Zombieland: Double Tap

by Michael Frank

Zombieland: Double Tap doesn’t waste time telling you that you’re watching a zombie movie. The Columbia Pictures logo comes to life, fighting off multiple would-be enemies, leading to a Deadpool-esque opening credits sequence. It’s not new by any means, but it reminds you why you like zombie movies in the first place: they’re fun as hell. 

The rest of the film follows its opening: an enjoyable movie-going experience with a lack of plot, a lack of originality, yet just enough movie stars, inside jokes, and heart to make it worthwhile. Double Tap follows our leads from a decade earlier, Tallahassee (Woody Harrelson), Columbus (Jesse Eisenberg), Wichita (Emma Stone), and Little Rock (Abigail Breslin), as they traverse the new-look world that’s still full of zombies. The actors themselves have aged nicely as well, with Harrelson, Eisenberg, Stone, and Breslin all maintaining prolific and award-winning careers. If anything, they’re more likeable than they were 10 years ago, an difficult feat for a cast to pull off. They bring their full arsenal of charisma to their roles in Double Tap, giving generous performances to a film that cares more about its world than its characters...

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Ten Years of "A Serious Man"

by new contributor Michael Frank

The Coen brothers have always been masters of crafting a world the audience vaguely understands, but has never experienced. They create characters that are utterly ridiculous, acutely specific, yet still relatable to the common audience member. After 10 years, their dark comedy A Serious Man holds up better than even they could have imagined. It’s a twisted laughfest that agonizes and tickles for a wildly enjoyable 100 minutes. 

A Serious Man isn’t a movie that I’ve rewatched time and time again. It’s one I’ve jumped in and out of over the last 10 years, seeing a snippet here, a snippet there. If you jump into any part of the film, the atmosphere is always the same. You’re quick to realize the plight of Larry Gopnik, and the rapid shrinking of his happiness...

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"I'm so sorry..."

What will win Outstanding Comedy Series at the Emmys?

by Abe Fried-Tanzer

There are many factors that go into the way Emmy voters choose the winner of their top awards. Since we already covered drama, today we’re taking a look today at where the Best Comedy Series contenders stand from a statistical and recent history perspective.

Barry (Season 2 – 17 nominations)
HBO’s black comedy about a hitman who becomes an actor saw its nomination total increase by four from last year. Bill Hader and Henry Winkler both won last year, and now they’re joined by three other cast members. The show earned the requisite directing and writing bids, only one of two shows in this race to do so, and it’s evidently beloved by many. Some might not love the violence and dark nature of its story, but even if this isn’t the frontrunner, it has a good shot at being the potential spoiler in a competitive category...

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Review: Brittany Runs a Marathon

by Lynn Lee

A surprise breakout and audience favorite at Sundance earlier this year, Brittany Runs a Marathon now faces a challenge nearly as daunting as that of the title character’s – namely, overcoming the late summer movie doldrums and getting the attention of potential viewers who are already turning their thoughts to school, football, Oscar contenders, and other harbingers of fall.  Can this tiny indie picture – with a newbie director and no big names attached – become the sleeper hit it’s clearly angling to be through word of mouth and savvy social media marketing?  Having seen the movie, which I found quite charming if predictable and a bit lightweight, I’ll volunteer a cautious “maybe.”

Brittany’s chief assets are a winning star turn from Jillian Bell (most familiar to mainstream audiences as the acerbic scene-stealer of 22 Jump Street), who moves confidently from comic sidekick to funny Everywoman lead, and a narrative arc that’s just as humorous and relatable...

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