Jean Harlow on Criterion

by Cláudio Alves

During the past years, the Criterion Channel has highlighted the careers of many Old Hollywood stars. After Carole Lombard, Mae West, Joan Crawford, Jean Arthur, Rita Hayworth, and many more, it's time to celebrate Jean Harlow. In this case, the selection of titles entices because of how encompassing it is. The Criterion Channel presents 14 films, every feature the starlet did while on contract with MGM, from 1932 to her untimely death in 1937. By watching these works, one can get a good sense of Harlow's meteoric rise, how her persona evolved, how it changed to accommodate personal and physical transformations, a transfiguration of industry ideals and popular tastes. Furthermore, the movies showcase other great stars and the work of such vital 1930s screenwriters as Anita Loos and Dorothy Parker. It's a perfect treasure trove of Old Hollywood moviemaking, history, and scandal…

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Almost There: Hattie McDaniel in "In This Our Life"

by Cláudio Alves

The Criterion Channel is currently featuring an extensive collection of John Huston movies. Considering his directorial debut, The Maltese Falcon, was nominated for three Oscars, including Best Picture, it's fair to say that Huston's films have always been on the Academy's radar. Consequently many of his actors gained Oscar buzz though just as often they were egregiously snubbed. With that said, I'd like to focus on a performer that was already an Oscar winner before she starred in a Huston flick, a Black actress whose career was limited by institutional racism and confined to playing second fiddle to white stars, often in peripheral roles. Nevertheless, Hattie McDaniel always spun gold from straw, injecting complicated humanity, humor, and pathos into the tiniest of parts. Such is the case of In This Our Life…

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Carole Lombard: First Lady of Screwball (and Much More!)

by Cláudio Alves

The Criterion Channel is honoring Carole Lombard with one of their latest collections. This curated sample of eleven films illuminates different talents in the Old Hollywood star's repertoire, from her comedic chops to less heralded, though not less excellent, work in melodramas. While she's best remembered as the queen of the screwball genre thanks to films like My Man Godfrey, Lombard was a multifaceted actress whose range deserves to be remembered. While her life was cut short by a tragic plane crash in 1942, the starlet's filmography is a thing of beauty, vast and distinctive, full of treasures to discover and enjoy…

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Queersighted: Breaking Taboos on the Criterion Channel

by Cláudio Alves

O FANTASMA (2000)

For the past few years, the Criterion Channel has highlighted taboo-breaking pictures in queer cinema with their series "Queersighted." For its fourth edition, programmer Michael Koresky invited film critic K. Austin Collins to select and discuss a series of works that look at film history through a decidedly queer lens. This year's installment features movies that go from 1930s Hollywood productions to 2000s Portuguese provocations. Controversial and wildly transgressive, these films run a gamut of genres and formalistic approaches, showcasing how it's possible to push the envelope both from within the Hays Code-abiding studio system and the vanguard of New German Cinema.

Before saying farewell to Pride Month 2021, join us in exploring ten films presented in this program...

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How Had I Never Seen… the "Valley of the Dolls" movies?

by Cláudio Alves

As part of a robust Pride-themed selection, the Criterion Channel has added Russ Meyer's 1970 Beyond the Valley of the Dolls to its streaming roster. The Roger Ebert-penned follow-up cum send-up to the 1967 trashterpiece Valley of the Dolls is as campy as its predecessor, making the lurid underbelly of show business into the stuff of dragtastic entertainment. In other words, it's a perfect flick to put on whilst celebrating Pride Month. As I'd never seen either picture, I decided to take this as an opportunity to explore them both and share my thoughts with you, dear readers. I don't know what I was expecting from this double feature, but it wasn't what I found. Suffice it to say, I was surprised, gooped, and gagged…

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