Which International Feature Films will get into Best Picture?

by Juan Carlos Ojano

96 years of Oscars, 14 international feaure films nominated for Best Picture.

While some awards bodies have already commenced the season, Best Picture is still very much an open race. One of the statistics many predictors consider is the presence of international feature films in the category. Since 2018’s Roma - and save 2020, where Another Round even got into Director - every Best Picture lineup has included one. Last year, history was made, when two international features making it in, with Anatomy of a Fall and The Zone of Interest.

Perhaps this is one of the effects of the inclusivity efforts the Academy has initiated post-#OscarsSoWhite, where they included more world artists into their membership. This year, which international feature films will stand a chance of getting into this year’s Best Picture roster? Consider...

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What's your go-to comfort film?

by Juan Carlos Ojano

In her rock bottom, Kristen Wiig finds unexpected comfort with CAST AWAY in BRIDESMAIDS.Whether in personal heartbreaks, national tragedies, or even global catastrophies, cinema has given comfort to viewers all over the world. Time and time again, several films - from Christmas classics to rom-com favorites - have found a life not necessarily because they are deemed to be the best (although some of them are), but because these films have the capacity to be watched on a more casual setting while they are watched out of enjoyment, and most importantly, comfort. In this time of uncertainty, from the events of the last few years down to what just transpired days ago, cinema has the capacity to uplift us and make us look for the silver lining in these tough times. I would like to ask you, dear reader: what is your go-to comfort film?...

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1980s Best Foreign Language Film: Personal Rankings

by Juan Carlos Ojano

While we’ve got the 1980s fever on this site with Nathaniel listing some of his favorite films and Cláudio sharing his personal Best Actress ballots from the decade, I will chime in with perhaps the category that is one of the closest to me: Best Foreign Language Film (now named International Feature Film). That’s why in 2020, I started my podcast called The One-Inch Barrier where I - together with guests - discussed this category per year...

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Hello, Gorgeous: Best Actress of 2012

A series by Juan Carlos Ojano

Romantic drama, political thriller, romantic dramedy, disaster drama, and fantasy comprise the vast span of genres that this year’s nominees appear in. This difference is also reflected in the varying acting styles and demands of these performances. And yet, for their character introductions, each performer is working with some sort of disruption. Whether reflected in the film’s narrative or simply on the formalistic construction of their scenes, each entrance highlights the force that their characters will be in their respective stories.

Are you ready? The year is 2012...

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Hello, Gorgeous: Best Actress of 2013

A series by Juan Carlos Ojano

Deception, isolation, and desperation are just some of the common threads that connect the characters of this year's Best Actress nominees and the narratives in which they are situated. The curious element of the lineup is that, aside from one (Gravity), all of the nominees are featured in films from the comedic genre, whether it be a crime comedy (American Hustle), a cynically humorous character study (Blue Jasmine), a heartwarming dramedy (Philomena), or an acerbic, tragicomic family portrait (August: Osage County). That must be a rarity in any acting category, right?

Are you ready? The year is 2013...

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