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Entries in TIFF (330)

Wednesday
Sep202017

Beauty Break: TIFF Afterglow

TIFF documented their 2017 festival with a photo series of the stars of the screen. Take a moment out of your day to ogle at beautiful people in an artistic way.

Armie: Coat or cardigan?

Parts: 1 - 2 - 3 - 4 - 5 - 6 - 7

Sunday
Sep172017

TIFF: Gerwig's Lovely "Lady Bird"

by Chris Feil

One of the most heartening things about Greta Gerwig’s directorial arrival Lady Bird is how naturally it feels like an extension of her previous acting work. The film is modest, unpretentious in its intelligent character study of a high school senior facing the near-adulthood pressures of the end of high school and living in a poor family. Christine, redubbing herself Lady Bird, is just at the beginning of her own reinvention and the other one that the world has waiting for her whether she likes it or not.

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Saturday
Sep162017

TIFF Horror x3

by Chris Feil

Amid screening global cinema and the odd Oscar contender or two, I was able to cram in some horror films to my TIFF lineup. The festival is so large that it doesn’t just limit its horror entries into the genre-centric Midnight Madness program. My sampling was not only a mini European tour, but also a trip through different genre tropes: the French extremity of Revenge, a gothic ghost story with The Lodgers, and a surprising psychological chiller with Thelma.

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Saturday
Sep162017

Purse First (feat. Helena Bonham Carter)

Friday
Sep152017

TIFF: McDormand Dominates in "Three Billboards..."

by Chris Feil

Three Billboards Outside Ebbing, Missouri unfolds in typical fashion for writer/director Martin McDonagh: unspeakable violence provides a backdrop to profanity of everyday people. Here McDonagh provides us one of his most righteous heroes in Mildred Hayes, a mother grieving the brutal murder of her daughter and the local police’s inability to bring justice. Verbal fireworks and bloody consequence is to be expected.

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