What's next for the recently Oscar-nominated: Pt 1 - Writer/Directors

With the 95th Academy Awards wrapped, it's time to look to the future. Herewith a quick little series about what's in store for the recently nominated. Let's start with the writer/directors.

EDWARD BERGER
The 52 year old director behind Germany's latest Oscar winner, All Quiet on the Western Front, was surely thisclose to snagging an Oscar nomination for his directing (given how well the film did across the board) but he had to make due with sharing a writing nomination. His credits to date have largely been on German television but he'd already made inroads into Hollywood prior to the World War I Oscar magnet, directing episodes of two Showtime series, Your Honor and Patrick Melrose.

Let's just say he's very busy. He's already shot a remake of Alfred Hitchcock's The 39 Steps (as a miniseries) starring Benedict Cumbatch. Around the time of the Oscar nomination he was also shooting a religious thriller Conclave...

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Oscar Volley: Best Original Screenplay...the "alternative Best Picture" award?

Team Experience is teaming up to discuss each Oscar category. Here's Mark Brinkerhoff and Elisa Giudici...

TÁR in the act of creation

MARK: Hello, hello! Get a look at the Best Original Screenplay nominees this year—all five are also Best Picture Oscar nominees. Now of course this isn’t unprecedented, namely in the modern era of (up to) 10 Best Picture nominees, but it *is* unusual. (2020 was the other year this complete overlap occurred.) Typically we’ll get at least one inspired, left-field choice in Best Original Screenplay (think Bridesmaids, The Lobster, Nightcrawler, etc.). Not this year, unfortunately.

So where does this leave us? With a pretty sterling lineup of nominees overall! Among the five—The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness—which strike you as the real deal this year?

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Oscar Volley: Let's dig into that Best Director field... who should win?

Team Experience is discussing the various Oscar categories. Here's Eric Blume and Nick Taylor discussing Best Director.

Portrait of a young director via THE FABELMANS

ERIC BLUME: Hi Nick! I'm excited to talk Best Director with you.  This year's line-up, while I'd swap out a name or two in there personally, is extraordinarily strong, perhaps one of our best ever?  Before we get to each one, who were personal favorites of yours that didn't make the ballot?

NICK TAYLOR: It’s a very strong lineup! Only one of the names Oscar picked would be close to my own ballot, but I see plenty of strengths in the work the Academy nominated, and the competitiveness of this field leading up to nomination morning means nobody coasted to their slots...

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Split Decision: "The Banshees of Inisherin"

Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer & Eric Blume on one of the Oscar frontrunners...

ERIC:  Abe, here we are again with another split decision.  But unlike our discussion about The Whale, which you loved and I didn't, we're swapping sides for The Banshees of Inisherin.  I absolutely loved this film.  I'd go as far as to say it's close to a masterpiece.  It's a piercing and painful meditation on loneliness, a heartbreaking and lyrical stare in the face at death.  Martin McDonagh is tackling The Big Themes with ferocity and honesty, and I was deeply moved.  But let's start with why you didn't care for the film...

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DGA Nominees: Field, Kosinski, McDonagh, Spielberg, and The Daniels

by Nathaniel R

Todd Field and Cate Blanchett for "Tar". Photo by Matt Licari/Invision/AP

The Directors Guild of America released their nominations yesterday. In their main Oscar-correlative prize they hewed very close to what is seen as the "top five" for Oscar's Best Picture race. Historically speaking, in a counter-intuitive twist, the DGA nominations each year have a closer correlation to eventual Best Picture nominations than the Best Director shortlist. That was of course easier to notice before the new world of the "Expanded Best Picture" lineup of the past 14 years. The exception to this general principle of 'if it's up for the DGA it'll be up for Best Picture' certainty is the nomination for Todd Field for TÁR. While the film has a great shot at making the 10 wide Best Picture list, it's not generally considered one of the top five contenders and could theoretically be snubbed still, given that more than 10 films still seem plausible as contenders. As a result Field is looking very strong in Best Director as the Academy votes on their nominations this week...

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