Podcast: American Hustle & Her

Nick, Katey and Joe join Nathaniel to wish you all a very happy holiday week. We begin by talking about David O. Russell's American Hustle. Katey wishes the movie had applied itself more, Joe doesn't believe a second of it, but Nathaniel and Nick enjoy the fun groovy chaos quite a lot more. We're split on Jennifer Lawrence's showboating, three of us think Bradley Cooper is amazing but the podcast quickly turns into an Amy Adams ♥fest. (Shout-outs to Saïd Taghmaoui and Michael Peña, too)

We also discuss Spike Jonze Her and its lovely script and performances. The Scarlett Johansson/Samantha Morton business on the voicework is also on the menu. Do we think Her hits its themes too hard or just right? And would we wear its futuristic fashions? 

PLEASE NOTE: If you're spoiler averse you might want to skip one minute from 18:00- 19:00

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. 

Her Hustlin' Holiday

Late Night Link

The Wrap the new triangular Oscar logo
French Films About Trains "Category is: 2013 Realness" 
i09 Paul Rudd to play Hank Pym aka Ant Man in the future Marvel movie for Edgar Wright
Digital Spy... and Edgar Wright shares his ten favorites of 2013 (and Short Term 12 is on it so I love him even more now)

Cinema Blend Hugh Jackman to play the villain in the new Peter Pan film for Joe Wright... but he's not Captain Hook
Deep Cuts the best music scenes in movies this year
Film School Rejects 3 films getting Oscar rereleases and 3 that deserve to get the same treatment
Variety 'how American Hustle conned the critics' a scathing review of... um... either the movie or its reviews. 
Vanity Fair David O. Russell's last minute decision to cast Jennifer Lawrence
Vulture Taylor Kitsch on The Normal Heart, Lone Survivor and his resistance to doing a Friday Night Lights movie
Cinema Blend Superman heirs still seeking back the rights. So much drama with superman. (Shouldn't he be in the public domain soon anyway? Damn corporate America and its perversion of copyright laws!) 

National Film Registry
Finally, the Library of Congress announced the 25 new titles they're adding to their list of culturally important films. The honor is mostly symbolic since nothing actually happens to the films in question. It doesn't grant them funding for cleaning of their negatives or restoration or guarantee a Blu-Ray release or any some such but it's still a lovely tradition. Mary Poppins is included this year which only prompted "that wasn't already in there?!?" from me followed by a 'well, that's suspiciously good timing for its 50th anniversary Blu-Ray release and the Oscar campaign of Saving Mr Banks." But I love Mary Poppins (here is evidence) so i'm thrilled.

The 25 Films:  Bless Their Little Hearts (1984), Brandy in the Wilderness (1969), Cicero March (1966), Daughter of Dawn (1920), Decasia (2002), Ella Cinders (1926), Forbidden Planet (1956), Gilda (1946), The Hole (1962), Judgment at Nuremberg (1961), King of Jazz (1930), The Lunch Date (1989), The Magnificent Seven (1960), Martha Graham Early Dance film (1931-44), Mary Poppins (1964), Men & Dust (1940), Midnight (1939), Notes on the Port of St. Francis (1951), Pulp Fiction (1994), The Quiet Man (1952),The Right Stuff (1983), Roger & Me (1989), A Virtuous Vamp (1919), Who’s Afraid of Virginia Woolf (1966), and Wild Boys of the Road (1933)

Which ones that you haven't seen are you most curious about? I'm thinking I should finally get around to The Quiet Man because Maureen O'Hara. And though I've seen it already I should probably revisit / write up The Right Stuff because it's so good and people just don't talk about it enough.

Who Has What To Prove in "American Hustle"?

Guest Discussion. The Reader Spotlight is coming back soon but here's the last of our Reader Guest Posts for the moment. This one is from Matthew Eng, who has been sending in quite awesome Smackdown ballots (share yours for 1968 soon). Here he is to talk American Hustle anxiety/anticipation. - Nathaniel

what will this film do for each of them?

 I’m only slightly ashamed to say that I’d almost gladly forego seeing everything else that’s slated for release this season if it meant getting my eyes on American Hustle right. this. second. I still have only the vaguest notion of the movie’s actual plot (corrupt politicos? mob-tied wheeler-dealers? ABSCAM? Jersey?), and yet my eagerness sky-rocketed the very second those opening chords of “Good Times, Bad Times” kicked in. 

Alright, fine, it was upon seeing that glorious perm in action.

Matthew EngTwo knockout trailers later, it hasn’t dissipated a bit, not even during that only somewhat-discouraging “bigger balls”-off that ends the first teaser. There’s a supremely high level of expectation behind this project to be the complete Oscar package, what with its high-profile director, dynamic cast, juicy Black-Listed script, period costuming, retro textures, and Christmas release, etc. etc. But there’s also, interestingly, a lot of pressure for both its alluring cadre of stars, each with varying levels of something to prove, and its increasingly in-demand helmer.

The following is a ranked analysis of which of American Hustle’s main players has the most on the line (from lowest to highest) and what each serve to gain and/or lose this Oscar season, with a slight emphasis on one player in particular:

06 Jennifer Lawrence
Lawrence faces one of two exciting possibilities with Hustle...

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Between Films... Thoughts on "American Hustle" Promos

We've already done a "yes no maybe so" on American Hustle's A+ teaser. I loved that teaser so much I ended up purchasing Led Zeppelin's "Good Times Bad Times" on iTunes. But recently the full trailer debuted. Due to travels I hadn't commented.

I'm in Los Angeles for a few meetings and the enticing promos for American Hustle (those fab character posters, too) aren't just the talk amongst movie fans but rival Oscar teams, too. It seems like two conversations are running parallel: the ongoing Gravity conversation and the conversation about the films people haven't yet seen American Hustle and Her (which screens tomorrow for press). Are Captain Phillips and Twelve Years a Slave going to be able to find a large enough window between what's hot right now (Gravity) and what's still coming to steal some of that thunder?  

The conversations I've had on the West Coast are a good reminder -- the internet can get so dully negative -- that many people who work on movies, whether its publicity, production, or full fledged movie stardom, started out as die-hard movie fans just like you and I.

So let's talk about the new trailer after the jump

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Yes, No, Maybe So: "American Hustle"

If the movie year has been uninspired thus far -- and what honest assessment of mainstream cinema wouldn't come to that conclusion? -- things will undoubtedly be looking up as we move out of the season of movies with only one thing on their mind (profit) and arrive at movies with at least two things knocking around in their heads (awards and profit) but hopefully more. I haven't been much interested in American Hustle up till now (for various reasons) but it dropped a grabby tease of a commercial yesterday so let's play the Yes No Maybe So game and decide how badly we want to see it now that there's something to get a hold of.

...like any part of Amy Adams, just pick one! The trailer and three-pronged breakdown after the jump...

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