Oscar Volley: Best Original Screenplay...the "alternative Best Picture" award?

Team Experience is teaming up to discuss each Oscar category. Here's Mark Brinkerhoff and Elisa Giudici...

TÁR in the act of creation

MARK: Hello, hello! Get a look at the Best Original Screenplay nominees this year—all five are also Best Picture Oscar nominees. Now of course this isn’t unprecedented, namely in the modern era of (up to) 10 Best Picture nominees, but it *is* unusual. (2020 was the other year this complete overlap occurred.) Typically we’ll get at least one inspired, left-field choice in Best Original Screenplay (think Bridesmaids, The Lobster, Nightcrawler, etc.). Not this year, unfortunately.

So where does this leave us? With a pretty sterling lineup of nominees overall! Among the five—The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness—which strike you as the real deal this year?

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Oscar Volley: Let's dig into that Best Director field... who should win?

Team Experience is discussing the various Oscar categories. Here's Eric Blume and Nick Taylor discussing Best Director.

Portrait of a young director via THE FABELMANS

ERIC BLUME: Hi Nick! I'm excited to talk Best Director with you.  This year's line-up, while I'd swap out a name or two in there personally, is extraordinarily strong, perhaps one of our best ever?  Before we get to each one, who were personal favorites of yours that didn't make the ballot?

NICK TAYLOR: It’s a very strong lineup! Only one of the names Oscar picked would be close to my own ballot, but I see plenty of strengths in the work the Academy nominated, and the competitiveness of this field leading up to nomination morning means nobody coasted to their slots...

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Best Director Closet Picks... and Polls!

by Nathaniel R

The Oscar charts are complete for Best Picture, Best Director and Best Screenplays with "who should win" polls on each page. So vote for your favs daily!  Each page also has trivia and factoids and listicles for your entertainment. For the first time in Oscar's 95 year history Director and Original Screenplay are an exact match and each of the directors also wrote or co-wrote the screenplays. We still can't get over that. Not just in 'how did it happen' but also in 'how did it never happen before?'. Do we just have more multi-hyphenates than we used to in Hollywood? (Probably) Or was it just a matter of the unique field of contenders this year? (Also possible)

Speaking of writer/directors. Today, February 10th, is Dan Kwan's 35th birthday and he has a lot to celebrate this year with 3 Oscar nominations for his 3rd feature Everything Everywhere All At Once. Remember his dance moves in "Turn Down For What?"  Speaking of "Daniels"... what did you think of their Criterion Closet visit? 

Daniels Throwback "Turn Down For What" 🎵

by Nathaniel R

Daniel Kwan in "Turn Down For What"

We made a hilarious discovery today. Daniels, the directing duo of Daniel Kwan and Daniel Scheinert, have not updated their official website since 2016! That was the year of their film debut Swiss Army Man. The website very much sells them as music video guys which they, of course, were. Six years later, post the huge success of Everything Everywhere All At Once they are in the Oscar conversation, and have a first look deal with A24 and a multi-picture deal with Universal so they're hardly those "We Direct Music Videos" guys anymore. Time to update the site, maybe? Tick-tock...

Watching one of their most famous videos "Turn Down For What" (2014) today in 2022 is a special thrill, given how much of the unhinged action-scene chaos and bawdy humor of Everything Everywhere All At Once you can see in it...

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Support Original Filmmaking - See 'Everything Everywhere All At Once' on the Big Screen

by Eurocheese

If you haven’t already experienced the cinematic joy of seeing Everything Everywhere All at Once with an audience yet, you’re missing out. This creative powerhouse is adding back IMAX theaters this week and may become A24’s biggest box office hit to date. Anyone who believes Hollywood doesn’t bring original content to our screens anymore owes it to themselves to see this as soon as possible. Just in case you weren’t convinced by the critical raves and audience support, here are a few reasons this film needs to be seen on the big screen.

Daniels’ (writer/director duo Dan Kwan and Daniel Scheinert) latest film is a visual feast, incredibly made for just $25 million and a tiny vfx team. As it pairs elements of action with comedy and family drama, the action sequences dazzle with varying tones, ranging from images you might see in a Scott Pilgrim vs. the World battle to scenes that the cast of Jackass would applaud...

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