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Entries in Till (5)

Friday
Feb172023

Almost There: Danielle Deadwyler in "Till"

by Cláudio Alves

The Oscars are less than a month away, but our collective hearts still ache for those who the Academy snubbed. Indeed, you showed up in force when asked to vote on which unnominated performance deserved a complete analysis. The two definitive winners were Danielle Deadwyler and Dolly De Leon, who, when combined, won 58% of the total of over 800 votes. We'll get to the Triangle of Sadness shipwreck survivor closer to the ceremony, but first, let's consider the lead of Chinonye Chukwu's sophomore feature. Playing Mamie Till Mobley, Deadwyler delivers a powerhouse performance tasked with sustaining a historical narrative so painful it's sometimes hard to watch…

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Sunday
Jan222023

Podcast: Gratitude, Globes, and some Must-Sees

The podcast has been hibernating for so long that you've surely forgotten it exists. But last week Nathaniel and  Nick jumped on a quick phone call to discuss the Globes so the Podcast is...uh... back for a moment. For those who aren't subscribed, we figured we'd share on the blog in case you missed it and feel like listening in on one last "precursor" conversation before the Oscar nominations are announced! 

56 minutes
00:01 Golden Globe reforms, Jerrod Carmichael, and Awards Show hatred
15:00 Wins & Speeches: Ke Huy Quan, Angela Bassett, and Gratitude
37:00 Nick on movies he loves this year including: Donbass, EO, Happening, Till, and Aftersun

You can listen to the podcast on iTunesStitcher or Spotify or download the attachment below. 

Globes & Gratitude

Sunday
Nov272022

The glorious Danielle Deadwyler in "Till"

by Nathaniel R

Danielle Deadwyler in "Till"

Often times Oscar buzz arrives before a performance seen on the basis that the role will be a) meaty b) important-feeling and c) feature typically awards-friendly elements. There's a reason this happens frequently. Voters of all awards bodies, not just the Academy, are sometimes guilty of awarding the role in question rather than thinking about what the actor actually did with their big opportunity. The unfortunate byproduct of this is that sometimes, no matter how much an actor elevates it, people might assume "well, it was the role". In these scenarios even the enthusiasm around the performance can feel a little rote because it's expected. It arguably happens with most biopic roles now. The role of Mamie Till-Mobely, the mother of Emmett Till who channeled her grief at her son's murder into Civil Rights activism, meets all those pre-release requirements for buzz and a likely nomination even if Danielle Deadwyler hadn't been incredible. The very good news is that she most definitely is...

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Monday
Oct172022

'Till' and 'Decision to Leave' open well while 'Halloween' wins again

By Ben Miller

For the third straight week, the October box office was dominated by scares.  The final (?) installment of David Gordon Green's trilogy Halloween Ends managed a healthy $40 million haul despite incredibly mixed reactions (40% Rotten Tomatoes, C+ CinemaScore) and a day-and-date release on Peacock.  Expect a large second-week drop.  Elsewhere, well-received films continue to have legs.  Smile earned another $12+ million weekend, totaling over $70 million.  It might end up being one of the most profitable films of the year given its budget.  The Woman King is also holding steady with a total just under $60 million now.

Weekend Box Office (actuals)
October 14th-16th
🔺 = new or expanding /  ★ = Recommended
links if we've written about it
WIDE (OVER 800 SCREENS) LIMITED / PLATFORM 
HALLOWEEN ENDS TILL
1 🔺 HALLOWEEN ENDS $40 *NEW* TERRIFIER 2 $1 (cum. $2.4) 700 screens
SMILE $12.5 (cum. $71.3) 2 🔺 ★ TRIANGLE OF SADNESS (sweden/uk) $333k (cum. $653k) 31 screens  

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Monday
Jul252022

"Till" Trailer and Director's Notes

by Nathaniel R

United Artists has released the trailer for Till, which begins its platform release on October 7th, 2022. The new feature film documents the long determined journey of Mamie Till-Mobley (Danielle Deadwyler) as she sought justice for the lynching of her 14 year-old son Emmett Till which occurred on a 1955 trip to visit his cousins in Mississippi. Through her determination her son's murder raised major awareness of social injustice and racism and became a major catalyst in the then nascent Civil Rights Movement. Emmett Till's death has inspired or been referenced in multiple books, poems, plays, movies, and television episodes. Documentaries and shorts about Emmett Till and his family have also been made but, as far as we can tell, Till is the first narrative feature film adaptation. Might it be heading to Oscar nominations?

We had the pleasure of attending a conversation with the director Chinonye Chukwu about the film last week. Highlights from that conversation and the Till trailer are after the jump...

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