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Entries in auditions (8)

Monday
Apr292019

A new series on auditions begins with "Audition" 

by Ginny O'Keefe

As an actress I have had my fair share of God-awful auditions. And good ones. And so-so auditions that I barely remember minutes after they happened. This is the life of an actress starting out in Los Angeles. Granted, I am in no way a veteran of the acting industry but I have been to a lot of casting calls and made a lot of self-tapes. So far I have never been yelled at by a casting director because I dropped a line or been told to take my clothes off to prove my dedication to a part. It's made me realize how embellished or exaggerated auditions can be in film and TV; normalcy just doesn’t sell. (There are actors out there who have had horrible and even traumatizing experiences, but this is merely from my perspective on how I have been treated to date.)

Now, I've joined my love of watching movies with my love of acting for this series. We'll discuss auditions from movies and TV and talk about how ludicrous or realistic they turn out to be. This week, to kick the series off, a dive into the deep end with Takashi Miike’s disturbing Japanese thriller Audition...

Click to read more ...

Tuesday
Feb102015

50½ Thoughts on 101 Dalmatians

Woof! To celebrate the first time release of Disney's beloved One Hundred and One Dalmatians on Digital HD, Blu-ray™ Combo Pack today (it's also available on Disney Movies Anywhere and On-Demand starting now) here's a classic from the Film Experience Vaults. It was first published for the beloved classic's 50th anniversary in 2011. But it'll be new to many of you! We suspect that 101 thoughts would have tried your patience too much but perhaps you could share the article with 3½ friends if you enjoy it, or leave 1½ comments behind before you go. The more the merrier, you know. And doesn't this wonderful movie wag its plentiful tail at that very motto?!

01 The first charming thing is its sketchy, spotty, doggy opening credit sequence. It's a prime candidate for "Art of the Title Sequence" ... I wonder if they've ever done it?

02 The movie was released in the early 60s and takes place in London. I can't think of another animated Disney feature off the top of my head that's this British but then,  "The British Invasion" was just around the corner so maybe America's Anglophilimaniac phase was already in the air in the late 50s when Disney started storyboarding this feature?

03 If you've been keeping up with your animation the past several years you probably see an immediate resemblance to the palette and cityscapes for Sylvain Chomet's The Illusionist.

(Read the full post - that Devil woman is coming right up)

Click to read more ...

Saturday
Aug252012

My Perfect Trio at the "Bachelorette" Premiere

[Editor's note: Please welcome our special guest star writer/director Leslye Headland, exclusive from her press tour for Bachelorette! -Nathaniel]

Hello blogosphere!

I've been in Los Angeles the past few days for press and the premiere of my film, Bachelorette. However, I have to say the highlight of this week is a guest spot on The Film Experience. I used to be an assistant and every day I would read this blog. And every day it would make me feel like life was worth living and that film was the primary reason to keep going. So thank you to Nathaniel for asking me to contribute but ultimately thank you for running this site and bringing joy to little cinephiles everywhere.

Me kissing Rebel's ring. As I should.

In the comments, someone asked if the three leading actresses in my film Bachelorette (Kirsten Dunst, Lizzy Caplan, and Isla Fisher) were my first choice for those roles.

I don't write with specific actors in mind. I also LOATHE auditions. Whether it be for a play or a film, a lead role or a small one-line character. I just don't like them. When I work with my theater company in Los Angeles, I usually just meet with someone whose work I love, who I think might work in the role, then we have dinner or coffee and discuss the character and the script. Then I usually go back and tailor the roles for their specific strengths and incorporate any changes that came out of our discussions.  

I cast the film the same way. All three of them contacted me either because they saw the play or because they'd read the script. We talked. We fell in love. We moved forward. All three of those girls are actresses I admire. Women I've watched from afar (as a rabid fan) over the last ten years. So yes. They were my first and only choices because I was lucky enough to get in a room with them and talk them into doing it. 

Lizzy, Kirsten and Isla at the LA premiere

All three of them contacted me either because they saw the play or because they'd read the script. We talked. We fell in love. We moved forward.

I can't imagine a more perfect trio. They are not only hard workers and hysterically funny but they are also, in my humble opinion, three of the most brilliant (and occasionally grossly underrated) actresses of our generation. I am eternally grateful to have met and worked with them.

-Leslye Headland

 

More from Leslye
Formative Movies from Childhood On...   
Working with Lizzy and Adam on a Pivotal Scene 

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