Thoughts I Had... While Watching the "Interstellar" Teaser

Presented in the order I had them without self-censorship... you do the same in the comments!

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What is in Anne Hathaway's Bag?

poll by twiigs.com

Red Carpet Convo: My So-Called "Punk"

In Red Carpet Convos, we discuss what the actresses are wearing. Which is really an elaborate excuse (not that we need another) to talk actresses. Today's returning guest is Courtney Enlow Hall from Pajiba.

NATHANIEL: Hi Courtney! Welcome back to Red Carpet Convos. This time I will try not to ask you to draw any pigs dressed as Janell Monae.

COURTNEY: Well as you know I'm exceptionally good at that, so I'm sad about this.

NATHANIEL: This week the celebs came out for the annual MET GALA and the theme was "Punk". Because The Met is SO counter-culture, you know.

COURTNEY: The Met is punk as fuck, Ryan Adams-style.

Ginny, Diaz, JLo, Kerry, and Angela Chase

NATHANIEL: Actually maybe it is rebellious to go to a museum instead of sitting at home watching reality tv. I rescind my comment. The interesting thing to me about the looks we're about to see is it seems like only some actresses have any working knowledge of what "punk" is. Let's start with Ginnifer Goodwin. I think she gets it.

Or at least her eye makeup does...

"my so-called punk", weeping ex-boyfriends, and eyeliner mantras after the jump

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Monday Monologue: Kym from 'Rachel Getting Married'

Hello, lovelies. Beau here, filling in for Nathaniel on this week's Monday Monologue, featuring a film that is packed full of them.

Jonathan Demme's Rachel Getting Married was, for my money, the best film of 2008. (Nathaniel shared my sentiments, though we don't always see eye to eye: note our complete polarized responses to the masterful Cloud Atlas last year.) That's not a title it earned easily, considering that it was also the year I was exposed to Charlie Kaufman's brilliant Synechdoche, New York as well as Christian Mungiu's Four Months, Three Weeks and Two Days, a film I lovingly referred to as 'that Romanian abortion picture' to friends who recoiled and cocked their heads at the thought of sitting through something like that.

No, what moved me the most, what hurt me the most was this small, intimate picture filmed on digital with many striking nods to the Dogme movement of the nineties, (filmed on location, hand-held, diegetic music) and providing a piercing, at times intrusive look at the lives of this shattered family. In it, each actor does the best work of their career. [more]  

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Podcast: Oscar Night Season Wrap

For the final podcast of the season, Joe Reid, Katey Rich, Nick Davis, and me, your host, Nathaniel R let reader questions be our guide for this spontaneous Oscar Night Review.

Topics include but are not limited to:

• Musical Performances: Adele, Shirley Bassey, Babs, Jennifer Hudson, and Catherine Zeta-Jones's Jazz
• Future Nominations or Backlash for the winners: Christoph Waltz, Jennifer Lawrence or Anne Hathaway?
• Ben Affleck's speech
• Can Michael Haneke ever return?
• What were the best reaction shots and when did we do our best reaction shots from home?
• On Naomi Watts' career choices and Oscar's love of "it" girls
• Documentary and Costume Design
• Seth Macfarlane versus Jokes and Musical Theme
• Emmanuelle Riva cutaways

You can download the podcast on iTunes or listen right here at the end of the post. 

All That (85th Oscars) Jazz
The Big Night: Fun Arrivals, Winner's List, Jennifer Lawrence in the Press Room
The Look Back: Seth's Hosting, Funniest Tweets, & This Podcast
The Fashions: Fifteen Men, The Ten Nominated Ladies, Goodbye Glamour

Oscar Night Season Finale