FYC: Gaby Hoffmann in "C'mon C'mon"

by Lynn Lee

Gaby Hoffmann doesn’t make it look easy.  Motherhood, that is.  Neither is she a drama queen about it.  As down-to-earth Viv – sister to thoughtful, sad-eyed journalist Johnny (Joaquin Phoenix) and mother of Jesse (Woody Norman), the precocious 9-year-old Johnny looks after for a time – she just shows and tells it like it is, with an honesty, humility, and humor that’s as refreshing as it is rare to see on screen.  And that, precisely, is why she’s the secret weapon of C’mon C’mon, and why she should be in the running for Best Supporting Actress Oscar.

That she isn’t even in the conversation is due as much to the nature of C’mon C’mon as Hoffmann’s performance...

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Winona Ryder @ 50: Little Women

We're celebrating Winona Ryder for her birthday this week

by Lynn Lee

Was Winona Ryder miscast in Little Women? Boy, was she ever. Or so I thought back in 1994 when I first heard she was playing Jo, second of the four March sisters, in the then-new film adaptation of the Louisa May Alcott classic.  As a teenager who’d read Little Women so many times it had become personal canon, I found the casting ludicrous on its face.  After all, in the book Jo is lanky, tomboyish, awkward, and plain.  Ryder, by contrast, was tiny, graceful, and so exquisitely pretty I had a bit of a crush on her, a fact that sharpened rather than softened my disapproval.  Still, in the end curiosity and my family’s tradition of going to see a movie on Christmas meant I got to judge for myself just how wrong she was for the role.

Readers, what can I say?  She completely won me over....

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Consider Oscar Isaac in "The Card Counter"

by Lynn Lee

Is it too early to start an “Oscar for Oscar” FYC campaign?  Because there needs to be one for Oscar Isaac in The Card Counter, stat.

Sadly, it’s not at all a given that he’ll get much traction.  Initial reception of The Card Counter among critics has been positive but rather muted, and the film hasn’t made much of a mark with general audiences.  It probably doesn’t help that the trailer gives the misleading impression of a snappy, heisty movie about a poker player with a shady past when in reality it’s a slow-burn Paul Schrader Dark Odyssey into the Mind of a Morally Tormented Man.  Schrader fans, at least, will get what they’re expecting; Isaac fans will get that and so much more...

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Review: Sandra Oh in "The Chair"

by Lynn Lee

In my younger days, I wanted to be an English professor.  I was pretty serious about it, too – serious enough to major in English, get a fellowship, and enroll in a Ph.D program.  Ultimately, I realized academia wasn’t for me and left with just a master’s.  I’ve never regretted that decision.  Yet I still wonder occasionally what my life would have been like if I’d stuck with my original dream.

So it’s no wonder I immediately let myself sink into The Chair, a new Netflix (mini?)series starring Sandra Oh as the titular chair of the English department at Pembroke University. That's a fictional Ivy League school in what looks like a permanently snow-covered New England college town, although the show was actually shot in Pennsylvania.  Basically, it’s my alternate-universe existence if I were as cool and charismatic as Sandra Oh and as brilliant and committed as her character, Ji-Yoon Kim...

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A Room With a View, Pt 3: A lot of lying on the way to Truth, Beauty, and Love

Previously in our deep dive retrospective, Nathaniel visited Lucy Honeychurch at her idyllic pastoral home in England and her new engagement to Cecil Vyse, whose sneering fastidiousness is only matched by his complete inability to relate normally to other people. Things got delightfully complicated when the Emersons turned up unexpectedly as neighbors.  They’re about to get a lot more complicated in part 3, with Charlotte Bartlett, of all people, emerging as the unsung savior of truth, beauty, and love.

A ROOM WITH A VIEW
(a three part miniseries)
part 3 by Lynn Lee

I’ll be honest: although A Room With a View is one of my all-time favorites, for a long time the third act was my least favorite.  Too much lying and denial by Lucy, too much drawing out of the inevitable, not enough humor to make it go faster.  But as I grew older, I came to see it differently.  If the first act is the most romantic and the second the most comedic, the third is – pardon my French – when shit gets real.  We see the emotional consequences of our heroine trying to bury what’s in her heart, and in so doing we get to see her finally grow up. 

1:18:26  First-time viewers may not know it yet, but the library book Lucy’s mother admonishes her to pick up is a narrative grenade...

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