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Entries by Robert G (7)

Wednesday
Nov232011

Super 8 and Makeup: A Love Story for the Oscars

Could you close your eyes, please?"

Super 8's leading character Joe Lamb is a movie makeup and effects fan. He taught himself how to do all the major Hollywood techniques with the Dick Smith mail-away instructions course. He can do beauty makeup, zombies, and bloody injuries. He's just a big budget and two years away from Oscar glory in 1979 when the film takes place.

The first Academy Award for Best Makeup was presented at the 54th ceremony, honoring films released in 1981. Since then, it has been a category that has confounded and confused Oscar prognosticators. What seems like a guaranteed nominee to a non-voting member of the Academy is ignored, while less well-received films with one good character go down as nominees. It feels like the standards and interests of the voters change from year to year almost on a whim. Will they go for full-body human transformations or bizarre alien creations? Cartoonish monsters in a kids film or grizzly beasts in an R-rated horror? Those tend to be the mainstays, except for the years where they go for elaborate period epics or subtle character-defining facial alterations.

Super 8 feels like the kind of film that could sneak in for a nomination because it forces the watcher to pay attention to the quality of the makeup. The protagonist lovingly talks about the same books that many modern makeup artists claim they used to learn the fundamentals of the craft. The Dick Smith books are still considered the gold standard and are constantly updated to reflect new industry techniques. Small details like this permeate the first hour of the film as a siren's song to makeup professionals and enthusiasts. If you talk enough about a film's makeup, people are going to notice the makeup.

What Joe Lamb the character accomplishes with a tackle box of grease-paint and some fake blood is at the calibre of professional work from the late 1970s. For every scene that pays tribute to 30+ year old techniques, there is another scene that acts as a stylish and gritty display of what modern practical makeup looks like in 2011. From the dirt and scratches covering the kids after the train derailment to the festering wounds on a character's head, there are very few scenes in Super 8 that just rely on everyday natural film makeup. It's a film that screams for attention for Deborah La Mia Denavar's makeup team.

Will horror nostalgia and blunt realism be enough to grab the attention of the voters? According to the rules for the 84th Annual Academy Awards, each film submitted for Best Makeup needs to get at least 15 votes to even be considered for a nomination. The top 7 vote getters (if more than 7 meet the 15 vote threshold) are then required to provide up to 10 minutes of edited footage to showcase the makeup techniques. All nominations are made based off of preferential ballots for the top 3 screened excerpts from films. That means a whole lot of films could be left out just because their written application of makeup techniques didn't grab the voters.

What films do you think will even make it past the 15 vote minimum to be eligible for a nomination?

Monday
Oct312011

Oscar Horrors: Killer Bee Costumes!

Happy Halloween! This month Team Film Experience has been celebrating those rare Oscar nominations given to horror films. Here's a true oddity from Robert Gannon. This mini-series was his idea! Take it away, Robert.
 

Here lies...the original costume designs of The Swarm. Three time Oscar nominated costume designer Paul Zastupnevich earned his second nomination for the epic killer bee film from 1978. As silly as the film is, the costume design is no joke.

Zastupnevich designed very detailed costumes for the entire cast of the film. They fall into three broad categories. The first is military uniforms, including the imagined design for the killer bee response team in orange and white jumpsuits. The second is business attire, worn by a large cavalcade of performers and professionals woven throughout the running time of the film. The third is casual civillian wear, designed in an American-hued palette of various reds, whites, and blues. 

Taken separately, it may not seem that impressive. It's contemporary costuming in a horror/disaster film. But the true beauty of the costumes is seen in the second half of the film, where military personnel, business people, and casual civillians are all mixed together. It makes it quite clear that Zastupnevich had a great eye for categorizing character types. With such a large cast, it becomes essential to be able to pinpoint who everyone is. If nothing else, there is no confusion as to who is doing what during The Swarm.

This is the rare case of the Academy nominating the strongest element of an otherwise critically maligned film. It's rarer still that a horror film that was a commerical failure could gain any awards recognition. 

Previously on Oscar Horrors...
Whatever Happened to Baby Jane -Best Actress in a Leading Role
The Fly -Best Makeup
Death Becomes Her -Best Effects, Visual Effects
The Exorcist -Best Actress in a Supporting Role 
The Birds - Best Effects, Special Visual Effects

Rosemary's Baby - Best Writing, Screenplay Based on Material from Another Medium
Beetlejuice - Best Makeup
Carrie - Best Actress in a Leading Role
Bram Stoker's Dracula - Best Costume Design
Dr Jekyll and Mr Hyde - Best Actor in a Leading Role

King of the Zombies - Best Music, Scoring of a Dramatic Picture
Poltergeist - Best Effects, Visual Effects
Hellboy II: The Golden Army -Achievement in Makeup
The Silence of the Lambs -Best Director
The Tell-Tale Heart -Best Short Subject, Cartoons

Saturday
Oct222011

Oscar Horrors: King of the Zombies' Tribal Beats

In this series, Team Experience is looking at Oscar nominated or Oscar winning contributions from or related to the horror genre. In this episode, Robert Gannon -- who dreamt up this whole series for us! -- looks at a true oddity in Oscar history.

HERE LIES...The original score of King of the Zombies (1941). There are a few interesting things to note about the Oscar nomination for a brief horror film (67 minutes!) that has not aged well. The least of which is that, music aside, it's not a particularly great or memorable film.

The year is 1942. Music is still a respected category at the Academy Awards. In an odd twist, 20 films are nominated for Best Music, Scoring of a Dramatic Picture. Only at the 1945 ceremony were more films nominated in the category. At this point in Oscar history, there was no limit on the number of nominees. The nominated films simply met a quality threshold. That meant films like Citizen Kane and How Green Was My Valley could compete right alongside B-pictures like King of the Zombies.

As far as I'm concerned, King of the Zombies is the best nominated original score from that year. The zombies in this politically incorrect horror film are voodoo zombies, converted from slaves on a remote island off the coast of South America. Strains of a secret ritual rise and fall out of the sound mix, confusing the American travelers who crashed on the island. Various drums pound out a syncopated rhythm while a chorus of unseen voices chant and sing out a uniform refrain in (presumably) a made up language. It's a haunting blend that offers some of the only scares in the entire film. For a modern equivalent of how the score is used, think of how ineffective The Village would be without James Newton Howard's tension-building score.

I spend a lot of time listening to and researching film scores for my music direction work. The score of King of the Zombies is one that I can pull up in my head instantly and start playing. It's precise, it's perfect for the film, and it's very memorable.

King of the Zombies' score by Edward J. Kay set the foundation for modern voodoo zombie films. If there are voodoo rituals involved, you will hear the same tribal-inspired rhythms and chant-like vocals with nothing else in the mix. It's amazing that a film this small and inconsequential so readily established a horror covention.

Other Oscar Horrors...
Rosemary's Baby - Best Supporting Actress
The Swarm - Best Costume Design
Whatever Happened to Baby Jane -Best Actress in a Leading Role
The Birds - Best Effects, Special Visual Effects
The Fly -Best Makeup
Death Becomes Her -Best Effects, Visual Effects
The Exorcist -Best Actress in a Supporting Role 
Rosemary's Baby - Best Writing, Screenplay Based on Material from Another Medium
Beetlejuice - Best Makeup

Carrie - Best Actress in a Leading Role
Bram Stoker's Dracula - Best Costume Design
Dr Jekyll and Mr Hyde - Best Actor in a Leading Role
Poltergeist - Best Effects, Visual Effects
Hellboy II: The Golden Army -Achievement in Makeup
The Silence of the Lambs -Best Director
The Tell-Tale Heart -Best Short Subject, Cartoons

Tuesday
Aug232011

Happy 50th Birthday, Alexandre Desplat

Robert G here from Sketchy Details wishing a Happy Birthday to the most in demand film composer of our time.

Can you believe that Alexandre Desplat has scored 128 separate film and television projects since 1985? How about how a year hasn't gone by since 1991 where he didn't score at least three different TV or film productions? He has had quite the successful career in France and has started to work consistently in America in the past eight or so years.

Desplat has been nominated for Best Original Score four times at the Academy Awards: The Queen, The Curious Case of Benjamin Button, Fantastic Mr. Fox, and The King's Speech. He's clearly doing something right to get the Music Branch's attention. His work is especially noticeable for not being the super flashy film scoring that demands attention. He does what needs to be done to set the right tone and lets the film be the focus.

Indeed, every year he lost the Oscar, he lost to a film with a far flashier or more pronounced score...

Click to read more ...

Wednesday
Jul272011

Summertime Chills: Teeth

Robert G from Sketchy Details here with a look at a bizarre and refreshing horror film for those hot summer days.

I just have to ask: can't we get just one horror film where a trip to a large body of water doesn't spell disaster? Whether it's shark attacks, masked killers, or ancient monsters from the deep, water in a summer horror film is a bad thing. The younger the characters are, the more diastrous the events will be

Teeth is not an exception to this rule. The strange horror/dark comedy hybrid follows the story of Dawn, a high school abstinence advocate opening herself up for the first time to relationships. She meets a nice boy named Tobey who seems different from the rest. He's kind, sweet, and is not pressuring Dawn to do anything she doesn't want to do.

Of course they wind up in a big body of water. How could late summer fun like this turn bad?

Easy. 

Click to read more ...