"Till" Trailer and Director's Notes

by Nathaniel R

United Artists has released the trailer for Till, which begins its platform release on October 7th, 2022. The new feature film documents the long determined journey of Mamie Till-Mobley (Danielle Deadwyler) as she sought justice for the lynching of her 14 year-old son Emmett Till which occurred on a 1955 trip to visit his cousins in Mississippi. Through her determination her son's murder raised major awareness of social injustice and racism and became a major catalyst in the then nascent Civil Rights Movement. Emmett Till's death has inspired or been referenced in multiple books, poems, plays, movies, and television episodes. Documentaries and shorts about Emmett Till and his family have also been made but, as far as we can tell, Till is the first narrative feature film adaptation. Might it be heading to Oscar nominations?

We had the pleasure of attending a conversation with the director Chinonye Chukwu about the film last week. Highlights from that conversation and the Till trailer are after the jump...

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Almost There: Mia Farrow in "Broadway Danny Rose"

by Cláudio Alves

When presenting his list of new streaming titles for July, Nathaniel paid special attention to the 1984 Woody Allen comedy Broadway Danny Rose. It was the first Allen film he ever saw, and the first time Mia Farrow got serious Oscar buzz for her collaborations with the director. Previously, her closest brush with the Academy Awards had come with Rosemary's Baby, way back in 1968. But, of course, as we know, that buzz never materialized into an actual nomination, and Farrow remains Oscarless to this day, despite a filmography full of incredible performances. Indeed, this series could have an extensive miniseries dedicated exclusively to the actress, so vast is her number of "Almost There" cases.

That miniseries might happen one day, but, for now, let's focus only on Broadway Danny Rose and Mia Farrow's brilliant work in it…

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Revisiting "The Wings of the Dove"

by Cláudio Alves

In 1997, Eduardo Serra became the first Portuguese person to be nominated for an Academy Award. This honor came thanks to his work in The Wings of the Dove, a Henry James adaptation directed by Iain Softley. This piece of trivia was one of the reasons I was so eager to watch the film as I first started to fall in love with movie awards. The other point of interest was Helena Bonham Carter, for whom I had a raging fandom in my early teens. After all, this was also the picture that had earned the actress her first nomination. It should have also won her the statuette. This was the first film I remember looking for with such avidness, going into international sites so I could order a DVD from abroad. 

I fell in love with The Wings of the Dove when I was thirteen, and that passion has only strengthened in the years since. Indeed, every time I revisit it, I find new details worthy of admiration…

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Almost There: Jamie Lee Curtis in "True Lies"

by Cláudio Alves

When announcing his honors for the year's first half, Nathaniel cited Jamie Lee Curtis among his Supporting Actress favorites. If Everything Everywhere All At Once keeps its buzz going into the awards season properly, we might see Curtis among this year's Oscar contenders. This Hollywood princess turned erstwhile scream queen has had a storied career full of outstanding performances, and it's about time the Academy pays her respect. Maybe the reason for her nomination-less state is that Curtis' best work tends to happen when she's playing in genre pictures – comedy, action, and horror. Such is the case of 1994's True Lies, a James Cameron-helmed action-comedy for which the actress got some buzz.

As we wait to see how Curtis' new Oscar hopes pan out, let's look back to the 90s and re-examine the actress' take on the character of Helen Tasker…

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Almost There: Sally Field in "Steel Magnolias"

by Cláudio Alves

As Pride Month 2022 draws to a close, the appetite for frothy camp classic entertainment remains unchanged and unlikely ever to die. Some, if not most, of the films to achieve such status aren't even tangentially queer-themed, gaining their iconic status through other means. Such is the case of Herbert Ross' film adaptation of Steel Magnolias. Written for the stage by Robert Harling, this southern dramedy is a blush and bashful delight, originally sold as the funniest movie to make you cry. Despite a famous locker room scene with plenty of hunks on display, the flick's queer fandom can be attributed to its cavalcade of divas, from fresh-faced Julia Roberts to the cantankerous marvel of Shirley MacLaine's Ouiser.

Though Roberts was the only performer to get any Academy love, she's far from the picture's acting MVP. That honor falls on Sally Field, who might have come close to a third Oscar nod for her work as M'Lynn…

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