Review: "In the Heights" sets the bar high for modern movie musicals

by Nathaniel R

A young man stares out of his bodega window, his favourite block coming alive in the reflection. This shot of Usnavi, our leading man and guide into the film version of Lin-Manuel Miranda's In the Heights is already beloved and with good reason. It gives you character (this man is something of a dreamer, caught between two places), world-building (the vibrant Latinx community of Washington Heights) and joyful genre specificity (the musical). It's not even the first clever moment in the movie at that, but something In the Heights builds up in its ever-escalating opening number after already providing you with gorgeous aerial shots romanticizing NYC as 'a city made of music', sounds from hoses, traffic, manhole covers, and alarm clocks as musical accompaniment, and introducing us to most of the main characters.

Above all else this visual beat as well as the larger song sequence that contains it, instills immediate confidence that the creative team, especially director Jon M. Chu (of Crazy Rich Asians fame) understand the oft-forgotten cinematic language of the film musical...

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There are no small parts, '18 Edition

by Nathaniel R

Our annual cinematic jamboree, the Film Bitch Awards, continue with the categories of best actors and actresses in limited roles. This category is reserved for the kind of performances given in one or two scenes where'd you'd be happy to wander outside the camera's purview just to spend more time with them. Or, more accurately, since the characters aren't always pleasant, performances so strong that you wish you could follow them into another scene or five to watch the actor dig in yet deeper.

We're talking about performances like Brian Tyree Henry's in If Beale Street Could Talk, who crystallizes the film's conceits about the systematic oppression of black men as his innocent ex-con monologues through the film's most moving sequence. His eyes drop us into the abyss of his prison memories where his words won't take us. We're talking about performances like Bradley Whitford's glib lawyer, oozing shamelessness with his soul long-since sold, who comes at a bedraggled cop threatening him with such confidence that at first you think he'll win and the movie will be a very short one. That is until you watch the star (Nicole Kidman) up her own already impressive game to spar with an actor that's sparking her inner ensemblist.

We're talking about performances like Jeanne Balibar's in Cold War or Jane Curtin's in Can You Ever Forgive Me? that are played with such precise panache that you can imagine a different type of movie just off to the side of the one you're watching, where they're the leads instead and this moment is but a subplot in their narratives.  Check out the nomination page for more on these fine performances and others from Leticia Brédice, Rebecca Field, Elizabeth McGovern, Simon Russell Beale, Philip Ettinger, and Corey Hawkins and a list of other names we also loved in tiny roles this past cinematic year.

Exciting 30 Year-Old Actors, An Armchair Casting Director's List

A special Top Ten today, derived from an aborted or perhaps delayed larger project -- you just never know. - Editor

Though we usually discuss actresses we like to keep you on your toes with a curveball now and then, so today: actors entering the prime male casting range! The thirtysomething years tend to be where men in showbiz can make their major marks and become respected actors / huge stars. Yes, there are actors that get really famous as young as actresses do (DiCaprio, Chalamet, etc) but they're the exception rather than the rule. These men were all born in 1988 so they just turned 30 (or will in the next handful of weeks). Which of them do you think will have an amazing decade of screen work ahead? And which, if any, do you think we'll still be talking about in 2028? (In an alternate life I was a casting director so I love concocting these survey lists.)

TEN EXCITING 30 YEAR-OLD ACTORS
Okay, eleven. We're bad at math

How talented is the '88 vintage? Time, talent, commitment, luck, and opportunities will tell but these men were selected due to work we've seen or hunches about their potential. But take this with a grain of salt because there are literally thousands of actors all over the world who could rise up quickly if the right opportunity / exposure happens. They're listed in alphabetical order...

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Beefcake and Linksnacks

Today's Must Read
"Male Stars Are Too Buff Now," a great funny true read from E Alex Jung about Zac Efron in Baywatch and other visually alarming superhuman specimens. 

Linkage
Daily Actor Corey Hawkins on the Juilliard audition he almost failed
Charlene's (Mostly) Classic Movies a "Medicine in the Movies" Blogathon - articles on Contagion, Night Nurse, Reversal of Fortune, The Fountain, and many more
Cartoon Brew Nigeria hopes to train 'an army of animation professionals' with the market for thoe films exploding

The Guardian Guy Lodge's latest DVD column on Toni Erdmann, The Salesman and more
Variety more 'sequels we don't need!' news. Boss Baby is getting one for 2021. Sigh. I actually thought that movie was unexpectedly good but most movies don't actually need sequels. Stop trying to make movies into big TV shows with multiple episodes! TV is great but Movies are not TV!

I Wouldn't Normally Link This But...
Life Site, which appears to be some sort of Christian Fundamentalist Anti-Choice website, has a piece on the Alien franchise that I found gripping and nutjob funny (Satan is the screenwriter of Alien Covenant !) and also kinda justified on a couple of intriguing points. Thanks to IndieWire for pointing it out.

Cannes Mania
Film Comment Pt 1 of Nick Davis's 'Cannes Staycation' looking back at 1987 in which Nick talks Under the Sun of Satan, I've Heard the Mermaid's Singing, and many more...
Film Comment Pt 2 in which Nick talks Wish You Were Here, Shy People, Matewan, and Babette's Feast. Part 3 is coming in a few days.
Vulture How Jane Campion feels about her status as the only woman to win Cannes in its 70 year history
IndieWire 10 Best of Cannes
IndieWire Eric Kohn on what it's like to be a jury member of the sidebar "Critic's Week" at Cannes

Off Cinema
Films for Action "What makes 'call-out' culture so toxic?"
Broadway World a timeline look at Tony nominee Andy Karl's career. (I know he's not likely to win this year but someday! -- such a great performer)

Stage Door: "Six Degrees of Separation" Revived

Stage Door bringing you intermittent theater reviews when we manage to get there. Here's Nathaniel R

It's so basic to binge plays during Tony season as opposed to a more sensible and committed once-a-month diet of live theater. Alas, just as the more familiar mainstream obsession of the Oscar circus encourages studios to backload their releases to the last quarter of the year, most of the "big" theater shows open as late as they can for Tony consideration. This makes April and May a madhouse of theater-going for those who care about such things. Because most of the musicals are too expensive, I've been catching up with the plays. We've already covered The Little Foxes (a must see) and the Pulitzer-winning economic tragedy Sweat. So let's talk Six Degrees of Separation nominated for 2 Tonys: Best Revival of a Play and Best Leading Actor (Corey Hawkins).

"Chaos, control. Chaos, control. You like, you like?"

That's Stockard Channing's most sweetly funny line reading (among thousands of exquisite ones) in the 1993 movie adaptation of this stage classic. That was also, roughly, my reaction to the Broadway revival with Allison Janney, John Benjamin Hickey, and Corey Hawkins (Straight Outta Compton), taking over the roles Channing, Donald Sutherland, and Will Smith played onscreen...

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