Now Streaming: Paul Bettany is "Uncle Frank"

by Christopher James

Everybody wants a happy ending. Especially with gay-themed movies, we’re so used to seeing LGBTQ+ characters go through trauma, abuse or end up killed by the time the credits roll. It’s always nice when movies about the queer experience can be positive or uplifting. However, they also have to be genuine. Uncle Frank wears its heart on its sleeve, and that works for a while. Yet, as the movie goes on, it becomes so sweet and saccharine, you just wind up with a toothache.

It’s 1969, Elizabeth Bledsoe (Sophia Lillis) doesn’t fit in with her South Carolina family. Her parents (Steve Zahn and Judy Greer) fade to the background in traditional gendered roles. Meanwhile, her Grandpa, Daddy Mac (Stephen Root), spews orders and hate at every turn, while Mammaw (Margo Martindale) and Aunt Butch (Lois Smith) gab in the kitchen. She feels the greatest kinship with her Uncle Frank (Paul Bettany), who seldom comes down from New York...

Click to read more ...

Another AFI Wrap: I Carry You With Me, One Night in Miami, etc.

by Christopher James

The gay romantic drama "I Carry You With Me"

AFI Fest has always been one of my favorite times of the year. As an LA-based critic, it’s my chance to catch up on all the big movies that premiered at Venice, TIFF, NYFF and Telluride. Some of my personal favorite memories from attending the festival the last five years include watching Roma at the legendary Egyptian Theater and attending an afterparty for Film Stars Don’t Die in Liverpool with Annette Bening and Jamie Bell in attendance. With the pandemic, a lot of the pomp and circumstance has been taken out of the film festival. That absence has been replaced by greater accessibility to some of the great films chosen for the festival. No more rushing across Hollywood Boulevard to get in line for a third film in a day. All the bingeing can be done from the comfort of my couch. Many film festivals have found a positive way to adapt to the pandemic.

Chris’ 'Jury-of-One' Top Five AFI Fest 2020 Films...

Click to read more ...

Abe’s AFI Fest Wrap

By Abe Friedtanzer

This was my first year covering AFI Fest, and also my first time covering a virtual festival during the festival itself. It was a positive experience on both fronts, and the viewing platform I used – the AFI Fest app for Roku – worked pretty well and including plenty of interesting conversations with talent.

AFI announced the following winners:

Audience Award - Narrative Feature WOLFWALKERS (DIR Tomm Moore, Ross Stewart)
Audience Award - Documentary Feature 76 DAYS (DIR Hao Wu, Weixi Chen, Anonymous)
Audience Award - Short Film LONELY BLUE NIGHT (DIR Johnson Cheng)
Grand Jury Prize – Animation TIGER AND OX (호랑이와 소) (DIR Seunghee Kim)
Grand Jury Prize – Live Action PILLARS (DIR Haley Elizabeth Anderson)
Special Mention - BLACK GOAT (DIR Yi Tang)
Special Mention  MAALBEEK (DIR Ismaël Joffroy Chandoutis)
Special Mention UMBILICAL (DIR Danski Tang)

I personally had the chance to screen 17 films, which represent a third of the features shown. I also saw 6 of the other films at Sundance, but it hardly seems fair to include some of my favorites, like Nine Days and Farewell Amor, in this piece since I already cited them in my Sundance wrap. Without further ado, I submit my choices for the best of this year’s AFI Fest...

Abe’s 'Jury-of-One' Top Five AFI Fest 2020 Films 

Click to read more ...

AFI Fest: Notturno

By Abe Friedtanzer

Italian documentarian Gianfranco Rosi’s last film, Fire at Sea, was released right around the time of the 2016 election. The Oscar-nominated film was a poignant and timely look at the implications of severely restricted immigration worldwide. Unlike popular recent documentaries like American Factory and Free Solo, Rosi’s work didn’t feature much dialogue or even a formed argument of any kind. Instead, plainly documenting what was happening was powerful enough to speak on its own. Rosi’s follow-up, Notturno, has a different focus but is much the same… 

Click to read more ...

AFI Fest: I’m Your Woman

 By Abe Friedtanzer

Career-defining roles are a blessing but one with a downside. Audiences can have trouble separating actors from those parts in subsequent projects. Rachel Brosnahan is a great example of this, taking off as the title character in The Marvelous Mrs. Maisel when it premiered in 2017. Even her CIA agent character in a Sundance selection from this past year, Ironbark, now titled The Courier, felt like she could easily have been a comedienne who decided to go into espionage later in life. Fortunately, the opening night film of this year’s AFI Fest, I’m Your Woman, indicates that Brosnahan may be indeed be branching out and trying something different…

Click to read more ...