A Supporting Actress Dozen (aka Nathaniel's Favourites)
Saturday, March 15, 2025 at 2:00PM by Nathaniel R
Joan Chen would have made such a magnificent Oscar nominee for "Didi"
While I realize my advocacy for actual supporting performances would do more good earlier in the year, I am who I am and my clock refuses to run on schedule. Nevertheless I shall carry the banner for genuine supporting players until the end of days. Movies just wouldn’t be the same without the undergirding of story beats, thematic reflections, and emotional contours that supporting players add to movies – often even elevating the lead performers as a result! Moreso than in ANY year in memory, there was shockingly little conversation about any actually supporting female performances this year so I'm here to rectify that by citing 12 favourites...
I want to note as a caveat that I admired/loved the work of Margaret Qualley, Ariana Grande, Zoe Saldana, and Danielle Deadwyler in the films that had them in the hunt for Best Supporting Actress nominations even if it only worked out for half of them. But most of those films were structured as duets and duets require two leads. (You'll see all of them honored in my Best Actress Dozen which is up next.)
While I fully acknowledge that this year wasn’t quite as robust as most in terms of strong supporting roles for women (more duets than usual) the dozen following performances deserved far more eyeballs and conversation. I could have expanded this to 15 with ease by throwing in the barely discussed NBR winner Elle Fanning (A Complete Unknown) who has always held the screen so well that one day she will get a juicy role that the Academy will notice, Rebecca Ferguson's eery reprise of “Lady Jessica Atreides” in Dune Part Two, and longtime TFE favourite Toni Collete (Juror No 2) who is reliably great fun to watch, no matter the role / movie. The top dozen Supporting Actresses of 2024 (according to me) are presented in alpha order before the nomination announcement at the end.
Michele Austin as “Chantele” in Hard Truths
While Marianne Jean-Baptiste was honored in various places for her unfathomably angry character would Hard Truths have worked at all without the soft cushion of Austin's almost religiously patient work as Pansy’s loyal sister. Chantele has never fully understood the depths of her sister’s discomfort with the world, but stuck by her through every tirade nonetheless.
Monica Barbaro as “Joan Baez” in A Complete Unknown
This was a marvelous case of being taken by surprise by an actor I was unfamiliar with (Top Gun Maverick wasn't exactly a showcase for any actor beyond Tom Cruise). In fact, half of the movie's four best musical sequences feature her prominently. Can't wait to see what she does next.
Leonie Benesch as “Marianne Gebhardt” in September 5
While I was less taken by September 5 than many critics and media types were -- there was something missing -- I assume that what everyone saw in it was what I kept seeing in Benesch's sidelined work; The thrill of watching very competent smart people think their way through a frenzied violent nightmare of ethical and logistic challenges. (Side note: I perk up whenever any actor from Babylon Berlin shows up anywhere. I miss ALL of them.)
Joan Chen as Chungsang Wang” in Didi
I remain convinced, however foolish it may be, that Chen would have been an Oscar nomination lock this past season if Category Fraud didn't exist and so no one had subsequently become distracted by the many leads who entered this conversation after Chen first won raves and Oscar buzz for this coming-of-age gem. She had all the ingredients that so very many famous actors have taken to nominations or wins: beautiful moving work, festival success, and the routinely successful narrative of an enduring actor that the industry has perpetually undervalued / underestimated. Alas...
Jamie Lee Curtis in "The Last Showgirl"
Jamie Lee Curtis as “Annette” in The Last Showgirl
While the internet turned on Curtis hard for her Oscar win for Everything Everywhere All At Once, I thought she was absolutely deserving. Nobody else could have pulled off that absurdly surreal cartoonish villain with more aplomb and vanity-free comic instincts. Her unique screen presence and performativity are also a perfect fit here as a loud Vegas cocktail server who is is a surviver if not a thriver. "Annette" has lost none of the extroverted fire that probably served her well in her showgirl youth. Bonus points for that disassociative reverie with "Total Eclipse of the Heart". If I ran the world Curtis would have four or five Oscar nods by now.
Dolly DeLeon in "Ghostlight"
Dolly DeLeon as “Judith Gottlieb” in Between the Temples
Dolly DeLeon as "Rita" in Ghostlight
Both of these roles are textbook examples of 'no small parts' in that it's easy to imagine either of them being forgettable in other hands. But she makes the comedy of the former (a devout Jewish convert) and the drama of the latter (a once working artist now doing community theater) absolutely sing with sideways notes and film elevating timbre. God I love her --and what range! Allow me to be angry all over again that her Oscar-win worthy work in Triangle of Sadness (2022) wasn't even nominated.
Tryne Dyrholm as “Dagmar” in The Girl with the Needle
This is the closest I'll come to an arguably lead role placed in my supporting category but in the end her absence from the film's early passages and the classic antagonist structure of the role, left me comfortable with placing it here. Nevertheless Denmark's greatest actress is on fire in this terribly unsettling role of a woman whose humanity proves entirely transactional.
Aunjanue Ellis-Taylor as “Nana” in Nickel Boys
While I've admitted to disliking this much venerated film, none of my issues with it are related to Ellis-Taylor, who is a marvel in her too few scenes. Conjuring up this much warmth and relational feeling while effectively having no scene partners (just the camera) is impressive.
Juliette Lewis as “Cutthroat Bill” in The Thicket
I was absolutely obsesed with Juliette Lewis from Cape Fear (1991) through Strange Days (1995). I still think it's one of the best runs ever for a young actor. So many good films and mesmerizing performances. But her subsequent screen career sadly never reached those peaks again. Hollywood hasn't quite known how to cast or harness her particular gifts since. What a thrill, then, that she's managed to give two of her best performances in short succession recently. She was awards-worthy in Yellowjackets second season (temporarily stealing Melanie Lynskey's MVP title if not her Emmy nomination) and she's riveting, weird, scary and strangely sympathetic as a sociopathic killer in this violent western. The other actors -- Peter Dinklage excepted - weren't operating at her level, but, what a treat to have her back in full power.
Lesley Manville as “Doctor Cotter” in Queer
Logging this one in the very small annals of screen performances that were toggling between great and terrible perpetually in my mind's eye while watching them. In the end she tilted over into the great column through sheer feverish commitment to this memorably camp insane jungle doctor.
Sunjita Rajwar as “Geeta Sharma” in Santosh
Anyone who actually saw UK's Best International Feature Film finalist, probably looked up this actresses name in the credits thereafter. The celebrated Indian actor is scary good as a jaded police chief who takes the malleable titular character under her wing. But this mentor is poison.
in case you missed it
pg 1 - Picture, Director, Screenplays
pg 2 - Acting
Pg 3 - Visuals
Pg 4 - Music and Sound
Pg 5-7 still to come...
Reader Comments (18)
Of supporting actresses who DIDN’T get nominated, I liked:
Aubrey Plaza in Megalopolis. In retrospect, there were a number of things I liked better in Megalopolis than things actually nominated. I heard/read that Plaza was also excellent in My Old Ass, which I missed seeing.
Saoirse Ronan in Blitz. I think the movie is about the son, but this either is a large part or she’s so wonderful you just remember every moment she’s on screen. Steve McQueen directs movies of such sparkling precision, I don’t understand why he isn’t celebrated more.
Lashana Lynch in One Love. This was a word of mouth hit, an actual crowd pleaser that made over $100 million in box office despite being released in doldrums months with no fanfare. Lynch is one of the best actresses of her generation.
Chloe Sévigny in Bonjour Tristesse.
Rebecca Ferguson in Dune: Part 2.
Helena Bonham Carter in One Life. A small but sharp edged role.
Connie Nielsen in Gladiator II. I know the consensus is - love Denzel Washington, dismissive of the rest of the movie. I feel the opposite - dismissive of Denzel Washington, love the rest of the movie, and the trio of Mescal, Pascal, and Nielsen.
I haven't seen Didi, Last Showgirl, or Hard Truths as these were pulled from my cinemas very quickly.
My picks the best supporting actress:
Mahsa Rostami- Seed of the Sacred Fig
Elle Fanning- A Complete Unknown
Margaret Qualley- The Substance
Isabella Rossellini-Conclave
Felicity Jones- The Brutalist
My own Top 5 and i'm loving your dozen are
Ariana Grande My Winner
Joan Chen who cold be the winner on another watch
Lesley Manville this woman can do anything
Michelle Austin the only thing in the film that rang true
Cailee Spaney my saddest overlooked performance
With respect to
Jamie Lee Curtis great once again but I just thought Pammie was better
Margaret Qualley supporting Demi perfectly
Renate Reinsve giving good girlfriend
Sonia Braga chilling in The First Omen
Parker Posey so good to see her in the overlooked Thelma
Jamie Lee Curtis
Aunjanue Ellis-Taylor
Felicity Jones
Lesley Manville
Margaret Qualley
There you have it! Maybe not the best year, but there were other choices than the ones we got.
Michele Austin as “Chantele” in Hard Truths - Solid performance. Definitely understand the love. Personally she didn't reach into my heart like I expected her to.
Monica Barbaro as “Joan Baez” in A Complete Unknown - Not her fault, but this is a big NO.
Leonie Benesch as “Marianne Gebhardt” in September 5 - She's good. Probably the mvp of the film.
Joan Chen as Chungsang Wang” in Didi - Amazing performance. She was robbed for The Last Emperor and now for Didi.
Jamie Lee Curtis as “Annette” in The Last Showgirl - I mean, she's by far the best one in the movie, but no, and I am one of the few that is fine with her Oscar win.
Dolly DeLeon as “Judith Gottlieb” in Between the Temples - Fun, but the role is too small.
Dolly DeLeon as "Rita" in Ghostlight - Also fun.
Tryne Dyrholm as “Dagmar” in The Girl with the Needle - Amazing.
Aunjanue Ellis-Taylor as “Nana” in Nickel Boys - It's weird calling her overrated, but she is. She's barely in the movie, and while she's solid I wasn't blown away at all. I expected so much more.
Lesley Manville as “Doctor Cotter” in Queer - Incredibly fun. A true chameleon. More of a glorified cameo than a supporting role, maybe?
Where is Tilda Swinton, though??? :(
@SadMan
Agree about Curtis's win far better than a Bassett win would look today.
I think Manville has enough scenes to qualify as supporting and also she completely owns that sequence.
I liked Austin more probably due to not liking Baptiste at all.
I struggled to get through Nickel Boys so 20 mins in I just decided to watch her scenes probably not the best thing to do to get a feel for her acting.
I said elsewhere, a credible Oscar lineup could have been Monica, Isabella, Felicity, Jamie, Aunjanue.... they didn't have to look that hard to fill it, and those are all fun to discuss.
But then even here: Austin, Manville- how did those campaigns get so overlooked? In a year without fraud, they could have helped drag their leads in with them.
My own lineup would probably include both, with Barbaro, Ellis, Dynholm, Jones... some combo of those.
I am afraid I can't get onboard the Monica train,I found her dreadfully dull,maybe it's because i'm no fan of Dylan or his music and found the film conventional and lacking dramatic thrust.
I agree with the Austin love though.
Ripley: for Barbaro, at least for me, it's that it feels like a movie star is onscreen when she shows up, a presence the movie otherwise lacks. And that presence then helps show why Baez was so famous, given just how many folk singers were around. Her presence turns the whole movie into a duet, when it's ostensibly not actually about her. Plus Barbaro actually was a complete unknown.
But I can understand being underwhelmed, too. The movie itself is a bit of a drag.
I'm with you on Sonia Braga. Are you looking at Spaeny for the Alien movie?
Spaney for Civil War
I didn't get Movie Star form her at all,just someone playing dress up much like Chalamet.
The film also made me realise why I don't like Dylan's persona or his music,his vocal style and writing,I am from the school who prefers escapism in music though I know he has legions of fans i'm just not one of them,it just wasn't a film for me.
I wasn't a Dylan fan before and this film only confirmed that he's not for me
An hour in I started getting very distracted by my dog doing tricks which was far more entertaining.
I almost wanted to watch the better Now Voyager after the clip that was shown
How did Mangold get a directing nod for such standard helming,there was no flair,just point the camera and shoot.
Elle Fanning despite having a stock role seemed more real than anyone else in the film and I hoped we'd get more of her,Norton was ok but I can see how he didn't win the Oscar
This was a weak field, but I still thought Monica Barbaro was head and shoulders above the competition. That said, she wasn't even the Best Supporting Actress from her own film. How could they ignore Elle Fanning when she's RIGHT THERE? I would have liked to vote for Isabella Rossellini because I've always liked her so much, but she didn't have nearly enough to do. And the idea of Zoe Saldana and especially Ariana Grande as "supporting" is a joke that's not funny anymore, besides the fact that their performances weren't all that impressive, anyway.
My choices:
Mahsa Rostami "Seed of the Sacred Fig"
Darya Ekamasova "Anora" (Is she considered Limited?)
Elle Fanning "A Complete Unknown"
Tryne Dyrholm "Girl with the Needle"
Monica Barbaro "A Complete Unknown"
There is still (too) much to see, so in a year (a month?) this could look very different,
I've never understood the backlash to Jamie Lee Curtis' win. I can understand some people just don't vibe with the movie, but I think it's a phenomenal performance and juggling act of comedy and pathos.
NathanialR, I'm curious what your nominations for her would be.
Here's mine
Trading Spaces
I would have loved to nominate her for A Fish Called Wanda but 1988 was locked up, so I guess she'd be my sixth.
True Lies absolutely totally a duet with Arnold and totally lead and totally steals the movie.
Freaky Friday I may even give her the win.
EEAAO of course.
I don't know what Nat would give Jamie Lee a nod for and truth be told sometimes she goes too big but I think she should have had a nominations for
Trading Places in 83
A Fish Called Wanda in 88
True Lies in 94
I think she deserved her win and her career is a lot richer now than it was previous to the nomination.
I thought she was ok this year but am not sad about leaving her off my final 5
This could've been such an amazing year for Best Supporting Actress. Shame the Oscars decided to double down on Lead Actresses.
Of my favorites, Jack Haven in I Saw the TV Glow is spectacular. The monologues in the second half of the film are breathtaking. Can't wait to see what they do next.
Joan Chen in Didi. Didi will grow in appreciation over the years and Chen will be seen as the standout.
Anna Baryshnikov in Love Lies Bleeding. A perfect supporting turn as an obsessed lover. Great comic relief as the tension starts to build.
Kiernan Shipka in Longlegs. No mistaking this as anything but a supporting turn. Shipka sets the tone for the ill-fated investigation into the mysterious serial killer with her one harrowing scene as the only known survivor of his attacks, living out her life in a mental hospital.
Jamie Lee Curtis in The Last Showgirl. Another great turn from Curtis. So glad that critical discourse has FINALLY caught up to how wonderful she is onscreen.
Another FYC for Darya Ekamasova in limited! In the film's third act she conveys such casual evil and cruelty that makes the stakes feel so real—just an absolute ruthless bitch foil to Ani, tougher and more memorable than even Diamond. Baker's camera loves her.
And she was excellent on The Americans, too.
davidandwaffles -- my Curtis nominations
A FISH CALLED WANDA probably but it's been a long time
TRUE LIES probably but it's been a long time
definitely as there's proof here on the site of my favorites each year
FREAKY FRIDAY
EVERYTHING EVERYWHERE ALL AT ONCE
THE LAST SHOWGIRL
and I still haven't seen Trading Places !!!
Another limited FYC is the woman who runs the hotel in Challengers.