Abe’s Sundance Jury of One

By Abe Friedtanzer

Pedro Pascal in Freaky Tales | Sundance Institute

This was my ninth time being in Park City for the Sundance Film Festival, and even though a family occasion meant I only arrived on Sunday (the festival started Thursday), I still saw twenty-five films in person and three before the fest. I did three days of five movies back-to-back, which is an incomparable thrill that can also prove quite exhausting. Fortunately, there was plenty of good fare worth remembering, and some of it is even coming soon to a screen of some sort near you!

Because there’s just so much playing, I didn’t actually see most of the official award winners, but you can peruse that list here. For my “jury of one,” here are my top ten films and a few other assorted honors. My reviews, if available, are hyperlinked, as well as notes on distribution if available...

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Interview: 'The Missing' director Carl Joseph Papa and actor Gio Gahol on making Oscar history for the Philippines

by Juan Carlos Ojano

Carlo Aquino and Dolly de Leon.

Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw)  centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.

In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the feat of shooting the film within four days, the artists that inspired them in their craft, and working with BAFTA nominee Dolly de Leon (Triangle of Sadness)...

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Nathaniel's Best Actress & Supporting Actress Ballots

by Nathaniel R

How is it Friday before the Oscars already? So much to do before then including Final Predictions, my own top ten list, two more Oscar volleys, and ten more categories at the annual film bitch awards (my own long-running party of "best" this & that). Sorry to rush through the duet of the categories we live for: Best Actress and Best Supporting Actress. But they're up. Among the 10 selected actresses there are six current Oscar nominees but only five overlaps; Hong Chau is stronger in The Menu than in The Whale. In both cases, and as always in her career, she's totally elevating her material. "These are tortillas" is among the very best line-readings of the year. Somehow she's calm, polite, and dripping with condescension at the same time. She's just a magical actress and it's so satisfying to see her finally get her mainstream due via that Oscar nod.

And you surely foresaw that I couldn't have a Best Actress list this year without the great Emma Thompson in Good Luck to You Leo Grande (doing her most revelatory work in two decades) and Danielle Deadwyler, so operatically moving in Till. 

P.S. Though we can't do the medal ceremony until all categories are posted, I think I've made it clear over and over again that Dolly de Leon will be my gold medalist for Best Supporting Actress. While it's abundantly clear that she was an 'almost there' in 6th place for Oscar's shortlist, given how well Triangle of Sadness did overall, it's still a damn shame she was passed over. I'd boot any of the current nominees -- even the ones I myself nominated -- just to have her in that lineup.

"Triangle of Sadness" wins big at the Guldbagge Awards

by Nathaniel R

Sweden's Guldbagge Award, designed by Karl Axel Pehrson, looks like something out of a Cronenberg movie and we respect that. It doesn't look much like any other golden film award. It's chased in copper and enameled before the gold enters the picture. The Guidbagges were first handed out in 1964 when the late Ingmar Bergman, still Sweden's most famous auteur, took home Best Film and Best Director for The Silence. Other Swedish classics that have won the top prize include other Bergman masterpieces like Persona, Fanny & Alexander, and Cries and Whispers, arthouse auteur pics like You the Living and Border, Oscar darlings like The Emigrants, Pelle the Conquerer, and My Life as a Dog, and LGBTQ favourites like the teen lesbian drama Show Me Love and gay dance drama And Then We Danced.

This year's big winner was Oscar-nominated satire Triangle of Sadness which took home six prizes... 

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Almost There: Class of 2022

by Cláudio Alves 

The Oscar nominations have been announced, and, while some celebrate, others commiserate. The word snub is getting its yearly workout, though it's easy to see why it's on the tip of everybody's tongue. This was a hard-to-predict year full of volatile lineups, not to mention a couple of dark horses crashing the party after most had considered them over. Grassroots campaigns won out while the precursors' importance keeps dwindling, and first-time nominees are more numerous than they've been in decades. Amid the chaos, it's time to fulfill an annual tradition here at The Film Experience, honoring those performances that probably came close to Oscar gold but missed the ballot at the last moment. Without further ado, let's give a warm welcome to the Almost There class of 2022…

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