The beauty of Linus Sandgren's cinema

by Cláudio Alves

There's been much ado about Saltburn, Emerald Fennell's sophomore feature and follow-up to Promising Young Woman. However, most coverage tends to focus on the narrative's sudsy details, the picture's eagerness to shock and provoke. There's also a lot to lust over, of course, from Barry Keoghan's middle-class interloper to Jacob Elordi's aristocratic wet dream. And then there’s Rosamund Pike, exuding ice queen glamour on the side. Yet, judging by trailers and stills, one aspect of Saltburn's spell seems underreported – it looks gorgeous, crisp and colorful, all shiny and new, images so ripe you want to sink your teeth into them.

Though one shouldn't dismiss Fennell's contribution to this aesthetic – some would argue the poppy aesthetic of her debut was its best element – much credit must go to Linus Sandgren, cinematographer mirabilis…

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YNMS x 4: Amsterdam, The Woman King, The Last Movie Stars, and Luck

A lot of this actually happened.

Let's talk trailers. Here are the five latest we've seen (though we skipped a few "final trailers" because we don't need to see that much of new movies before we actually see them!) Talking to you, Nope! We've seen more then enough and we WANT to be surprised, that's especially helpful with jump genres like thriller or horror where surprises are a huge part of the pleasure.) After the jump we'll break down five new trailers into quick Yes No Maybe So responses as is our habit. Provide your own in the comments... 

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JLaw's back!

by Cláudio Alves

Jennifer Lawrence's career is a fascinating thing, starting in humbleness followed by a meteoric rise, promises of eternal success and a swerve into the land of flops and unexpected irrelevance. It all started in her teenage years when she was a working actress with credits on film and TV. It was a humble indie film that changed everything. In Debra Granik's Winter's Bone, Lawrence gave a career-best performance, painting a portrait of desperation and lived-in roughness as an Ozark Mountain girl in search of her missing father. She got an Oscar nomination for her troubles and a new star was born…

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Directing an Actor to a Nomination - The Stats

by Ben Miller 

Adam Driver (BlacKkKlansman) is the third actor Spike Lee has a directed to a nomination after Danny Aiello (Do the Right Thing) and Denzel Washington (Malcolm X)

With the upcoming Academy Awards celebrating their 91st year, the Oscars have plenty of history to obsess over.  One of the less-discussed pieces of history is which directors have the most pull with the Academy's acting branch. Today's topic: directors who have guided multiple actors and actresses to nominations and/or wins. 

With this season's nominations, directors Bradley Cooper (3), Yorgos Lanthimos (3), Peter Farrelly (2), and Marielle Heller (2) all join a group of directors who've guided multiple actors to Oscar nominations. In this season's crop of films Vice's Adam McKay (4), Roma's Alfonso Cuaron (3), If Beale Street's Barry Jenkins (3), BlacKkKlansman's Spike Lee (3), Bohemian Rhapsody's Bryan Singer (2) and At Eternity's Gate's Julian Schnabel (2) all add to their previous tallies since each had previously directed either one or two actors to a nomination.

In the 91 year history of the Academy Awards, 1757 performances were directed to an Oscar nomination.  I tracked every single one of them to come up with these numbers. More notes after the jump...

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Showbiz History: New Streisand and Old Horror Classics

Boo! October is here. Are you excited for this month (it's myfavorite for a variety of reasons). Since it's the spooky month (among other things) I've personally started it off with a night of insomnia after a nightmare -- ON TREND! 

Here are 9 random things that happened on this day, October 1st, in showbiz history...

1962 Barbra Streisand signs her first recording contract with Columbia. Offers had started to come in after she brought down the house on Broadway in I Can Get It For You Wholesale that spring. It was a one year contract (with an option for five) giving her 5% of royalties on albums sold. Streisand has never left Columbia and her 37th studio album Walls drops a month from now. People are already meme-ing the album cover left and right since it's accidentally in keeping with the horror theme of October...  

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