An Annette Bening Top Ten

by Cláudio Alves

Remember that week when Taylor Swift's concert film phenomenon and Martin Scorsese's elegiac latest dominated the conversation? It's hard to believe, but more pictures hit theaters along with those big titles. Indeed, some came full of Oscar hopes – look at NYAD. Directed by Elizabeth Chai Vasarhelyi and Jimmy Chain, the sports biopic enjoyed a qualifying theatrical run before hitting Netflix today, hoping to guarantee its entrance into the awards race. Above all other categories, Best Actress should be the primary objective, with Annette Bening vying for Hollywood's favorite golden trophy once more. Will she secure her fifth Academy Award nomination? Time will tell.

Let's recall some of her best work of yesteryear to celebrate a great actress's return to the race. Here are my top ten favorite Annette Bening performances…

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Thankful for... Nick Taylor!

This year for our "thankful for" column we're mixing it up a bit. Instead of asking our contributors to share a brief list of favourite things, I wanted to share with you, dear readers, why I love the team so and then ask them a few key questions so you can get to know them better.  NICK TAYLOR. 

Nick has been with us for about two years, and we first got to know him because he regularly voted and wrote up beautiful emails for the Smackdown. Since joining us he's looked at supporting actresses that weren't nominated. Some of our favourites include the Evil Witch in Snow White, Taraji P Henson in Hustle & Flow, and Sister Ruth in Black Narcissus. But he also pops in for contemporary festivals.

Our mini interview follows...

When did you first fall in love with the movies?

I've been into movies my whole life. Lotta Animal Planet docs and Disney movies growing up, but that feels different from the way I love and think about film as an adult...

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NYFF: "C'mon C'mon"

by Jason Adams

Mike Mills, the maestro of what actually matters, strikes excellence yet again with C'mon C'mon, his latest film screening at NYFF this week. How in the ever-loving world is this only his fourth -- yes you read that right, his fourth! -- feature film? The math don't lie: Thumbsucker, to the grand Beginners, to the masterpiece 20th Century Women, and now C'mon C'mon, and Mills' ability to laser right in on the emotional truth of any and every moment remains unparalleled. Jettisoning all the Joker toxicity from his body, the film stars Joaquin Phoenix, thankfully in his sweet smiling airiest tender boy mode. This is the Joaquin I personally signed up for, whispering his feelings into a telephone with wet eyes. What a heartfelt symphony this whole experience is; a gift..

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Streaming Roulette, July: Reese doesn't live under the silver lake anymore

As is our practice we've selected 8-10 titles and frozen the films at utterly random moments without cheating (whatever comes up comes up!). It's our way of previewing new titles streaming in the first half of JULY 2019. (★ means we recommend catching them.) Please do let us know if you're dying to discuss any of the films and maybe we'll write about them.  

Ready? Let's go...

Why did I get stuck with the janky old broke hobo Spider-Man? 

Spider-Man: Into the Spider-Verse (2018) on Netflix ★
Watched this again on a whim with a friend who was curious because it won the Oscar. He's not into animated movies or superhero movies and he totally enjoyed it. Thus are its many inventive delights. It really holds up to viewing number two. Jam-packed with details you can easily miss on the first round.

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The New Classics - 20th Century Women

Michael Cusumano here to thank you for making this post part of your own personal Mike Mills film today. I'm honored.

image via "books in movies"

To watch a Mike Mills movie is to continually ask, “Why don’t more people make movies with this much freedom?” 

His films deploy everything from news clips to rotating narrators to archival footage from a century ago. The screenplay will jump backwards in time, skimming through the characters’ biographies, or forwards to glimpse the details of their death. The focus can zoom in to the most granular details or out to encompass the entire cosmos. I doubt he will ever make a film that doesn’t include a shot of the stars. At least I hope he doesn’t... 

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