Emmy Category Analysis: Supporting Actor in a Limited Series

By Nathaniel R

While Abe and Chris have done a fine job staying objective in their analysis, I must confess upfront that this particular category has me too emotionally invested. In doing so, it's causing anxiety! The future winner, very deserving, feels clear. And yet, is this wishful thinking? There's no precursors to look to assuage the fears that we're making up the "frontrunner" business in our heads. Unlike the Oscars which are preceded by countless precursors aimed (unfortunately) at predicting or influencing the outcome) the Emmys come to us mostly fresh each year... apart from repeating themselves (though that is rarely a problem in the limited series category. Before we get to the punditry and the reason for the anxiety let's recap the nominees... 

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Some Thoughts on "The White Lotus"

by Eric Blume

With the Emmy Awards ahead of us this coming weekend, it seems like a good time to start discussing a show that will likely make a killing at next year's Emmys, Mike White's HBO show The White Lotus.  It's been the talk of the industry this summer, and rightfully so, as there's nothing quite like it.  This intense ensemble comedy-drama-satire-tragedy is incredibly dense, so to start off the discussion, I thought I'd offer just a few of the very difficult things that writer-director Mike White accomplished with such intelligent success...

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Gay Best Friend: Sammy Gray in Reality Bites (1994)

In this series by Christopher James we investigate the 'Gay Best Friend' trope in movies.

We're introduced to Sammy along with the whole crew of main characters on the roof after their college graduation, two minutes into the movie.

At last, it has come to this point. This marks the first week where I’ve covered a “first watch” for the Gay Best Friend series. Thanks go out to Julian who suggested Steve Zahn’s clean cut Sammy in Reality Bites, a 1994 Gen-X classic. As a proud, card-carrying millennial, Reality Bites had been a movie I had always meant to watch, but never gotten around to. The Winona Ryder fan in me was excited to use this column as an excuse to rectify this blind spot. Overall, the film left me a bit wanting. The characters and situations were a great encapsulation of the confusion you experiences the first years after college. It’s easy to see the lineage from this film to movies and TV shows I love and relate to (namely Girls on HBO and Frances Ha). However, the plot always felt less developed than the characters and performances. The movie exists now as a museum piece encapsulating post-grad life in the 90s. That’s not meant to be a dig. Plenty of movies from the '00s and '10s will feel the same way in 10-20 years. In fact, it speaks to why this modest love triangle from 1994 has endured for twenty-six years in the cultural conversation...

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Now Streaming: Paul Bettany is "Uncle Frank"

by Christopher James

Everybody wants a happy ending. Especially with gay-themed movies, we’re so used to seeing LGBTQ+ characters go through trauma, abuse or end up killed by the time the credits roll. It’s always nice when movies about the queer experience can be positive or uplifting. However, they also have to be genuine. Uncle Frank wears its heart on its sleeve, and that works for a while. Yet, as the movie goes on, it becomes so sweet and saccharine, you just wind up with a toothache.

It’s 1969, Elizabeth Bledsoe (Sophia Lillis) doesn’t fit in with her South Carolina family. Her parents (Steve Zahn and Judy Greer) fade to the background in traditional gendered roles. Meanwhile, her Grandpa, Daddy Mac (Stephen Root), spews orders and hate at every turn, while Mammaw (Margo Martindale) and Aunt Butch (Lois Smith) gab in the kitchen. She feels the greatest kinship with her Uncle Frank (Paul Bettany), who seldom comes down from New York...

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NewFest: "Cowboys"

Coverage from NewFest the 32nd Annual LGBTQ Film Festival

 

by Abe Friedtanzer

Films about young transgender children tend to focus on the responses of parents to the reality of what their children express to them. Teenagers can talk back and run away from home, but if they’re younger, it’s unlikely that they will be able to fully separate themselves from a situation, good or bad. A Kid Like Jake was one recent effort starring Claire Danes and Jim Parsons about parents who were mostly on the same page about accepting their four-year-old. Cowboys, which is screening as part of NewFest, finds its adults at odds when it comes to supporting their child, Joe…

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