2000: The Top Ten Best Lines From "Erin Brockovich"

In preparation for the next Smackdown Team Experience is traveling back to 2000.

This is a place for legends only - (from left to right) Conchata Farrell, Julia Roberts, Albert Finney.

by Christopher James

The old saying “They don’t make them like they used to” is both tired and true. You won’t find another movie as quotable and inspiring as Erin Brockovich. Steven Soderbergh’s 2000 drama was the truest definition of a four-quadrant hit if there ever was one. Julia Roberts starred in the titular role as a blue-collar single mother who ends up taking on PG&E for poisoning the town of HInkley, California. Roberts deservedly won the Best Actress Oscar for her work in the movie, which perfectly uses her gifts as a movie star, rom-com Queen and dramatic actor.

Even more miraculous than the central performance is Susannah Grant’s incredible screenplay. It was nominated for Best Original Screenplay, losing to Almost Famous. Not only does she make a two hour plus procedural about water contamination feel riveting at every turn, she also makes it funny. Erin Brockovich is loaded with one liners that are guaranteed to make you laugh, cheer or cry. The movie works every one of your emotions, without every feeling manipulating or tonally inconsistent.  Relive the 10 best lines from the classic film after the jump...

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Almost There: Diane Keaton in "Shoot the Moon"

by Cláudio Alves

The magnificent Diane Keaton is 75! The Best Actress champion of the 50th Academy Awards has been enchanting movie audiences since the early 70s, making a name for herself as a comedienne before proving she was a versatile performer, as good at having audiences cry for her as she's at making them guffaw. Unlike many great thespians of the silver screen, Keaton's Oscar history is a good representative of her talents. The winning turn in Annie Hall and the runner-up marvel that is Something's Gotta Give represent two wildly different approaches at comedy, one spiky and cerebral, the other warmly commercial. Then we have the romance of Reds and the melodrama of Marvin's Room, a drama played at the scale of an epic and a chamber drama respectively. 

Still, one can quibble with the results and wish Keaton had gotten even more love from AMPAS. For instance, when I examined the battle of the titans that was Meryl Streep and Jessica Lange's bid for the 1982 Best Actress trophy, many mentioned how Diane Keaton. Some said she should have been present among the nominees for her work in Alan Parker's Shoot the Moon for which she got considerable buzz. I confess I agree with those Keaton-loving readers…

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Albert Finney (1936-2019)

by Nathaniel R

We had dreaded this day coming. Albert Finney has passed away at 82 years of age from a chest infection. He'd been battling health troubles for years, which is why the filmography abruptly ends at Skyfall (2012) but what a elegiac blockbuster of a swansong, yes? In recent years we'd repeatedly suggested him for an Honorary Oscar but the Academy rarely listens to our brilliant ideas. Instead he'll retain the sad distinction of being the second most-nominated male movie star never to have received a competitive OR honorary Oscar behind only Richard Burton (Character actor Arthur Kennedy was also nominated 5 times without a win, mostly in supporting, but he wasn't a headliner like Finney). But, as we've often said, awards aren't everything and cinematic legacy is far more crucial. And that, Albert Finney has. He will live on given that impressive filmography filled with rich performances.

Finney wasn't born to a family in showbusiness but was in the right place at the right time to capitalize on the 'angry young man' and kitchen sink era of British filmmaking -- he reportedly disliked "snobbery" enough to turn down the British Knighthood the year of Erin Brockovich (2000). Despite humble origins he was a quick success as an actor landing his first professional gigs on stage and TV by the age of 19. At the age of 24 he was an immediate movie star... 

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The 25 Youngest Men Ever Nominated for Best Actor

by Nathaniel R

Timothée Chalamet photographed by Craig McDean for Interview magazine

With the fine coming of age romantic drama Call Me By Your Name now in limited release, audiences can join critics in swooning over the revelatory work of Timothée Chalamet's as the preternaturally sophisticated but hormonally confused Elio. He won the Gotham Awards "Breakthrough" award last night. Should his incredible performance earn him an Academy nomination for Best Leading Actor, he will be the third youngest man to ever receive that honor (he turns 22 the day after Christmas)...

Only Mickey Rooney and Jackie Cooper were younger in their Oscar races and both happened in Oscar's first dozen years (!) when the Academy's habits and fetishes and aversions were still being sorted out. They quickly turned against really young actors. While many women have won Best Actress in their 20s, it's only happened once for a man. The youngest leading male winner is currently Adrien Brody who won his Oscar for The Pianist (2002) just three weeks before he turned 30.

But who are the youngest male leads ever nominated? Read on for the dewiest 25. Tell us how many you've seen and who is your favorite...

YOUNGEST LEAD ACTOR NOMINEES

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50th Anniversary: Two for the Road

Tim here. This week marks the fiftieth anniversary of one of the tiny gems in the careers of Audrey Hepburn, Albert Finney, and director Stanley Donen: Two for the Road. It's a British film that picked up a handful of important awards nominations – writer Frederic Raphael at both the Oscars and BAFTAS, Hepburn at the Golden Globes, Donen with the DGA – and went on to be largely overlooked in the following five decades.

That's understandable; it's not a film primed to appeal to the fandom that it seems like it should have. Donen in the director's seat and Hepburn as the top-billed lead both suggest certain kinds of films, if not necessarily the same kind of film: bubbly comedies in his case, elegant Continental romances in hers (splitting the difference, four years earlier they collaborated on Charade, a bubbly Continental comedy). Two for the Road isn't devoid of humor, but it's not primarily a comedy. Instead, it's a serious depiction of a marriage of some ten years or more, long enough for comfortable familiarity to have settled into tetchy boredom.

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