Queersighted: Breaking Taboos on the Criterion Channel

by Cláudio Alves

O FANTASMA (2000)

For the past few years, the Criterion Channel has highlighted taboo-breaking pictures in queer cinema with their series "Queersighted." For its fourth edition, programmer Michael Koresky invited film critic K. Austin Collins to select and discuss a series of works that look at film history through a decidedly queer lens. This year's installment features movies that go from 1930s Hollywood productions to 2000s Portuguese provocations. Controversial and wildly transgressive, these films run a gamut of genres and formalistic approaches, showcasing how it's possible to push the envelope both from within the Hays Code-abiding studio system and the vanguard of New German Cinema.

Before saying farewell to Pride Month 2021, join us in exploring ten films presented in this program...

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A Year With Kate: Sylvia Scarlett (1936)

Episode 9 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order

In which Katharine Hepburn looks better in a suit than Cary Grant.

I will never turn down a movie about a lady in a suit. Two reasons: 1) Early exposure to As You Like It and  2) An experimental phase in college film studies during which I flirted heavily with the Hays Code.

What I’m saying is, I was predisposed to love Sylvia Scarlett no matter what. Still, it wasn’t what I expected. Kate in Sylvia Scarlett gets lumped in with Greta Garbo in Queen Christina and Marlene Dietrich in Morocco as a member of the Cinematic Sapphic Sisterhood. But after this week’s viewing, I actually think that’s reductive. Instead, Morocco, Queen Christina and Sylvia Scarlett all deal with different shades of androgyny, sex, and gender.

Too academic a subject? I will include pictures of ladies kissing. I’m unselfish that way. Adjust your tie, fix your lipstick, and we'll start with Morocco.

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