What's next for the recently Oscar-nominated: Pt 1 - Writer/Directors

With the 95th Academy Awards wrapped, it's time to look to the future. Herewith a quick little series about what's in store for the recently nominated. Let's start with the writer/directors.

EDWARD BERGER
The 52 year old director behind Germany's latest Oscar winner, All Quiet on the Western Front, was surely thisclose to snagging an Oscar nomination for his directing (given how well the film did across the board) but he had to make due with sharing a writing nomination. His credits to date have largely been on German television but he'd already made inroads into Hollywood prior to the World War I Oscar magnet, directing episodes of two Showtime series, Your Honor and Patrick Melrose.

Let's just say he's very busy. He's already shot a remake of Alfred Hitchcock's The 39 Steps (as a miniseries) starring Benedict Cumbatch. Around the time of the Oscar nomination he was also shooting a religious thriller Conclave...

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BAFTA goes its own way and shakes up the race

by Cláudio Alves

After it earned 14 out of 15 possible nominations, we should have known that All Quiet on the Western Front was a major threat as far as the BAFTAs were concerned. And yet, this seemed like The Banshees of Inisherin's time to shine. Well, the British Academy has announced their victors, and though they loved Martin McDonagh's latest, it couldn't defeat Edward Berger's Netflix juggernaut. The German Oscar submission won seven awards, including Best Film and Director. Banshees had to settle for four prizes, the same number of wins Elvis amassed. Beyond those three, no other title managed to take home more than one statuette, not even the the Oscar frontrunner Everything Everywhere All At Once.

But what does it all mean? Let's assess after the jump…

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Split Decision: "All Quiet on the Western Front"

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Eric Blume and Cláudio Alves on Germany's Oscar contender.

ERIC:  Claudio, let's get down and dirty on Edward Berger's All Quiet on the Western Front.  I'm in camp "love" and I think you're in camp "don't love"?  The only real dissent I've heard from folks is that "it says nothing new about war" (which I look forward to addressing).  But let's start with overall impressions of the film.

CLÁUDIO:  Well, it's adapting a seminal anti-war novel – maybe THE anti-war novel pre-WWII – already made into a Best Picture Oscar winner before. So it's not like it had much hope of saying something new about its subject. Nevertheless, Edward Berger and company bring plenty of "new things" to the narrative presented in the literary work and its previous adaptations, so there's that...

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