Oscar's ridiculous accents

by Cláudio Alves

The Academy loves transformative performances, ones where an actor's chameleonic abilities are on full display. While the recent avalanche of biopics winning acting Oscars may suggest such dynamics are a recent phenomenon, it isn't so. Since the 20s, we've seen it happen regularly. Just look at Warner Baxter who won the second-ever Best Actor Oscar for putting on brown face and playing the Cisco Kid in In Old Arizona. That particular example also brings up another favorite bit of acting work that the Academy seems to adore beyond reason – accents. Bad ones at that.

Some performers, like Meryl Streep, are brilliant at mimicking regional and personal accents, doing them so naturally that one forgets the artifice. Many others, can't be helped and often fail at the task. To be perfectly frank, I'm not a person that's much annoyed by bad accents onscreen. Nicole Kidman's American accent in The Portrait of a Lady is quite unconvincing, for instance, but I still consider it one of the actress' best works. That said, sometimes there are levels of incompetence too flagrant to ignore.

Such is the case of some Oscar champions, including a Best Actor winner whose efforts are cringe-worthy… 

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Emmy Watch: Best Actor, Drama Series

by Abe Fried-Tanzer

After Comedy and Drama Series speculation, we're looking at another Emmy Awards category today – Best Lead Actor in a Drama Series. Five of last year’s nominees are eligible again this year, with only Kit Harington (Game of Thrones) out of the running since the show is over. That leaves defending champion Billy Porter (Pose), previous winner Sterling K. Brown (This Is Us), Milo Ventimiglia (This Is Us), Bob Odenkirk (Better Call Saul), and Jason Bateman (Ozark).

The five series in contention for Best Drama Series after taking last season off don’t play into this category nearly as much since none of them feature a distinct lead who is male...

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Oscar Category Fraud, By the Numbers

by Eric Blume

A few days ago, my fellow TFE writer Claudio flagged a website www.screentimecentral.com, which tracks the screen time and percentage of all Oscar nominees and winners.  Because Oscar category fraud has long been a heated debate here at the site, I thought it might be fun to play with the numbers on the site from the last 20 Oscars, to see what we might discover if, say, AMPAS instituted a time/percentage rule on who could be eligible for lead and supporting performances.

Now for those about to go crazy in the comments, settle down.  This is just a fun game.  We’re not suggesting there should be an implemented rule, but for the sake of stirring up a healthy, positive conversation, I’ve broken down some of the numbers, and it reveals a lot of interesting things...

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Almost There: Donald Sutherland in "Ordinary People"

by Cláudio Alves

Donald Sutherland is one of those actors who seem to be Oscar nominees even if they're not. Like Mia Farrow or John Goodman, Sutherland has been in so many awarded productions that he feels like the sort of person who should have the words "Academy Award nominee" appear before his name in trailers. He's almost an institution of American Cinema, his filmography full of historically important titles such as MASH and Klute. To think such a respected actor is still without an Oscar nomination is slightly inconceivable, but the lack of accolades never shocked Donald Sutherland himself.

In 1980, he was the only main actor of Best Picture-winner Ordinary People to be ignored by the Academy. When asked about the snub, he said: "I'm not surprised. I know that community and I didn't expect a nomination." That doesn't mean he didn't deserve one…

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Is Daniel Day-Lewis the best triple Oscar winner?

by Cláudio Alves

In the past 92 years, only a handful of performers have managed to win more than one Oscar. More than two is even rarer and more than three is a feat only ever achieved by Katharine Hepburn. In the relatively exclusive club of three-time Oscar-winning actors, we can find six names, four men and two women. Despite their golden prizes, perusing their winning performances can be a sad affair with most of them having at least one terrible victory in their collection. For Meryl Streep it's The Iron Lady, for Ingrid Bergman Anastasia and Murder on the Orient Express. Jack Nicholso's win for As Good As It Gets isn't very well-regarded and Walter Brennan's first two victories are rather dire.

Only one rises above the others as a perfect case of the Academy honoring an actor for the right performances. It's Daniel Day-Lewis, of course…

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