Sundance Review: ‘Didn’t Die’ is a Subdued Take on the Zombie Genre

by Abe Friedtanzer

There’s no shortage of zombie films and TV shows out there, and, as a result, there are almost innumerable variations on the premise of the undead. The Sundance entry Didn’t Die is best summarized by its podcast host protagonist’s declaration: “Nobody told me the apocalypse was going to be so boring.” Still, this film finds a good deal of content to mine from that premise...

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Cannes at Home: Day 1 - 'One Cut of the Dead'

by Cláudio Alves

Last year, I had a lot of fun with the Cannes at Home project. It was meant as a way to dispel FOMO by running a homebound parallel companion to the most prestigious film festival in the world. Since we couldn't screen the new titles on the Croisette, we discussed their directors' past works. In other words: I'm back on my bullshit this year, and you're invited to play along. While this miniseries will focus on the Main Competition and its auteurs, the festivities didn't start with any competing titles. Instead, Michel Hazanavicius' latest film, Final Cut, opened the festival. It's the French remake of a Japanese zombie comedy, and you can read about it in Elisa Giudici's first Cannes Diary.

It only seems appropriate to kick off this parallel project with some thoughts on the original film – Shinichiro Ueda's One Cut of the Dead…

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Sixteen Linkles

• Vulture why Charlize Theron is so pleasurable to watch in action films
• My New Plaid Pants Luca Guadagnino signing on to deliver a feature adaptation of Scotty Bower's "Full Service" which has already inspired a feature doc and that gas station as whorehouse in Ryan Murphy's Hollywood
• Vanity Fair What Olivia de Havilland remembered about the 1939 Oscars 

After the jump, Ramy's nominations, Michael Fassbender's return, Hugh Jackman's butt, Scarface memories, X-Men's 20th, and more...

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National Pet Week: "Sam" from I Am Legend

Team Experience is celebrating pets at the movies (and in our homes) this week. Here's Tony Ruggio...

With my third family dog growing up "Sydney"

I’ve always been a dog person. Some of my first memories are of rolling in the carpet at three years-old next to our first pekingese bruiser Gin Gin. His death at the hands of a roaming pack of stray dogs in our neighborhood was my first real brush with tragedy and emotional trauma. Two more family dogs would come and go over the next twenty-five years, each one’s passing more devastating than the last. 

It’s no surprise then that I would take to the tale of a man and his dog in 2007’s I Am Legend, or its inevitable conclusion. The movie itself is a flawed slice-of-apocalyptic-life blockbuster, a one-man show for Will Smith wherein he and German Shepherd Samantha roam a desolate New York City...  

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White Zombie (1932)

 

Have you ever seen any of the early Bela Lugosi movies? Audiences must have been really freaked out by his eyes because the movies kept pushing that stare as the ultimate in horror (Dracula had arrived the year before). White Zombie was the first feature film about zombies, a genre now so common you forget that there had to be a first. The film, now celebrating its 87th birthday, is streaming on Amazon Prime and since it's only 66 minutes long we decided to zip right through yesterday... 

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