Wednesday, February 20, 2013 at 1:56PM Brave archery set. It's safe for ages 3 and up...
...unless one of your children is named Kevin. In which case We Need To Talk About Him.
Brave, animated films, swag Monday, February 18, 2013 at 10:30PM The Animated Feature Oscar race has been unusually competitive this year. In the final week of voting (ballots are due tomorrow) FYC ads and toys were still showing up in the mail. Which to play with first: Brave bow and arrows, Frankenweenie stuffed animal, or Wreck-It Ralph hands? That is the question. When I spoke with Rich Moore, a long time animation force who made his theatrical directing debut with Wreck-It Ralph, a few weeks back he was very contemplative. Awards season has been a "surreal" experience especially nomination morning.
You hope that they will but when they really do... it was fantastic!"
-Rich Moore on the surreal joy of Nomination Morning
Moore never quite equated his own story with that of Wreck-It Ralph's but I couldn't help projecting and connecting the dots when he told his story. There was a sturdy sweetness to it, not unlike Ralph's own, as he repeatedly expressed loyalty and gratitude for each of his past projects and opportunities. After graduating from CalArts in the late 80s he went to work for 70s animation legend Ralph Bakshi on The New Adventures of Mighty Mouse -- which might not seem like a prime gig to us in retrospect but back then it was. "Those days there were not a lot of jobs for young animators," he explained.
"We were very very lucky to be hired onto that show by Ralph. Several of the people, my friends went on to form Pixar. [Bakshi] opened our eyes. If you could dream it it could happen because we would see Ralph do that on a daily basis. He is so passionate. And so crazy!"
After his time with Bakshi he found himself at work on The Simpsons. And the experience still sounds shockingly fresh to hear him recall it. "I was 25 years old and somehow had the wherewithal to recognize that it was the chance of a lifetime - 'If I do not give this everything I've got I will not be able to live with myself.' It was gold."
He went on to marvel at how "antiquated" the idea was at the time -- it hadn't been done since The Jetsons. And I kept thinking of Wreck-It Ralph... an 8 bit game in a whole new world. Throughout his experiences with The Simpsons and then Futurama his CalArts friends who founded Pixar kept trying to woo him over. Finally the 'annual call' worked and he did some soul searching and stopped resisting, said a tough goodbye to one animation family for his original one.
But, I wondered. How long had the Wreck-It Ralph idea been with him and how possessive did he feel about it animation being a hugely collaborative process and not exactly an auteurist medium.
He calls it a "fine line to walk." Your precious idea, you have to let go and allow others to raise the child as strong as it can be. Here's how it worked. Moore pitched an idea for a story about a world of videogames where an old school character (then unnamed) had lost his passion for his work, and wonders about his station in life. "It began pretty much that simply," he explains. From there it shifted into a two person project for a year with he and screenwriter Phil Johnston. "From there it just begins to grow exponentially. You add more and more people to the mix. Last September there were up to 450 people - artistis, technicians, managers -- working on something that started as a pitch between John Lasseter and I four years ago."
Moore is suddenly contemplative and sounds a little sad. "To be the guy who walks through the whole thing from beginning to end is an interesting seat to have. When people talk about 'oh, it's journey'. It really is. it's a strange kind of trip you take. I find myself now at the end very reflective about the whole thing and appreciative to have been able to bring to Disney my contribution to this long line of films they've been making since the '30s. It's a very kind of profound feeling."
As to that long line of films, Moore names Dumbo and Pinnocchio as his favorites from animation's early years and Toy Story 2 and The Iron Giant as his modern favorites. But as for his contribution -- he isn't quite ready to put Wreck-It Ralph behind him. He has dreams of a sequel and there's still Oscar night to get through.
"I hated Christmas or Halloween to be over. oh no it's going to be done," Moore says recalling himself as a child. "I hate to let it go. That's where my head is right now. The 11th hour on Christmas day. You hate to see it come to a close but it's been a beautiful experience. It was so satisfying."
Saturday, February 16, 2013 at 4:00PM One of my favorite things to receive during Oscar season is mystery swag - unlabelled promotional items just to keep you thinking about a film. My favorite ever was two years ago when a black envelope from "Nina Sayers" arrived. There was nothing inside it but a few feathers. This week in a last minute rush of FYC booklets and animated film paraphenalia (Wreck-It Ralph hands, Brave bow & arrow, stuffed Frankenweenie -- guess which Oscar is up for grabs?) I received this little box in a totally unlabelled package, tied with a yellow bow...
But what do I unlock with it?
Sunday, February 10, 2013 at 9:56AM 
NPR Bradley Cooper speaks. And charms.
New York Times 'red carpet projects' 478 looks from Oscar's past. Truly random selection but it was fun seeing some of the stunners again
LA Times another day, another prize for Argo. This time it's the USC Scripter prize for screenplay (which goes to the author of the original text and the screenwriter who adapted it). I'm glad there are a few "who will win?" dramas left for Oscar night but, as ever, Best Picture won't be one of them. Argo has become a steamroller.
Gawker Rich Juzwiak slams Rex Reed's unkind words for Melissa McCarthy but makes a righteous demand of Identity Thief's star: "Transcend, McCarthy, transcend."
Atlantic Wire beautiful posters for Oscars Best Pictures via Gallery 1988
Salon The Rethuglicans are already spending big to "make fun of" actress Ashley Judd even though she's not yet (officially) given up showbiz for politic
Guardian talks to Stephen Daldry about his Oscary career and his latest stage piece (directing Helen Mirren as the Queen again)
Coming Soon in the many articles spreading the assumption that Quvenzhané Wallis will soon become little orphan Annie in the second big screen adaptation of that stage musical, none have ever confirmed that she can sing. If you can't belt "Tomorrow" the role can't be yours. Can she?
Carpetbagger with Oscar, there's even competition to make the "In Memoriam" list. No, not by dying. I didn't mean it like that.
and here's the complete Oscar nominated short Adam and Dog by Minkyu Lee
Lovely.
Sunday, February 3, 2013 at 10:00PM Amir here. Every year I promise myself to try harder to keep in the loop with short films. Then, on this weekend I realize just how badly I've failed and console myself by watching the few that are Oscar-nominated. In an incomprehensible feat of planning, TIFF cancelled its screening of the documentary shorts for the second year running (presumably for copyright reasons?) so I’ll stick to the other two categories. Let’s start with the animated ones.
The shortest film in the crop is Fresh Guacamole – you can watch it here - a stop-motion recipe for making guacamole with light bulbs, baseballs and dice. Though it had the theatre laughing throughout its short runtime, I think its similarities with Western Spaghetti will keep voters from going for it. It’s an innovative film that takes the audience by surprise if they’re unfamiliar with its predecessor. It’s also the only film to ever make an entire room of people salivate over poker chips, but down the line, I think it will have to be happy to be nominated.
