Cláudio's Best Shot Pick: Klute (1971)
The next episode in our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week we're celebrating Alan J. Pakula's seminal Klute with multiple posts. You still have time to participate! In the meantime, here's Cláudio's entry:
"I'm afraid of the dark, " says Bree Daniels, a New York sex worker trying to keep herself from becoming a serial killer's next victim. This confession happens relatively early in a film bearing the name of the taciturn Pennsylvania detective who comes to the Big Apple to investigate his friend's disappearance. He is the man to which she tells of this private fear, not necessarily a gesture of honesty but a weaponizing of her vulnerability. As ever, Bree wants control of the situation, and to bear herself naked is often the key to such dominance. Nakedness, of course, can come from truth rather than bared flesh. Watching Klute, one gets the sense that Bree is truly afraid of the dark, even though that very darkness is the poisonous womb within which she exists at all time, like an unborn babe striving for the light of birth while keeping itself smothered in the comfort of shadow…