Director Joel Edgerton's "Boy Erased" Heads to Focus, While the Author of the Memoir Addresses Concerns

By Daniel Crooke
Give or take a big, broad Black Mass or two, Aussie toughie Joel Edgerton has proven himself to be a craftsman of restraint throughout his most recent crop of work, and continues to surprise audiences by subverting their expectations of how a man of his hulking size and stature should emote on the big screen. His performance in last year’s criminally undervalued Loving buries deep currents of sensitivity beneath the protective creases of his brooding face, and he manages to say more and speak louder through the locked intensity of his body language than the volume of his voice in Trey Edward Shults’s apocalyptic downer It Comes At Night.
However, his most compelling work as an artist to date has been behind the camera...