Pre-Code Diva Smackdown

by Cláudio Alves

Though postwar film noir is de rigueur for Noirvember, the Criterion Channel prepared a nifty bit of counterprogramming with a program dedicated to Pre-Code Divas. Going back before 1934, when the second coming of the Hays Code went into effect, one finds that time when sound was new and moral standards were, if not low, more libertine than they'd become. It was a time for sex comedies and sad stories about fallen women, moralist shockers and amoral delights, starring a cadre of starlets who became synonymous with the era. Some would go on to thrive within the Code, while others fell to obscurity when their vehicles dried up under new norms.

Since we all had so much fun with the last readers' poll, let's do another one. This time, you'll be voting on your favorite Pre-Code Diva. After the jump, discover our contenders and their Criterion-selected titles…

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Links: Yellowjackets, Ariana DeBose, Black Panther 2, etc...

• Advocate SNL leaned queer this weekend, pairing Ariana DeBose and Kate McKinnon multiple times during the show. We enjoyed that Sappho skit!
• Vulture reviewing Ariana's episode
• TFE in case you missed it we looked into SNL's history of Oscar-hopeful Hosts
• Cinema Seen yours truly guest starred on Eric Marchen's Canadian movie review tv show
• /Film if you haven't heard, Netflix is raising subscription prices in October

More after jump including New York Times Oscar-like ballots, Yellowjackets mania,  Arnauld Desplechin's next picture, and Carole Lombard's final film...

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Carole Lombard: First Lady of Screwball (and Much More!)

by Cláudio Alves

The Criterion Channel is honoring Carole Lombard with one of their latest collections. This curated sample of eleven films illuminates different talents in the Old Hollywood star's repertoire, from her comedic chops to less heralded, though not less excellent, work in melodramas. While she's best remembered as the queen of the screwball genre thanks to films like My Man Godfrey, Lombard was a multifaceted actress whose range deserves to be remembered. While her life was cut short by a tragic plane crash in 1942, the starlet's filmography is a thing of beauty, vast and distinctive, full of treasures to discover and enjoy…

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Mitchell Leisen: The forgotten legacy of a queer filmmaker

by Cláudio Alves

Sometimes, a writing project can take a life of its own, overwhelming you. That's what happened to me when trying to write about Old Hollywood director Mitchell Leisen. Initially, I pitched this piece to Nathaniel as a way of spotlighting an oft-forgotten talent whose best films feature in one of the Criterion Channel's latest collections. Later, as our 1946 journey began, the piece gained new value as a profile of the man who directed that year's Best Actress champion, Olivia de Havilland in To Each His Own. However, what most surprised me was how Leisen's story correlates with queer history and everything we celebrate and mourn during Pride month. 

As I went down a rabbit hole of research, the marvelous writings of Mark Rappaport, David Melville, Farran Nehme, and others revealed the complex case. That of an acclaimed queer artist whose legacy was systematically tarnished, if not downright erased, in a gesture of barely concealed homophobia…

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Showbiz History: Derek Jarman, The Misfits, and Jennifer Lawrence's breakout

7 random things that happened on this day, January 31st, in showbiz history

1941 Alfred Hitchcock's comedy Mr & Mrs Smith, no not the Brangelina one, opened in theaters starring Carole Lombard and Robert Montgomery. Yes, Hitchcock once made a screwball comedy without thriller elements. 

1961 The Misfits, the elegaic last film for both Marilyn Monroe and Clark Gable and one of Montgomery Clift's last pictures, has its world premiere in Reno, Nevada. It will open in movie theaters the next day...

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