FYC: Gaby Hoffmann in "C'mon C'mon"

by Lynn Lee

Gaby Hoffmann doesn’t make it look easy.  Motherhood, that is.  Neither is she a drama queen about it.  As down-to-earth Viv – sister to thoughtful, sad-eyed journalist Johnny (Joaquin Phoenix) and mother of Jesse (Woody Norman), the precocious 9-year-old Johnny looks after for a time – she just shows and tells it like it is, with an honesty, humility, and humor that’s as refreshing as it is rare to see on screen.  And that, precisely, is why she’s the secret weapon of C’mon C’mon, and why she should be in the running for Best Supporting Actress Oscar.

That she isn’t even in the conversation is due as much to the nature of C’mon C’mon as Hoffmann’s performance...

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NYFF: "C'mon C'mon"

by Jason Adams

Mike Mills, the maestro of what actually matters, strikes excellence yet again with C'mon C'mon, his latest film screening at NYFF this week. How in the ever-loving world is this only his fourth -- yes you read that right, his fourth! -- feature film? The math don't lie: Thumbsucker, to the grand Beginners, to the masterpiece 20th Century Women, and now C'mon C'mon, and Mills' ability to laser right in on the emotional truth of any and every moment remains unparalleled. Jettisoning all the Joker toxicity from his body, the film stars Joaquin Phoenix, thankfully in his sweet smiling airiest tender boy mode. This is the Joaquin I personally signed up for, whispering his feelings into a telephone with wet eyes. What a heartfelt symphony this whole experience is; a gift..

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Transparent S4 E7-10: Everything's Alright?

by Chris Feil

E7 - "Babar the Borible"
I haven’t been quite sure what to make of this season of Transparent. Whereas the two previous seasons were fairly bold in creating seismic arcs for all of the Pfeffermans, this season felt like a chamber piece full of half-steps towards global politics and religion. The journey to Israel was an intriguing way to continue expanding the family history and contextualizing the show’s themes. But by the end of the season, the religious elements of the seasons feel more tangential and underdeveloped. Odd that as Transparent’s literal world got bigger, the show got unsatisfyingly smaller...

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Transparent S4 E1-3: Off to Israel

by Chris Feil

The opening theme music to Transparent by Dustin O’Halloran always chokes me up. Something about its evolving images and sound carry the weight of the shared histories - LGBTQ, Judaism, and family - speaks to both the known and still secreted past that makes the Pfefferman clan all too relatable. Like the rest of us, they’ve been somewhere and it hasn’t been easy. But from the opening emotive thrum, the theme now incorporating pilgrimage images and a traditional Jewish instrumentation, this season announces that it’s going somewhere too.

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Transparent Season 3. Part 3 - The Wrap Up

The marvelously special Amazon show Transparent, keeps on delivering dynamically as season 3 wraps up.  When Chris left us off, faith and religion had begun to take a firmer hold on the show and its characters, and Josh (Jay Duplass) was on his way to visit his biological son Colton to tell him of mother Rita’s death...

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