 Wishes for the Production Design Emmys
By Daniel Walber.
The Emmys can be, for lack of a better word, boring. Television is in a "Golden Age," or so everyone says, but its Academy has a tendency to reward the same shows every year. This phenomenon doesn’t only happen at the top of the ticket, either. Game of Thrones has been as much of a mainstay in tech categories as Modern Family was in Best Comedy Series.
And so, rather than fully handicapping the five production design races, I’d like to share some more modest hopes for this year’s winners. Here are some selections from my favorite work in the category, regardless of the odds.
Outstanding Production Design for a Narrative Contemporary or Fantasy Program (One Hour or More)
This is the Game of Thrones category, and it’ll probably stay that way. That said, I find the work on Penny Dreadful a lot more intriguing, at least for this season.
In just one episode, “Evil Spirits in Heavenly Places,” there are at least three sets worthy of recognition. The work so lavish that one wonders if it was canceled because it was too expensive...
The first is the basement of the wax museum, where the blind Lavinia Putney crafts the figures. There are contorted heads, just like the “Hall of Faces” in Game of Thrones, but the mood here is extended by limbs and hands. It’s horror deconstructed, as fascinating as it is unsettling.
On the surface, the wax museum is a world apart from the ladies’ atelier where Vanessa Ives and Victor Frankenstein shop shortly after. Take a step back, and you realize that both spaces are full of incomplete figures, headless mannequins that model the latest in Victorian fashion. The mood is almost imperceptibly extended even into the episode's less immediately creepy scenes.
The enormous table tennis parlor where Dorian Grey takes Angelique is as impressive as it is unexpected. It has all of the charm of Victorian amusement, the elaborate dressing up of pleasures that we now consider mundane. Who knew that ping-pong could be so breathtaking?
Outstanding Production Design for a Narrative Period Program (One Hour or More)
Now that perennial winner Boardwalk Empire is gone, anything can happen in this category. I’d like to recommend something a bit less dour, though perhaps just as violent: Fargo. The color palette is so exactly of the ‘70s, with its wood panelling, dull oranges and omnipresent geometric prints. It’s a wonderful complement to the dark humor hidden in the set decoration.
For example, note the bread rack sitting behind Otto Gerhardt. All of the loaves look perfectly baked, risen to great sizes and browned with skill. This is a brutal crime family that cares deeply about carbs.
Finally, I absolutely adore how quaintly Ed Blumquist hangs a single decorative oar beneath some saw blades in his garage.
Outstanding Production Design for a Variety, Nonfiction, Reality or Reality-Competition Special
This is an odd category. The nominated shows include for one awards show, two live musicals, a theatrically released documentary and Lemonade. Obviously the award should go to Lemonade, a film designed with a sense of color that outdoes everything else nominated in any of these categories.
Just look at it.
The Creative Arts Emmys (honoring craft categories and guest acting and the like) are held on September 10th and 11th. The Televised Emmy Awards (with the major acting and best series prizes) will be held on September 18th.
Reader Comments (15)
I'm happy to peruse your article but can you please remind the reader when the hell the Emmys occur? It's not the national holiday that most fans of this site honor. This is an area where bloggers could behave more like journalists.
Mikey: I just googled it for you. September 18th.
Just wanted to add, good god, Lemonade is beautiful.
Is there going to be a best supporting actress in a drama serie conversation? I really need to hear about Maisie Williams' chances to win the Emmy.
@Nadir: If anyone from GOT wins, it will be Headey. Though Williams surprised me by even getting the nomination (not that it was undeserved -- indeed, she should have been nominated for Season 2 -- but Emmy voters nominate somebody that young maybe once in a blue moon).
@Sean C.: It comes to my mind when Sandra Oh and Chandra Wilson were regular nominees for Grey's Anatomy and suddenly Katherine Heigl came one season and won the gold. If they would'd have wanted to give the Emmy to Headey they would've done it already (she's been better in previous seasons). Williams must be young but Arya is the character who have had most changes during the whole serie, and this season she has become from a blind girl without a name to a fucking girl with a name seeking for revenge. Maybe voters were waiting for the right time to nominate Williams and that right time comes with an Emmy, like Heigl. But besides that, am I the only one excited - almost highed - by her performance this season?
Maisie Williams nom comes two seasons too late and her submission is that godawful episode where she is chased across Bravos, I doubt she has a strong chance to win for that.
Williams is better than Emilia Clarke (a genuinely bad actress), but still not deserving of a nomination (not for season 6, at least. She was more deserving in seasons 2 and 4). The only actor from GoT deserving of a nomination for season 6 was Lena Headey (not even Peter Dinklage, he has had two useless seasons back to back).
Headey should have won for season 5, though, her all time best.
I'd break the seasons this way (all supporting, unless otherwise stated):
Season 1: Peter Dinklage, win; Michelle Fairley, nom; Conleth Hill, nom;
Season 2: Maisie Williams, nom; Charles Dance, win (guest);
Season 3: Nikolaj Coster Waldau, nom; Gwendolyn Christie, nom; Michelle Fairley, nom (maybe win for Red Wedding episode); David Bradley, nom (guest);
Season 4: Charles Dance, win; Lena Headey, nom; Peter Dinklage, nom; Maisie Williams, nom, Pedro Pascal, win (guest); Diana Rigg, nom (guest);
Season 5: Lena Headey, win; Stephen Dillane, nom; Jonathan Price, nom (guest);
Season 6: Lena Headey, nom.
This was a good read, as usual. Penny Dreadful should win easily over GoT, but it won't.
I think it's super disrespectful to discuss acting races in a post about Production Design.
@ Peggy Sue - Sorry, my bad! I usually stick to topic. =\
@ Peggy Soue: Sorry, got carried away -_-U
Mikey67 - thanks for the note that's constructive criticism. i shall add it to the post
Sept 10-11 is the Creative Arts Emmys (two day event which honor categories like this as well as guest acting)
Sept 18th is the televised Emmy Awards
Daniel -- this gave me a whole new appreciation (not that i needed it really) of how gorgeous Penny Dreadful was. Season 2 was the peak as well especially in terms of production design. my favorite set in the whole series was Madame Kali's inner chamber with her voodoo doll constructions.
I guess i should watch Lemonade.
Nadir - I am still upset that Sandra Oh didn't win that season.
Lemonade it's visually a bit too New Age for me, but the songs are fantastic.