Oscar's Director Hierachy 2024 Edition

by Nathaniel

Spielberg & Scorsese just keep moving up Oscar's hall of fame

Since we did this with the Actresses and Actors, why not the Directors? Martin Scorsese added to his incredible record this season and Steven Spielberg did the same just last year, nudging Billy Wilder into fourth place. The Most Hallowed Directors Quartet is far more "current" than the Actor or Actress throne rooms as a result...

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Almost There: Marilyn Monroe in "Some Like It Hot"

by Cláudio Alves

September started with the Venice Film Festival where Andrew Dominik's controversial Blonde premiered and closes with its arrival on Netflix. As a Marilyn Monroe fan who tried and failed to get through Joyce Carol Oates' doorstop of a novel, I had early apprehensions about this production and its fictionalized account of the star's troubled life. However, the combination of a gorgeous-looking trailer and moralistic backlash online led me to anticipate the movie with bullish optimism. Yet, having seen the thing, I'm afraid I can't sincerely take on a contrarian positive take nor defend most aspects of the misbegotten mess.

Worst of all, I'm stricken by the picture's puddle-deep purview of stardom, image-making, and Monroe herself as a person and phenomenon. Considerations of her as an actress are similarly shallow, verging on nonexistent. This is especially disheartening because, above all else, she was an amazing actress whose talent is often overlooked, either obfuscated by the glare of tragedy or dismissed by those who can't see beyond media objectification. So, to combat both narratives, let's remember Marilyn Monroe, the actress, in one of her best films – Billy Wilder's Some Like It Hot…

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1951: Jan Sterling in "Ace in the Hole"

We're revisiting the 1951 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternatives to Oscar's ballot.

Surely we all remember Jan Sterling from the excellent 1954 Smackdown, whose performance as an “anxious catfishing pioneer” in The High and the Mighty gave a misogynistic role one of the only moments of real pathos in the whole film. That disaster film was enough of a critical and box office success to justify her nomination, but much like Katy Jurado in Broken Lance and even Nina Foch in Executive Suite (who I love!) from the same lineup, the energy around Sterling’s nomination reeks more than a little of belated recognition.

In Sterling’s case, that missed opportunity came in 1951. Beford the National Board of Review introduced supporting categories to their own awards they handed her Best Actress for her supporting turn as a bored, opportunistic wife of a trapped man in Billy Wilder’s Ace in the Hole. But the mediocre reception Ace in the Hole received for its overt cynicism towards the noble professions of journalism and public service may have nixed her chances before category confusion could come into play. That's a shame since Sterling’s performance is absolutely essential to Wilder’s mix of jaded, mundane villainy and calculated entrepreneurship...

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Tweetweek: Sleepovers, time loops, and one very gay summer

First, two tweets that stunned us in their perceptiveness. Exactly right on both counts.

Long overdue rewatch of A HISTORY OF VIOLENCE and it occurs to me that the exact same narrative material that is dealt with here in 96 minutes would now cover five seasons of a ‘prestige’ streaming drama.

— Jeff Billington (@faces_of_jeff) June 30, 2022

the multiverse and time loops displaced time travel as a genre bc we no longer agree on the past or believe in the future, just infinite minuscule variations on the present

— Tony Tulathimutte (@tonytula) July 5, 2022

More curated and mostly amusing tweets for you after the jump featuring George Clooney's batsuit, Barbie sleepovers, a perplexing Dianne Wiest situation, Alien  & Predator trivia, the summer of 92 at the movies, and more ...

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Criterion Channel Wrap Up: Five By Billy Wilder

By Christopher James

Having a Criterion Channel subscription often feels like opening Christmas presents each month. Their monthly programming always provides subscribers with curated series from some of the greatest classic artists both domestically and in world cinema. This month, the Criterion Channel decided to honor the legendary director Billy Wilder with a sampling of five of his movies. The legendary Austrian director won six competitive Oscars over his decades-long career, plus an additional Irving G. Thalberg Memorial Award in 1988. 

Although—or perhaps because—he was born in Austria, writer, director, and Hollywood legend Billy Wilder saw America more clearly than most, probing its absurdities and hypocrisies with a witty yet lacerating eye. This sampler of five of his finest—including the Tinseltown tragedy Sunset Blvd., scathing media satire Ace in the Hole, and gripping POW drama Stalag 17—showcases the pitch-perfect blend of human understanding and barbed cynicism that defines Wilder worldview.

For this piece, I revisited two of my all-time favorites, re-experienced one I didn't remember well, and discovered two new (to me) gems. Let’s take a look at the films the Criterion Channel chose to highlight...

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