Review: The Hustle

by Samantha Craggs

The late great Gene Siskel had a litmus test: is this movie more interesting than a documentary of the same actors having lunch? In the case of Anne Hathaway and Rebel Wilson in The Hustle, the answer is a resounding no. The material keeps Hathaway at a fraction of her potential wattage, and Hollywood doesn't quite know what to do with Rebel Wilson yet.

The Hustle, in theatres now, is a remake of Dirty Rotten Scoundrels, although the earlier film isn't required viewing. Hathaway plays Josephine Chesterfield, a skilled con artist with a too-affected British accent who uses her natural charm and willowy figure to swindle men out of money in a little French Riviera town. A police sergeant works with her – for a price, of course. And Chesterfield can pay it. She's made millions doing this.

In comes Wilson's Penny Rust, playing what we've come to know as the Rebel Wilson role...

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Xavier Dolan

by Samantha Craggs

It's been 10 years since Xavier Dolan, age 20, burst out of the gate at the Cannes Film Festival with his first ever movie, I Killed My Mother. It was a raw, imperfect effort. The deeply autobiographical narrative rambled at times. A plethora of shots framed the subject in the middle lower third of the screen, leaving space for blank white walls and reams of extraneous information. But it was a first-hand look at being a queer teenager fighting with his parents in the new millennium. For taste-makers at Cannes, it was more than enough. His movie showed in the Director's Fortnight, and Dolan, a former Québecois child actor who'd never even directed a short film, became the arthouse's youngest rock star. 

We've watched him learn the craft in two-hour intervals ever since. He works at a frantic clip, so he's made eight movies in 10 years. The now 30 year old filmmaker will premiere that eighth feature Matthias et Maxime at Cannes on May 22nd. Love or hate his offerings so far, one thing is guaranteed – this one will look nothing like I Killed My Mother. Let's do a ranking of his movies so far, after the jump... 

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"Wine Country" on Netflix

From new contributor Samantha Craggs

In theory, there's a lot to love about Wine Country. It's two whole hours devoted to women in their 40s and 50s, an often invisible demographic in film. What's more it's rarely about typical topics like marriage or children. It stars watchable and funny women. It passes the Beschdel Test in spades. 

But with Wine Country, sadly, the result is as bland as the biscuit and asparagus tones that permeate the backdrop...

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Review: Lords of Chaos

By guest contributor Samantha Craggs

Rory Culkin headlines the music bio "Lords of Chaos"

There's a scene in Lords of Chaos, now available on VOD, that sums up the film in a nutshell. Euronymous (Rory Culkin), the lead guitarist of the black metal band Mayhem, walks into the bedroom of his depressed lead singer, Pelle, who goes by the name Dead. The camera pans over the mostly barren bedroom and shows us a dead cat swinging from the ceiling, apparently with a hook through its face. Euronymous tells us in an arch voiceover that Dead hates cats, just in case we didn't get it the first time. Dead is lying on the bed, and Euronymous wants to rouse him. "Dead," he says, looking out the window, "Cat." Dead sits up, excited, and the two go out into the woods with a shotgun to stalk and kill.

You get the feeling this scene is supposed to be comic relief...

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