Best International Film Reviews: Final Flurry before the Shortlist

by Cláudio Alves

The Oscar shortlists are almost upon us, culling the 90-plus Best International Film submissions to a measly 15-wide field. Unfortunately, that means we're running out of time to consider those unfortunate titles unlikely to catch AMPAS' eye, no matter how deserving they may be. This includes productions perchance a bit too low-profile and others whose style skews too far from the Academy's sweet spot. Sometimes it's a matter of formalistic austerity. Sometimes, unresolved bleakness or genre stylings do the troubling trick. So, from an Iranian movie set to an Alpine tragedy, going through multiple wartime tragedies and the domestic sorrows of an Irish girl, let's indulge in a final flurry of capsule-sized reviews…

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Best International Film Reviews: Lebanon, Montenegro, and Morocco

by Cláudio Alves

We're just a few days away from the Academy's announcement of the shortlists in various categories, including Best International Film. And yet, our travels through the 93 submissions for the 95th Academy Awards continue unabated. This time, let's look toward the Mediterranean, a great sea whose coastline encompasses three continents. Sadly, only one of those is guaranteed representation in the shortlist, AMPAS' European bias forever hurting whatever diversifying objectives the institution might have. Here, however, such biases will be put aside, with one film from each continent composing this Mediterranean face-off. Consider a Lebanese memory box, a Montenegrin elegy, and a Moroccan caftan…

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Best International Film Reviews: China, India, and Japan

by Cláudio Alves

For many, this year's Best International Film race will forever be remembered with an added asterisk, a reminder that the outcome would have been different had India submitted RRR instead of Last Film Show. This is not a commentary on artistic quality, merely award prognostication. The action blockbuster keeps racking up honors, while the country's official submission remains under-discussed. If neither succeeds, it will continue a sad Oscar trend. As one of the world's leading film industries, it's notable how little India has factored in these awards' history, indicating AMPAS' biases as well as India's own sometimes surprising submission choices.

While considering India's fate, let's also peruse the titles selected by Asia's other major film-producing nations… 

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Team Experience Predix - Round 2: Doc, International & Animation

Every other week, we’re polling The Film Experience Writers on where the Oscar race stands. These predictions were done just a day before the Golden Globes announcement. Most of the Best Picture contenders were cited by the Hollywood Foreign Press Association (except for Women Talking) but this set of predictions does not account for The Banshees of Inisherin suddenly leading the pack at the Globes.

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Yes, The Fabelmans continues to sit on top of most people’s predictions. Still, the only place to go is down...

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Best International Film Reviews: Armenia, Canada and Paraguay

by Cláudio Alves

Submitting a documentary is a risky strategy in the Best International Film race. Since Waltz with Bashir in 2008, only four other non-fiction features have been able to score nominations in the category – Cambodia's The Missing Picture, North Macedonia's Honeyland, Romania's Collective, and Denmark's Flee. None of them won. Still, hope is everlasting, and one often finds that some of the year's most fascinating submissions happen to be documentaries. The same is true for our current season, with two titles going as far as incorporating animation, like Waltz with Bashir and Flee. Mayhap they can repeat their antecessors' success at getting nominated. It's unlikely but not impossible…

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