The Best of Cloris Leachman (1926-2021)

by Nathaniel R

We've lost one of the true greats. The one and only Cloris Leachman has died at 94 years of age of natural causes. The showbiz bug hit early, as it often does with plays as a teenager and by the time she was 20 in 1946 she was a Miss America contestant. Her career developed slowly as many truly enduring careers do, with numerous small roles in film and television (and some large ones onstage) before the big breakthrough. That breakthrough was a double whammy, as befits hard-working but late-breaking fame. In short succession she made a huge impression as Phyllis the landlady on The Mary Tyler Moore Show in the 1970/1971 first season and in October 1971 she was also on the big screen, flexing very different acting chops, in the soon to be Oscar-winning classic, The Last Picture Show (1971).  

Though she is best remembered today for television sitcoms which she did on and off throughout her career, she was an actress of verve and versatility...

Click to read more ...

Almost There: Ralph Fiennes in "The Grand Budapest Hotel"

by Cláudio Alves

With Netflix's The Dig arriving friday, let's talk about the remarkable Ralph Fiennes. Oscar-wise, the British actor hit it big quickly, earning a nomination for his third feature, Best Picture champion Schindler's List. For a handful of years, it seemed like he'd become an awards season perennial, but things turned out differently. While he conquered another Oscar nomination for 1996's The English Patient, he's won little buzz since. That doesn't reflect a decrease in the quality of his work nor a turn to less prestigious fare. Oddly, even when he gets great reviews in titles beloved by AMPAS, an acting nomination remains elusive. This was never more evident than in 2014 when Fiennes delivered a tour-de-force in one of the most nominated movies of the year, The Grand Budapest Hotel…

Click to read more ...

Almost There: Meg Ryan in "When Harry Met Sally..."

by Cláudio Alves

Last week, we examined a Christmas movie performance that came close to Oscar glory to celebrate the holidays. Now that we're coming to the end of this cursed 2020, it seems appropriate to choose a New Year's Eve film. When it came time to pick such a picture, my mind immediately went to f Rob Reiner's 1989 When Harry Met Sally…, a perfect rom-com whose Nora Ephron-penned screenplay earned a much-deserved Academy Award nomination. Our focus shall be on the Sally of the title, Meg Ryan giving a comedienne's masterclass…

Click to read more ...

Three Golden Globe "controversies" that shouldn't surprise anyone

Apologies for not addressing this earlier today but of the three Golden Globe rulings that have the internet's collective tongue wagging, only one of them surprised us and only in a very mild kind of way. Perhaps this is why we didn't jump to discuss figuring that people would respond with a shrug. How wrong we were! If you're like 'what the hell are you discussing, Nathaniel?' here's a quick survey.

The three controversial rulings:

1. Minari will not be eligible for Best Picture at the Globes but instead compete for Best Foreign Language Film. Our surprise level: 0%. The Globes have never allowed pictures that weren't in the English language to compete in Best Picture and we just assumed everyone knew this but we were quite wrong. The same exact thing happened as recently as last year (The Farewell, 2019) and as recently, before that, as the year before (Roma, 2018)...

Click to read more ...

Mae West on Criterion

by Cláudio Alves

When she's good, she's very good. When she's bad, she's better. 

Mae West was one of the great stars of the Pre-Code era, though her reign as one of Hollywood's most popular queens was short-lived and curtailed by the advent of the Hays Code. Like Orson Welles and Herman J. Mankiewicz after her, West was a target of William Randolph Hearst's ire. According to legend, the millionaire wanted revenge on West after she had made insulting remarks concerning the acting abilities of Marion Davies, his mistress. Such conspiracies are fun and it's easy to paint Hearst as Old Hollywood's perennial villain, but they're rarely 100% true. Mae West's fall from grace is more complicated than a vendetta from a mogul and a bunch of outraged Catholics. She was one of a kind, a symbol of licentiousness and indecency, a provocateur whose triumph was as amazing as it was temporary... 

Click to read more ...