Review: Stuber

by Dancin' Dan

Stu is a nice guy. Far too much of a nice guy, in fact. After he clocks out from his job working a big-box sports store, he cleans his car and clocks in to Uber, enduring all the assholes and drunks that use the car service in and around Los Angeles. He does this to get the money to help his best friend Becca open an all-women spin center, because he's also hopelessly in love with her. So after a rash of particularly bad (and mostly unfair) Uber reviews puts his precious star rating in jeopardy, and taciturn cop Vic Manning gets in his car, Stu is willing to do just about anything to make sure he gets a five-star rating. The problem is, Vic is reeling from the death of his partner, has just gotten a lead on his killer, and just had Lasik eye surgery. He can't see, and needs someone to drive him. Let the sparks - and laughs - fly.

Yes, the plot of Stuber is pretty boilerplate buddy comedy stuff. But it gains a lot from its casting...

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Yes No Maybe So: Knives Out

by Ben Miller

Director Rian Johnson can do what he wants these days.  After helming a Star Wars movie, directors have the cache to explore different realms of entertainment.  Johnson decided to go with Knives Out, an original story inspired by Agatha Christie murder mysteries.  Let’s break it down with our Yes, No, Maybe So™ system...

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Emmy voting is in progress. Confessions from a sitcom agnostic.

by Nathaniel R

Aidy Bryant in "Shrill"

Voting is winding down for the year's Emmy nominations, which is why we've been sharing FYCs.  If past years are any indication the nominee list will look nearly identical to last year's with the exception of shows/performances that are no longer eligible. Their slots will be filled by the new hits (it seems likely, for example, that Pose and Russian Doll and a couple of other freshmen series that got people talking for months on end, will receive attention). But looking over the ballots for performers, it becomes suddenly clear that NO ONE can watch this much television...

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Emmy FYC: Kristin Scott Thomas in "Fleabag"

Team Experience will be sharing FYCs as the Television Academy votes on Emmy nominations over the next two weeks. Here's Ben Miller...

I have an appreciation for a skilled performer’s ability to shut up.  Watch the scene in Doubt between Viola Davis and Meryl Streep.  Once Davis gets going, Streep knows to step aside and let Davis do her thing.  Fleabag creator and star Phoebe Waller-Bridge does the same thing with Kristin Scott Thomas in her standout scene in the third episode of Fleabag’s (pretty much perfect) second season.

After chasing down Thomas’ Belinda to take back an award, the main character spends some time drinking and flirting at a bar, listening to Belinda speak about the patronization of women in business.  Then comes the speech --sit back and enjoy...

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Emmy FYC: D'Arcy Carden for "The Good Place"

Team Experience will be sharing FYCs as the Television Academy votes on Emmy nominations over the next two weeks. Here's Eurocheese

First thing’s first: If you haven’t been watching The Good Place, you’ve been missing out. The comedy is one of the most creative shows on TV today, where every episode feels like it can head in absolutely any direction. It’s genuinely surprising, fun, inspired, and a complete mind-fork. If you need to binge watch a show that will bring you pure joy, this is it. I say all this because this plea will have *spoilers*, so if you know nothing about the show, please just watch it.

The third season took a little bit of time to get going, but focusing on the “test” put before our heroes opened up a lot of opportunities for character growth...

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