What's next for the recently Oscar-nominated: Pt 1 - Writer/Directors

With the 95th Academy Awards wrapped, it's time to look to the future. Herewith a quick little series about what's in store for the recently nominated. Let's start with the writer/directors.

EDWARD BERGER
The 52 year old director behind Germany's latest Oscar winner, All Quiet on the Western Front, was surely thisclose to snagging an Oscar nomination for his directing (given how well the film did across the board) but he had to make due with sharing a writing nomination. His credits to date have largely been on German television but he'd already made inroads into Hollywood prior to the World War I Oscar magnet, directing episodes of two Showtime series, Your Honor and Patrick Melrose.

Let's just say he's very busy. He's already shot a remake of Alfred Hitchcock's The 39 Steps (as a miniseries) starring Benedict Cumbatch. Around the time of the Oscar nomination he was also shooting a religious thriller Conclave...

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The Beauty of Sarah Polley's Oscar Speech

by Juan Carlos Ojano

Women Talking has had a pretty rocky road to the Oscars. From being anointed as one of the early frontrunners to possibly win Best Picture to barely squeaking into the actual nominations - only getting nods for Picture and Adapted Screenplay, the film struggled to find footing during the awards race as more vocal support went towards other films. Believe me, as someone who loves the film dearly, it was hard to watch this film be up in the air for majority of the season.

Coming into the Oscar night, its only real shot at winning was for Adapted Screenplay as Everything Everywhere All at Once's victory lap at Picture seemed secure. The only problem was Adapted Screenplay also contained what was arguably the Best Picture runner-up: All Quiet on the Western Front...

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Oscar Volley: Which five will be named "Best Director"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Eric Blume and Glenn Dunks...  

THE FABELMANS

ERIC:  Glenn, before we get to this year's nominees, I just want to celebrate the Academy's relative great taste in this category compared to most others.  It's phenomenal that only once in the last 14 years has this award gone to a straight white American man (Damien Chazelle, deservedly in my opinion).  In those years, we've had three women, two Asian men, two Brits, and a French guy who have won, plus three great Latin filmmakers (including double wins for Iñárritu and Cuarón).  It's the category where they now have diversity and true talent.  I might have chosen differently in any given year, but none of the filmmakers are bad or untalented.  Tom Hooper beating David Fincher didn't land back then and certainly hasn't aged well, but regardless it's a great category filled with remarkable work.

This year, it seems our one lock is Steven Spielberg?  He wouldn't be in my top five, but he's received the reviews and the industry is in his back pocket...

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Chart Updates: Best Picture... and how much diversity will we get in Best Director?

by Nathaniel R

Sarah Polley on the set of "Women Talking". Photographed by Michael Gibson for Orion Releasing

So what's going to get a Best Picture and who will get a Best Director nomination? The possible combinations of 10 and 5 contenders, respectively, are many. While Best Picture could well find a mix that doesn't upset too many people (10 is a lot to work with) Best Director will likely be more fraught. So let's talk Best Director first...

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AFI Fest: “The Son,” “Women Talking” and "Alcarràs"

by Christopher James

Sarah Polley assembles a terrific ensemble for her fourth feature, "Women Talking."

Though Saturday was Day Four of the AFI festival, it was merely my second day spent wandering around the halls of the TCL Chinese Theater subsisting on popcorn and soda alone. What a doozy of a day it was. The films all spoke in different ways to parenthood, family, community, and gender dynamics. Between Sarah Polley's Women Talking, Florian Zeller's The Son and Carla Simón's Alcarràs which film soared to be the best of the bunch and which missed the mark entirely? My takes on all three are after the jump...

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