Nom Reactions Pt 1: Brilliant Acting, Good Surprises, Underperformers & "Snubs"

As is our habit we polled the team here plus some friends of the site about their Oscar nomination reactions and wanted to share those little blurbs with you! Would LOVE to hear you answer the same questions in the comments. Here's the first set of questions. 

Andrea Riseborough in "To Leslie"

1. Fav Acting Nomination?
2. What Shocked You the Most on Oscar Nom Morning (in a Gleeful Way?
3. Share your 'Ode to a Snub' 
4. Any Theories as to why ______ underperformed?

Would LOVE to hear you answer the same questions in the comments. But first here are our answers...

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Dozen Best Movie Posters of 2022

Our "Year in Review" continues. Let the List-Mania commence... 

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by Nathaniel R

Movie posters are not what they used to be. This is not an aesthetic  "everything was better in the past" complaint but a fact; they aren't as present an advertising force as they were when one tall rectangular image and tagline would do the bulk of the advertising work to define a film. Now that work is dispersed in multiple shapes and images and visual modes, the old school poster included. Posters aren't quite a lost art but they are in Big Hollywood which prefers to make every poster a hideous inhuman collage of movie stars, think Frankenstein's Monster if Dr Frankenstein, had eschewed body parts and just used hundreds of faces in mismatched sizes to build his undead "man".

But enough complaints. Let's celebrate the posters that did right by their movies this year...

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30 Biggest Subtitled Hits (and where to watch them)

Our daily "Year in Review" lists have begun!

Even before the pandemic, box office reporting was becoming more secretive. Netflix was the chief disruptor since their Oscar hopefuls got theatrical releases but numbers were never reported. Other streaming distributors followed and once you added in the increasing regularity of movies simultaneously doing theatrical (generally reported) and VOD (generally not reported) it was chaos. The COVID-19 pandemic was the ultimate disruptor of course, changing global viewing habits, by virtue of Father Time. International cinema in the US has been increasingly demoted to streaming-only since adult audiences have been the toughest to lure back to the theaters. That said there are subtitled pictures that played theatrically this year and we wanted to honor them by noting the success stories...

Curiously the only foreign country that habitually reports big box office numbers in the US is India but those numbers are often reported as "estimates" in the way, say, European titles didn't tend to be. Furthermore Indian pictures, RRR being an obvious exception, don't tend to get much US media coverage even though they sell tickets, at least in specific areas of the country which makes it all kind of confusing in terms of "what is a success?".  But here are the numbers that were reported, some surely more accurately than others. The numbers are primarily drawn from two sites (box office mojo and the numbers). Titles with up arrows are still in theaters 

TOP 33 SUBTITLED HITS OF 2022 AT THE US BOX OFFICE
Rank for the calendar year / Movie Title / $ Estimate Domestic Gross / $ Global Gross
Figures updated as of 01/15/23

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TÁR dominates Indiewire's Critics Survey

by Cláudio Alves

© Focus Features

Despite their name, one shouldn't consider the Critics Choice Awards as an accurate reflection of critical consensus. More often than not, that organization seems singularly fixated on predicting the Oscars to the point it's hard to denote any idiosyncrasies of taste. To get a better grasp of what the critics think, one should regard such surveys as the one Indiewire did with 165 critics and journalists, among them our own Nathaniel Rogers. Though various titles are mentioned across nine lists, one picture stands tall above all the others, signaling a clear favorite from the season. TÁR obliterates the competition, damning them all to hell like the maestro herself, raving like a lunatic with an accordion in hand.

The survey results, plus some commentary, after the jump…

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Oscar Volley: How do you choose only 15 finalists for "Best International Feature"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here’s Elisa Giudici and Abe Friedtanzer…

Argentina, 1985

ELISA: Abe, have been handed one of the toughest Oscar volleys of the year. The Best International Film category is maddening: more than 90 possible contenders, the majority of whom are still unavailable. My first impression this year is that no movie has already locked up a nomination. There is no Parasite, no Another Round, no crystal-clear, 100% sure contender who can sleep tight until the nomination morning. Do you have the same impression? 

There are of course some strong contenders in the category, such as Argentina, 1985. I saw this movie in Venice and underestimated its crowdpleasing power...

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