Almost There: Jeff Goldblum in "The Fly"

by Cláudio Alves        

Last week, you were asked to choose a horror movie performance to be analyzed in the Almost There series. From the ten possibilities, the pick was Jeff Goldblum in David Cronenberg's The Fly. Telling the story of a scientist who accidentally gene-splices himself with a housefly, the movie is the platonic ideal of body horror and probably the title most readily associated with the subgenre. Chris Walas and Stephan Dupuis' makeup is justly legendary and won the pair an Oscar. One would think horror would be a mainstay in that particular category, but AMPAS rarely embraces it, even there. Hence why The Fly's awards success feels so thrilling. Unfortunately, it's also why Goldblum's transformative work was ignored...

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Oscar Chart Updates - All Acting Categories

by Nathaniel R

I'm just back from the Middleburg Film Festival, which we'll tell you more about soon, so I've mostly caught up with the Oscar hopefuls that have screened to date. The only true mysteries for us Oscar pundits now, other than how precursors will react, is the films that haven't screened very much or at all: West Side Story, Nightmare Alley, Licorice Pizza, Being The Ricardos, House of Gucci, and Don't Look Up. So let the revised punditry commence. The links go to the charts...

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Udo Kier's Best Actor-worthy performance in "Swan Song"

by Eurocheese

It’s almost fitting that Todd Stephens’ Swan Song will have to fight for its title with a higher prestige film of the same name (Benjamin Cleary’s film starring Mahershala Ali, Naomie Harris and Glenn Close) this season. The film’s main character, Mr. Pat (Udo Kier), has been pushed out of his former life as his town's most respected hairdresser, and now earns respect in his nursing home only by demanding it. The film starts in a fairly grim reality, but he finds solace in his hidden More 120 Slim cigars and teasing the hair of his fellow patients from time to time. He is somewhat resigned to this existence. 

All of this changes when he is offered a large sum of money to fix the hair of a former client for her funeral (Dynasty's Linda Evans making her first film appearance in 24 years). Initially he defiantly rejects the offer, siting the fact that she fired him years ago...

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Revisiting the original "A Star Is Born"

by Cláudio Alves

As the next Supporting Actress Smackdown approaches, The Film Experience is celebrating the cinematic year of 1937. It was then that Hollywood consolidated its favorite myth about itself. While the story model had been making the rounds for ages, both in gossip and on-screen (check out What Price Hollywood?), William A. Wellman's A Star Is Born is the first movie of its name. The tale of Norman Maine and Vicky Lester, his downfall and her rise to fame, would be told three more times to great effect, but one should never forget the original. Not when the movie is this pristine, written to formidable effect by a team that included the legendary Dorothy Parker and performed with utmost conviction by Fredric March and Janet Gaynor…

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Consider Oscar Isaac in "The Card Counter"

by Lynn Lee

Is it too early to start an “Oscar for Oscar” FYC campaign?  Because there needs to be one for Oscar Isaac in The Card Counter, stat.

Sadly, it’s not at all a given that he’ll get much traction.  Initial reception of The Card Counter among critics has been positive but rather muted, and the film hasn’t made much of a mark with general audiences.  It probably doesn’t help that the trailer gives the misleading impression of a snappy, heisty movie about a poker player with a shady past when in reality it’s a slow-burn Paul Schrader Dark Odyssey into the Mind of a Morally Tormented Man.  Schrader fans, at least, will get what they’re expecting; Isaac fans will get that and so much more...

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