NYFF '24: "bluish" paints post-COVID malaise in many shades
by Nick Taylor
A quick note of appreciation: I am so excited to have received press accreditation to digitally cover this year’s New York Film Festival. This is pretty amazing! Even if I’m sitting at home, nestling with my man and our cats for a good movie rather than sitting shoulder-to-shoulder with the likes of Payal Kapadia and Mati Diop, this is a version of a dream fulfilled. Honestly, being able to appreciate a film festival without being separated from the kids might even be the preferable option? Much to consider.
But enough about me! Instead let’s talk about bluish, the very first film I watched as part of this NYFF coverage. Directed by Milena Czernovsky and Lilith Kraxner, bluish follows two unnamed young women played by Leonie Bramberger and Natasha Goncharova, navigating life in an Austrian metropolis that should feel more lively than it is. The city and the protagonists are stumbling through a post-lockdown balance of intimacy and isolation. There’s still noise and color and motion, but it all feels so fragile now, so much harder to participate in. bluish is a sad film, but it’s also one of the most evocative portraits of trying to reintegrate into society and full personhood in the wake of COVID (which is still happening, by the way!!) I’ve seen yet...