Almost There: Penélope Cruz in "Ferrari"

by Cláudio Alves

To celebrate the return of the Almost There series, let's consider the season's buzziest turns, starting with a contender who came close to her third Best Supporting Actress nomination and fifth overall nod. She's won before, for Vicky Cristina Barcelona, in a much different register than the one she's exploring in this latest bid for gold. Of course, I'm talking about Spanish superstar Penélope Cruz, who molded her natural accent into some vaguely Italian sound to play Laura Ferrari in Michael Mann's long-gestating biopic project. It's an immense performance, primordial in its power and classical in construction. Devastated and devastating, she's grief incarnate…

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Almost There: The Return and the Unlucky Thirteen

by Cláudio Alves

Everybody's fighting about Oscar "snubs" since nominations were announced.

It's been a while. The last time I wrote an Almost There piece was nearly a year ago, last February, still reeling from Danielle Deadwyler's lack of an Oscar nomination. Since then…nothing. Personally, I needed a break from the format, and maybe you did too. While the race for gold can be used to contextualize and remember films and performances of yesteryear, it also limits what one can discuss and how. In any case, the series has been on pause for enough time, so let's welcome its return on the heels of the latest batch of Oscar nominations. 

That reminds me - this comeback merits some oomph. Because of that, I'm planning something special for the following weeks…

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Almost There: Barbara Stanwyck in "The Lady Eve"

by Cláudio Alves

Since its inception, the Academy has shown a certain reluctance to awarding great acting within the comedy genre. It often feels that the sillier the role, the less likely it is to win plaudits for the performer who fleshes it out on screen. That's not to say that comedy is wholly absent from the acting races – it's just rarer, more prone to reductive judgment and dismissal. Considering all this, the recent SAG results feel even more miraculous. They point us toward a scenario where a wild genre riff might win over half of the acting prizes. So with that mind, a comedic episode of "Almost There".

Let's reflect upon an achievement that might be justly named the pinnacle of screen comedy – Barbara Stanwyck's stunning turn in 1941's The Lady Eve…

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Almost There: Julianne Moore in "Magnolia"

by Cláudio Alves

Though the year is still relatively young, Julianne Moore has already staked her claim on 2023. She stars in two early releases, Jesse Eisenberg's When You Finish Saving the World and Benjamin Caron's Sharper and has some juicy upcoming projects lined up. For instance, Todd Haynes' May December has already wrapped filming and is in post-production, maybe headed towards a festival release later in the year. With all this in mind, it felt like a good time to shine the Almost There spotlight on the 2014 Best Actress champion. And so, let's think back to the afterglow of Moore's first brush with Hollywood's most coveted trophy.

In 1997, she was nominated for Boogie Nights, grasping mainstream acclaim. Two years later, Moore was back working with P.T. Anderson on another prestigious project - the Berlinale-winning hyperlink nightmare of Magnolia…

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Almost There: Danielle Deadwyler in "Till"

by Cláudio Alves

The Oscars are less than a month away, but our collective hearts still ache for those who the Academy snubbed. Indeed, you showed up in force when asked to vote on which unnominated performance deserved a complete analysis. The two definitive winners were Danielle Deadwyler and Dolly De Leon, who, when combined, won 58% of the total of over 800 votes. We'll get to the Triangle of Sadness shipwreck survivor closer to the ceremony, but first, let's consider the lead of Chinonye Chukwu's sophomore feature. Playing Mamie Till Mobley, Deadwyler delivers a powerhouse performance tasked with sustaining a historical narrative so painful it's sometimes hard to watch…

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